Distorted and colorful reflections on the metal surface of the Frank Gehry-designed EMP Museum in Seattle, Washington.
I made this photograph, and a series of them of this subject, during a visit to Seattle back in 2006. After seeing the exhibits at the EMP Museum, I spent some time wandering around the Frank Gehry designed building and looking for photographs.
Seattle seems like a great place to photograph architecture – you are almost guaranteed soft light! Here I had a mostly cloudy sky with a few spots of blue sky, so the basic light was very nice. In addition, the building itself is, in places, one giant fun house mirror. In this shot the reflective panels are picking up their own coloration, some clouds and blue sky, and some extremely distorted reflections of nearby carnival rides – and all of that stuff is set off against the sky blue curving shapes projecting from the building at the upper right. Some of the colors reflected in the wall panels are so colorful as to almost be over-saturated, and with the strange distortions they create the effect seems almost hallucinogenic! Is there any color that cannot be found somewhere on that wall?
Dramatic thunderstorms begin to build above Owens Valley, flanked by the White Mountains and the eastern Sierra Nevada range.
If there is any good news about starting to run out of space on my hard drive, it might be that it encourages me to begin the process of reviewing my tens of thousands of archived raw image files, and that leads me to look through files that I haven’t revisited in a long time – and during this process I find photographs that I had forgotten about. Not only is it worthwhile to rediscover these photographs that ended up buried in the archive, but it is also a chance to recall some of the trips on which the photographs were made.
This photograph is yet another (of many!) that wouldn’t have happened at all if it were not for a whole unpredictable series of events and circumstances. I’ll make the story as short as I can, but it is still a bit involved. Almost every summer I share a long pack trip with a group of my friends. In 2005 we had come up with a 14-day trip along a good portion of the John Muir Trail between roughly the Ediza Lake area and Bishop Pass, which included one of the very few sections of the JMT that I had not hiked. We started at Agnew Meadow, headed up past Shadow Lake, turned south on the JMT, stopped at Reds Meadow, continued on to the Duck and Purple Lakes area… where I started to feel like I might be coming down with some sort of bug. Discretion being the better part of valor and all that, I decided that the prudent thing was to bail out of the trip and exit to Mammoth Lakes since the idea of getting sick on the fourth day of a 14-day hike with a large group was not appealing.
So I hiked out. Ironically, once I crossed the pass to head down to the Mammoth area, I recovered – but it was now too late to rejoin my group since they would be two days ahead of me on the trail at this point. Since I was back at my car now and feeling just fine I figured that I might as well do something else before heading home, so I decided to drive up into the White Mountains and visit the Bristlecone Pine forest. On the way back down from the Whites I just happened to pull out at this spot where the high desert terrain was extra green around a creek, on an afternoon when monsoon conditions were leading to a buildup of afternoon clouds above the Sierra, the Whites, and Owens Valley between the two ranges.
Morning fog covers Oakland and the East Bay Hills as hazy sun illuminates sailboats and ships on San Francisco Bay beyond the Golden Gate Bridge.
This photograph was made from high in the Marin Headlands, after hiking up to the hill above Battery 129 near the high point on Conzelman Road, the scenic route that climbs this ridge above the Golden Gate. I had earlier shot a similar scene from a spot just a bit lower, but by now the morning fog and haze was clearing enough to allow a bit more sun to light up the waters of the Bay and to reveal a subtle blue color. (Later the blue would be much deeper, and earlier it had been nearly gray.) This particular shade of blue is one of the things I liked about this scene on this particular day.
The hill at lower left is part of the Marin Headlands and drops from the road almost straight down to the water. The small bit of land intruding into the frame on the left just above the wake of a boat is Alcatraz Island. Beyond that is Treasure Island and its companion, Yerba Buena Island. The latter is crossed by the San Francisco Oakland Bay Bridge, leading to Oakland which is just barely visible under the fog over the East Bay hills. Near the upper right is a tiny bit of one of the piers along the San Francisco waterfront.
Clouds lit by alpenglow drift across the face of Mount Conness beyond the Tenaya Creek drainage, Yosemite National Park.
Earlier this week I posted another photograph of the same evening. This one was shot a bit earlier (believe it or not!) than the other photograph, as the intense and perhaps unexpected color display was just getting started. I’ll have more to write about the phenomenon in a future blog post that uses this evening as an example, but it almost seem like the sunset progressed backwards (oxymoron alert!) as it went on. It had begun with very boring and low contrast light, somewhat flattened by a haze that took on an increasingly ghastly blue-green hue as the light began to fade. Although the surroundings were spectacular on this opening day of Tioga Pass Road, the light and atmospheric conditions seemed to be conspiring to show them it their worst (literal and figurative) light.
But just at dusk a hint of pink appeared in some of the clouds ringing Mount Conness, the tall peak in the upper left. At first it was so faint that only those of us who were looking for it might have noticed, and we perhaps thought that we were simply trying to convince ourselves that something was going to happen. But the color increased, and as the more distant areas picked up better light, they shone through the foreground haze more clearly, and this haze faded in the same way that a scrim does in a theater when the front lights dim and the stage lights rise.
I find that this type of scene provides some of the most difficult technical and judgment challenges. So often the goal in an image, especially if it is going to be a print, is to try to get as much light into the scene as possible. A lot of the work in post-processing, at least for me, is done with the goal of trying to fill the image with light by means of various careful adjustments, often involving the use of masked curve layers. But here, the coloration depends upon not being overly bright – too much light either decreases the intensity of the pink and purple shadings or else sends them off into the land of the grotesque and gaudy. And the light in shadows – and there are a lot of shaded areas in this scene! – is very blue, much more so than the untrained eye would imagine when looking at the scene in person. This requires another set of tricky and subjective judgments – it would not look right to leave portions of the scene as blue “as they really were,” nor would it look right if the blue were diminished too much. But how much is right? There is no objective answer that I know of, so the goal (for example, on the large granite face of Polly Dome at the left) is to come up with a balance that seems blue enough but not too blue. A similar issue arises in these dark areas when it comes to deciding how bright is bright enough. Believe it or not, virtually nothing in this image is actually black, with the possible exception of a few very tiny areas in the lower left. The luminosity of the very dark areas had to be lifted a bit… but how much is just right? Again, a matter of personal judgment about which there is no objectively right answer.
All of that technical stuff aside, this evening provided one of the most glorious, albeit brief, displays of sublime light I have seen in the Sierra.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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