A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.
This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.
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Remnants of the old right-of-way of the High Line Railway run in front of and old and run-down brick building, New York City.
There is, no doubt, a lot of history in this scene that I’m unaware of – but the visual elements mostly caught my attention as we walked past this spot. On the final morning of our August 2011 visit to New York, we were walking from West Village to Chelsea when we passed this area. My son, who lives in Brooklyn and is obsessed (in the good way!) with walking around lots of areas of New York City and making photographs and noting what he sees, first pointed out the terrace in the lower part of the scene (bounded by the railing) and the steel structure at the lower left. He told me that this was part of the High Line Railroad that used to run through this part of Manhattan. A more famous section of the High Line has become a very popular “elevated park” in Chelsea, but in this area it is pretty much just abandoned and, in places, gone.
I don’t know what the tall and worn-looking brick building is, but I’d sure like to know. My hunch, given the appearance of a former white paint job and the proximity to the railroad tracks, is that it must have been some sort of industrial building at some point.
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A double-reflection of late light from an adjacent building appears in the upper story of this window-covered industrial building near the High Line Park in New York City.
This is another of my photographs from New York City’s High Line Park, made during my late August visit to the city earlier this year. For those who may not know, the High Line is a relatively new (and still under construction) urban park in Chelsea that is “elevated,” being built on the bed of the old elevated railway that passed through here. The park is tremendously popular, especially on summer evenings.
Aside from being a pleasant place to walk, the High Line affords some interesting views that are usually not quite this accessible. There are not to many places where you can walk through a busy urban environment such as Manhattan for a mile or so, out in the open, a couple of stories above street level, with largely unobstructed views of subjects near and far, and above and below. Here the park passes between some taller buildings that are closely spaced, creating an interesting lighting situation. (Oddly, it is a kind of lighting that I often look for when shooting landscape or nature subjects.) The sun is behind the building in the photograph, so the building is largely lit by light from the open sky plus light reflected from the building behind my camera position. You can see that other building in the windows here, the upper floors in direct sun light and the lower in shadow.
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Afternoon storm clouds clear from the sunset sky above Lower McCabe Lake, Shepherds Crest, and Virginia Canyon, Yosemite National Park.
With this photograph I get to tell another of the “serendipitous photograph” stories that seem to keep coming up in my work. In this case, we had been camped near the lake in the lower area of the photograph for several days, getting to know the place and having time to carefully photograph various areas nearby. On a previous evening we had climbed to a second lake a few hundred feet higher than the “main” lake, from which one of our group decided to traverse a nearby slope. He ended up at another alpine lake that looked interesting, and the next morning others went with him to visit it. I didn’t, because I had some other things that I wanted to photograph in morning light and because I had a hunch that the light might turn out to be more interesting in the evening, mainly because the area of the lake was open to the west and, therefore, the evening light.
So in the evening, after our typical very early dinner, I departed on a walk to the upper lake that my friends had visited that morning, wandering around “our” lake and through the surrounding forest to pick up a rocky ramp that ascended toward the lake. However, I apparently missed a turn somewhere. I finished the main part of the climb and apparently should have turned left immediately – but I continued on straight ahead and soon found myself in a little meadowy area with a rather steep bunch of rocks between me and my goal. I finally found a circuitous route up a series of ramps, but now it was getting too close to sunset and my turn-around time, so I had to retrace my steps without getting to the lake.
I returned to the small meadow and made a few photographs there, then headed back toward the route by which I had ascended. Despite not making the lake, one of my main goals had been to get up high to photograph the surrounding terrain at sunset, especially since earlier in the day large thunderclouds had been building to the east and creating the possibility of some very special evening light. As I descended the upper part of the “ramp,” the pre-sunset colors started to light up and I quickly found a spot with a good vantage point to view this in several directions. Among the last photographs I made as the light started to fade was the series including this image. (It is actually a composite of two exposures – one for the very bright and saturated clouds and another for the darker shadows down near that lake.) Beyond the lake is the left end of rocky Shepherds Crest and even further in the distance is Virginia Canyon and then the Sierra crest.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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