Sidewalk, Leaves, Rain, Reflections

Sidewalk, Leaves, Rain, Reflections
A pedestrian walks across a reflecting, leaf-covered sidewalk in rain near the Tate Museum, London

Sidewalk, Leaves, Rain, Reflections. London, England, August 2, 2016. © Copyright 2016. G Dan Mitchell – all rights reserved.

A pedestrian walks across a reflecting, leaf-covered sidewalk in rain near the Tate Museum, London

I made this photograph close to the river side entrance to the Tate Modern in London. I like the museum itself, but I also like the surrounding area for photography of people and of “stuff.” Nearby the Millennium Bridge arrives on the shore of the River Thames and intersects with the popular walkway along the river, so there is no shortage of activity or of people, plus there is a variety of architectural and other subjects, ranging from the river and the bridge to downtown London across the water.

This section of sidewalk in front of the museum was wet from the drizzle, and tiny fallen leaves littered its surface. Seen from my elevated position there were reflections from the buildings. I began by photographing a small group of nearby trees, but soon this solitary figure crossed the open area headed toward the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bubble Man

Bubble Man
A man making soap bubbles for the crowd in London

Bubble Man. London, England. August 2, 2016. © Copyright 2016. G Dan Mitchell – all rights reserved.

A man making soap bubbles for the crowd in London

We were out on foot on the first day of this trip to London and, if I recall correctly, we must have traveled across the Millennium Bridge over the River Thames to the Tate Modern in the gray drizzle. We had no specific plans on this day, and I think we were just sort of getting our “London legs” by getting out and about, no matter where our whims took us. (That said, one place that the walk took us was a pub, for breakfast!)

Coming back across the bridge the view points straight toward the St. Paul’s Cathedral, and once over the bridge the walkway travels between some modern buildings as it approaches. This is, obviously, prime tourist territory, so it is a likely place for street vendors and performers. (It is also a fine place for street photographers.) The black-dressed fellow was spreading a mess of soapy water on the sidewalk tiles and lots of big bubbles into the air.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Panamint Valley and Mountains

Panamint Valley and Mountains
Looking into Panamint Valley and toward the Panamint Mountain Range

Panamint Valley and Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking into Panamint Valley and toward the Panamint Mountain Range

When most people think of Death Valley they probably think of incredibly hot desert conditions. Those conditions are real, and are among the reasons that I do not visit the place during the warmer times of the year. But the conditions are quite a bit more varied than that reputation would suggest. I have been snowed on in Death Valley — on one memorable occasion photographic desert wildflowers in a snow storm! — and I have encountered temperatures ranging from over 100 degrees to below freezing. The variations are related to seasons (there are some very cold places here in the winter!) and to elevation, which ranges from below sea level to over 11,000′.

This photograph captures a range of those conditions in one image. It was a pleasantly warm, though cloudy, day as I left the park. The winds were howling down below in Panamint Valley, where a dust storm was beginning to kick up. Winter snow was still thick on the highest peaks of the Panamint range, and an incoming storm was developing and promising more precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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It’s Time To Dance!

It's Time To Dance
Graffiti, street art, and a potted ivy plant, Le Marais

It’s Time To Dance! Le Marais, Paris, France. August 10, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti, street art, and a potted ivy plant, Le Marais

We wandered into Le Marais, a section of Paris that still retains the old, narrow, and sometimes twisting streets from before the improvements that brought wide boulevards and a logical (or so they tell me) street layout. It is also a sort of “artsy” area, with lots of little shops, the occasional museum, interesting people, and lots of street art. All in all, it felt like a street photographer’s paradise to me. (I made my favorite photograph of the entire five-week trip — and perhaps one of my favorites of all time — here in Le Marais, probably only feet from where I made this one.)

The street art, which includes but is certainly not limited to graffiti, is ubiquitous. Some seems light-hearted, some has a darker edge. Some is political, and the meaning of some of it was opaque to me. The combination of the French language — which I don’t speak and only some of which I can figure out — and English, some of which seems just a bit odd or “off,” gave a lot of it a kind of perplexing quality. For example, the words written around the edge of the black planter down near the sidewalk, which enthusiastically announce “It’s Time to Dance!” I saw these large female dancing figures elsewhere, another visual theme whose precise significance eluded me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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