Tag Archives: curve

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Railing, Stairs, and Window – Museum of Modern Art

September 28, 2011 G Dan Mitchell Leave a comment

Edge of an upper landing with a railing, stairs, and windows at the Museum of Modern Art, New York City.

I think I have visited, at least briefly, the Museum of Modern Art every time I have been in New York City. (As a “west coaster” that isn’t all that often, but still…) My secret is that photographing inside and around the museum is, for me, almost as interesting as viewing the exhibits. There is a ton of interesting subject material to work with: the people, the interior (and to a lesser extent, exterior) architecture of the place, details that can be found by looking around a bit, the surrounding neighborhoods, and juxtapositions of any and all of these things.

We visited a wonderful show of photography when we were there this year, and at the end of a hallway outside the entrance to this show I saw this translucent wall of windows with a glow enhanced by, if I recall correctly, some cloudiness outside. Shooting quickly with the 50mm prime that was on my camera, I first grabbed some shots mostly of these windows. Then I tried a few that focused more on the stairway seen here at lower right. Finally, I narrowed it down to just this bit of curving railing and floor, throwing the rest of the scene out of focus by shooting at the largest aperture.

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Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Departing Freighter

September 16, 2011 G Dan Mitchell Leave a comment

Freighter approaching the Golden Gate as it departs from San Francisco Bay.

On this hazy but fog-less August morning I had stopped above the north end of the Golden Gate Bridge on my way north towards Point Reyes, where I planned a day of photography. I cross the bridge frequently, but I almost always schedule my crossings for times when the light might be interesting, at least if I have any control over my schedule. A summer day like this can bring any of a wide range of conditions: the bridge and bay could be totally socked in my fog, a finger of fog might extend inland while everything else is for-free, the sky could be crystal clear. On this morning the morning haze obscured a lot fo the long views… but it also increased the sense of distance and hid some distracting background elements that might have been visible in clearer conditions.

Some minutes earlier, while photographing a very different landscape from this spot, I had seen this ship beginning its outbound voyage all the way back under the San Francisco-Oakland Bay Bridge. Having watched these ships before I knew that it would eventually make its way past Treasure Island, around Alcatraz, make a wide loop, and then turn back to cross in front of me as it approached the passage through the Golden Gate. With this in mind, I kept an eye on it, and once it cleared Alcatraz I kept a close eye on it, making this exposure just as it made its final turn toward the Bridge with only the surface of the bay, the faint and distant hills, and the sky creating a blue background.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eroded Gullies at Zabriskie Point, Morning

September 1, 2011 G Dan Mitchell 3 Comments

Low angle morning light illuminates a tortured landscape of eroded gullies at Zabriskie Point, Death Valley National Park.

I recently “rediscovered” this photograph while undertaking a major review of the past eight years of my raw files. (And, yes, that task is just about as much fun as you might imagine. It would actually be pretty unbearable except that every so often I find some photographs that I had perhaps forgotten or overlooked, and I also come across images that remind me of experiences that took place some time ago.)

This photograph was made, as virtually anyone who has visited the spot recognizes, by pointing my camera about 90 degrees to the left of the classic Zabriskie Point views. Timing was important, as the early light is just skimming across the tops of these tortuously eroded gullies, picking out the ridges between them but leaving the lower sections in shadow. But good fortune also played a role here. Death Valley is usually a clear blue sky kind of place, but on this morning I had clouds! At dawn, if I recall correctly, the clouds actually interfered with the light a bit. But as the sun rose the clouds provided a more dramatic background than plain blue sky and created some softer and diffused light that gave just the right sort of dynamic range for photographs.

On a technical note, if you are viewing this in the right web browser you can mouse over the image and see a summary of basic EXIF data. (Sorry, but this feature only works in web browsers – if you are viewing email, etc. you’ll need to visit the version at my blog to see the EXIF.) If you do check the EXIF you might notice that this photograph was made with a very humble example of photographic technology, the Canon Digital Rebel XT. This camera is a 8MP cropped sensor “consumer” camera that I acquired when I first tested the waters of DSLR photography. (I had actually used digital cameras back in the 1990s, but not for serious photographic work.) Those who wonder which of today’s current DSLRs might enable them to produce interesting and effective images might consider what could be done with such a humble camera. ;-)

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Juxtaposed Buildings With Shadows and Reflections

July 11, 2011 G Dan Mitchell Leave a comment

The overlapping structures of downtown buildings covered with reflections and shadows, San Francisco.

I made this photograph while walking up Market Street in San Francisco on this early July morning, dodging fast-walking pedestrians and bunches of tourists. I wasn’t certain of what I would shoot here on this day, and I was actually equipped more for shooting street level scenes than this sort of thing, in that I was traveling light with only a few basic prime lenses. But when I visit here, I’m almost always fascinated by the juxtapositions of different types of architecture, patterns of shadows and reflected light, the effect of perspective when looking up from the street, and the odd similarities to some of the rugged landscapes that I also like to photograph.

I’m not good about paying attention to the identity of the buildings, so while I could certainly locate them again quickly I’m afraid I can’t name them! I’ve photographed both before, and I was already very aware of the reflection patterns that appear in the windows of the darker building on the left, creating a criss-cross pattern against the lines of its own windows. There are more subtle effects of light on the lighter surface of the building on the right. Reflections from windows above and to the right cast diagonal lines of faint light down and across this part of the building, and below that there is a faint pattern of darker lines which are shadows from the light reflecting through the horizontal structure at the far right margin. (Being a fan of such things, I also like the fact that this open structure creates dark shadow patterns beyond and to its right and lighter shadow patterns across the whole face of the building. Yet other buildings are reflected, slightly distorted, in the large windows set in the bright wall.

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