Tag Archives: eroded

Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Cliffs, Dawn

Red Cliffs, Dawn
Red Cliffs, Dawn

The Red Cliffs (also called the “Red Cathedral”) are close to the famous spire of Manly Beacon at Zabriskie Point, and off the right a bit from the typical vantage points. The light was quite special – at least when not blocked by the clouds! – on this morning. These interesting clouds against the pastel blue sky first caught my attention, and were actually my primary interest in making this photograph. While the early light was on the clouds, some soft light also filtered through low clouds to the east and created a subtle glow on the face of this feature.

The Red Cliffs are really an amazing feature, though are often overlooked in favor of the more prominent and iconic Manly Beacon. The cliffs can often can be difficult to photograph – at least for me! When more direct light hits them the large dynamic contrasts between the areas in the light and the much darker shadows are tricky to handle, so this cloud-softened light seemed like just the right thing.

And, yes, I was at Zabriskie Point. It is a long story, but I have mentioned before that I have a personal project to photograph things other than the iconic scenes of Zabriskie. (Which is not to say that I won’t point my camera at those while I’m there it it turns out to be worth it!)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Zabriskie Point Gully, Morning Light

Zabriskie Point Gully, Morning Light
Zabriskie Point Gully, Morning Light

Zabriskie Point Gully, Morning Light. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

Morning sun back-lights the dense pattern of folds in a small gully at Zabriskie Point, Death Valley National Park, California.

In some ways I think this is one of the more subtle and complex of the various photographs I have made that isolate small sections of the Zabriskie Point landscape, especially the eroded patterns of the small gullies below the main viewing area. This photograph, like many in this series, was made after the normal “dawn light” time period, and at this time the sun is higher in the sky. It begins to back-light the tops of the furrows and gullies and the brighter light reflects down into the lower portions of the gully. There are a tremendous number of overlapping ridges and the color variations are quite large, though subtle at the same time. Some areas have a very blue cast, being in shadow and lit almost completely by the open blue sky. Others take on warmer tones, especially if they are illuminated by light reflected from the warm-tones earth. An area of thin clouds was floating above the scene and its shadow slightly softened and muted the light that otherwise might have been quite stark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Eroded Sandstone, Point Lobos

Eroded Sandstone, Point Lobos
Eroded Sandstone, Point Lobos

Eroded Sandstone, Point Lobos. Point Lobos State Reserve, California. July 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

Patterns in eroded shoreline sandstone rocks at the Point Lobos State Reserve, California.

The rugged Point Lobos shoreline in places exposes some very interesting rocks, including sections like this one where layers of different colored sand stone are gradually worn away, revealing underlying layers of different colors and textures and sometimes exposing surprising color contrasts. On days when the light is very soft (or very boring!) I may seek out some of these rocks and photograph them since the softer light lets details appear that might easily be washed out in harsher light.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.