Tag Archives: evening

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

The Cranes Return, Dusk

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The Cranes Return, Dusk
As the day ends, sandhill cranes return to the wetlands.

The Cranes Return, Dusk. © Copyright 2020 G Dan Mitchell – all rights reserved.

As the day ends, sandhill cranes return to the wetlands.

Sandhill cranes are often the first birds I am aware of in the early morning and the last I look for in the evening before I put my camera away. In fact, the boundary between enough and too little light often comes during their evening return, so it isn’t unusual to end the day just watching them.

I’ve never quite figured out where they go during the day, though I suppose that some investigation would turn up the answer. (In a West Coast location I once found thousands of them in a dry, barren, out-of-the way place where I was virtually alone with them.) I’ll never forget the first time I experienced their evening return. At the end of a day of photography it was becoming dark — too dark, I thought, to continue. As I was about to pack up my gear I heard a remarkable sound coming from the southeast, a sound that I didn’t understand then but which I now recognize immediately as that of the returning flocks. A few moments later hundreds (more likely thousands) of them arrived, filling the sky, and then descending to nearby ponds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Fall, Photographs: Nature, Photographs: Wildlife

Geese, Autumn Sky

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Geese, Autumn Sky
Geese return to Central Valley wetlands under dramatic autumn sky.

Geese, Autumn Sky. © Copyright 2020 G Dan Mitchell – all rights reserved.

Geese return to Central Valley wetlands under dramatic autumn sky.

This has been a strange autumn in California in a host of ways. The state has been contending with the effects of warmer and drier conditions and declining precipitation for at least a decade now, and late-autumn is now part of the wildfire season, a time that used to terminate with the first late-October rains. In my part of California, where the rains usually get going in November and December is one of the three core rainy months., we have had almost no precipitation at all. You’ll pardon us if we spend a lot of time watching the sky and hoping for real weather to arrive.

A week ago I spent some time in the Great Central Valley making photographs. I had been putting off my visits because I prefer “interesting weather,” and there really wasn’t any. I finally went there because there was the tiniest chance of a little bit of fog and because, well, it looked like that would be the best we’d see for a while. The morning was nice — the true fog did not materials, but there was a beautiful softness in the atmosphere anyway. But late in the day it just became… gray… as a cloud shield from a weather front came in from the west. I almost left, and I had actually mostly packed up, when I decided that I might as well stick around a bit longer since I was there. It turned out to be the right decision. One development was something familiar to me from past evenings — as the light moved to the west the hazy atmosphere became more transparent and, like a stage scene illuminated behind a scrim, the shapes of the western clouds became clearer as geese arrived to settle into a nearby pond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Central Valley Coyote

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Central Valley Coyote
A coyote pauses during an early evening hunt in California’s Central Valley.

Central Valley Coyote. © Copyright 2013 G Dan Mitchell – all rights reserved.

A coyote pauses during an early evening hunt in California’s Central Valley.

We know that coyotes are about in the locations where we photograph migratory birds in the autumn and winter. We often hear their cries in the evening, and occasionally we’ll catch sight of them in the distance as they trot across the grassland toward a tasty-looking flock of birds, no doubt encountering equally tasting small mammals along the way. However, seeing one this close in the daytime is a bit less typical.

It was the last hour before sunset, as you might guess from the warm and low-angle light, when this specimen appeared not far away from my position. It was most certainly aware of my presence, but it didn’t seem overly concerned as it passed, pausing occasionally to look around and even cast a glance in our direction.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sudden Flight

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Sudden Flight
“Sudden Flight” — A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph as I do during the day. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, working with motion blur of birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and leave for parts unknown. Groups tend to depart together, and as they do they take to the air en masse with little or no warning. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds suggest the quality of these departing flocks as truthfully as stop-motion photographs.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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