A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.
A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brick walls and a building under construction above the High Line Elevated Park, New York City.
Another bit of architecture photographed from the High Line Elevated Park in Chelsea on a summer evening in August. The most interesting features of this evening included the “mackerel sky” clouds to the west, which are reflected in the windows of the upper building, and the warm light of early evening. The juxtapositions of angles and textures (especially the bricks and the glass windows) got my attention as we walked along the High Line. I cannot identify the building, but it appears to be under construction.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light strikes buildings above the curving urban canyon of Maiden Lane in Lower Manhattan.
We were in this area of lower Manhattan for several reasons on the morning of the last full day of our New York City visit. We made a stop at the nearby World Trade Center site – it is difficult to explain all of the reactions that I had to this. The last time I visited (close to New Years Day 2000) we stood on top of one of the buildings to see the nighttime view – and now there is a void in that place.
We were also there to visit our oldest son who was working that day in an office on Maiden Lane – and, later on, to join the throngs walking out onto the Brooklyn Bridge. (This was our first day of clear, blue sky weather.) I made this photograph as we approached that street a bit early, giving us some time to look around a bit. Oddly, when I visit the very narrow and twisty “canyons” of this part of Manhattan, with the very tall buildings towering immediately above and following the curves of the old streets, I always think of different sorts of canyons, for example the sort that I frequently visit in the Sierra. It occurred to me that the same light falls on both types of canyons. You can bet that I would have my camera out if light like that shining on the front of these curved buildings appeared in “my” Sierra!
Evening photograph of an urban parking lot near the High Line Elevated Park in the Chelsea area of New York City.
I photographed this parking facility from above as we started down the stairs at the north end of High Line Park. Since I was traveling light at this point I had no tripod – so I made this 1/8 second exposure hand-held. (Image stabilization can be your friend!) Lighting was, to say the least, tricky. Areas of the structure were in deep shadow, but there were also bright artificial light directly within the frame. By some miracle I managed to pretty much capture the full dynamic range in one shot.
These parking elevators are seen all over Manhattan, and they allow cars to be parked several deep on the vertical lift. This was the first time I had the opportunity to shoot one from a position that wasn’t on the ground, and the complicated mass of vertical beams filling the space and lit by artificial light sources seemed like an interesting subject. I haven’t seen the elevators in operation, so I still wonder how the lot operators manage to get the right cars at the top/bottom of each lift so that each person’s car will be at ground level at the right time.