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Two Gulls, Ocean and Horizon

Two Gulls, Ocean and Horizon
Two Gulls, Ocean and Horizon

Two Gulls, Ocean and Horizon. California Coast North of Santa Cruz. July 12, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Two sea gulls glide along the top of coastal bluffs above the Pacific Ocean north of Santa Cruz, California.

Since I’ve related the basic story previously – more than once – I’ll keep it short this time. Since I live within an hour or less of the California coast, I head over that way frequently to photograph. Among my favorite subjects are the pelicans that travel up and down (but mostly, for some inexplicable reason up) the coast, riding the updrafts along the tops of coastal bluffs. I had some free time on this day, so I headed over with photographing the birds as one of my possible goals.

When I got to this familiar spot, there were no pelicans. (Eventually a few did fly past, but this was not a good day for pelicans.) Before moving on to other subjects I thought I’d at least stay here a while and practice the skills involved in photographing these birds in flight since even though there were no pelicans, there were plenty of other obliging birds. Most of the time it is difficult to get two gulls in the frame once they get close and start to fly past, but these two hung close enough together to be in the same frame, and their low trajectory placed them right in front of the deep blue water, with the fog-softened horizon near the top of the frame.

G Dan Mitchell Photography
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Gull, Sky, and Fog

Gull, Sky, and Fog
Gull, Sky, and Fog

Gull, Sky, and Fog. Pacific Coast Near Santa Cruz, California. July 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)

Monterey Pines, Fog

Monterey Pines, Fog
Monterey Pines, Fog

Monterey Pines, Fog. Point Lobos State Reserve, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Monterey Pines growing along cliff tops on the north shore of Point Lobos State Reserve with Carmel coastline visible in the distance.

These beautiful and tough Monterey Cypress trees grow at the edges of cliffs above the Pacific Ocean along the north shore of Point Lobos, and on this foggy morning the outline of the Carmel shoreline was just barely visible beyond them. The light was difficult, but I think it ended up helping produce a very moody image that, for me, evokes that feeling of walking though this area on such a morning.

I’m one of those strange people who is usually a bit disappointed when the weather here is clear! In fact, I’ll change my mind and decide not to go photograph at Point Lobos if I hear it is going to be a beautiful blue sky day. My ideal is a day with fog or clouds or rain, and especially so if there is a chance that a bit of light might try to break through clearing (or arriving) clouds.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Sur Coast Near Bixby Creek, Winter

Big Sur Coast Near Bixby Creek, Winter
Big Sur Coast Near Bixby Creek, Winter

Big Sur Coast Near Bixby Creek, Winter. Pacific Ocean, California. January 1, 2011. © Copyright G Dan Mitchell – all rights reserved.

Light winter rain falls on the rugged Big Sur coastline near Bixby Creek.

This is one more – and perhaps the final – photograph from New Years Day 2011 along the Big Sur coast line. While this is perhaps not your chamber of commerce picture perfect day, it is my kind of Big Sur day. As I made the photograph the wind was absolutely howling – so strong that I couldn’t really use my tripod, so I instead hand held the camera and braced it and myself against a very large boulder. To make things even more “fun,” it was trying very hard to rain!

The location is precisely at the spot where many of the iconic photographs of Bixby Bridge are made, at the north end of the bridge. However, on this day I thought that the subdued tones of the winter ocean and cliffs were more interesting, so I framed my photographs to avoid including the bridge.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.