This season I took advantage of the rare opportunity to photograph reflections of desert mountains in Death Valley. We were there just before Christmas 2025 and then again near the end of February 2026. The Lake Manly was there both times, though it had visibly diminished on the second visit. But from up close its surface still reflected the surrounding mountains and sky.
Continue reading Lake Manly, Morning Clouds, Reflection
Here is another morning photograph on Manly Lake. I know — that is a LOT of photographs of this feature! But I had several beautiful mornings there this season, and each produced quite a haul of pictures portraying different moods and surroundings. At the moment I made this one, a band of light was striking a ridge descending toward the lake, while the foreground and more distant shadows were in muted light.
Continue reading Desert Mountains and Reflection, Morning
By now, those of you who follow my posts have figured out that I made quite a few photographs of Lake Manly on this partly cloudy morning. I hope you’ll forgive me, but the appearance of this lake is not an everyday event, and I wanted to take advantage of this opportunity. (Not only did I photograph it a lot on this trip, but I also photographed it two months earlier at the end of December.)
Continue reading Morning Reflections, Lake Manly Shoreline
By the time I made this photograph, the dramatic very early morning light had dissipated, and it was all about blue sky, distant mountains, and fascinating morning clouds. The idea in this image was to move as close to the water as possible to create a photograph that was almost entirely sky and its reflected image. The wedge of mountains serves as visual distance to break up the sky features.
It was not necessary to wade into the water to make this photograph. It was enough to position my tripod at the water’s edge and use an appropriate focal length. That brings up a bit of a issue I have with some folks who photograph here. While I, along with probably dozens of other photographers, were working this scene one photographer waded way out into the shallow lake and stayed there for a long time. If that had produced some photographic opportunity that was unavailable from the shoreline I might have been a bit sympathetic — but it didn’t, and it only interfered with the efforts of all the other photographers. Don’t be that photographer!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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