Tag Archives: face

Trees and Granite, Morning

Trees and Granite, Morning
Trees and Granite, Morning

Trees and Granite, Morning. Yosemite National Park, California. July 27, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light shines on the trees clinging to massive granite domes in the high country of Yosemite National Park.

This photograph was the result of an odd little sequence of events. While driving along Tioga Pass Road in the afternoon I looked more closely at an area that I have passed by many times and noticed that it was filled with glacial erratics, “loose” boulders left behind when glaciers retreated. It seemed like these boulders might be an interesting subject and since they were in a position where morning light seemed likely, I made a mental note to return in the morning over the next couple of days and see what I could photograph here.

The next morning, after photographing at dawn nearby, I decided to go to this spot and see what I could come up with. I arrived without a specific idea in mind beyond the plan to look around and see what I could find. My first idea was to photograph the boulders themselves, and I did make a few mediocre exposures of individual boulders and groups of boulders. As I played around with this idea I noticed that the light slanting across granite slabs a bit to the north of me looked interesting, especially since this light was also side- and back-lighting some of the trees. So I turned my attention to this potential subject.

Working with this idea I gradually became less interested in the boulders and more interested in the trees of the lodgepole forest that extended beyond the slabs, so I found a somewhat higher spot to shoot from and made a series of exposures that included layers of backlit trees extending beyond the granite. Beyond the trees was the base of Pywiack Dome, a subject that I have worked with a number of times in the past. Now I looked a bit higher than the forest that led my eye to the dome, and I photographed the boundary between the forest and the base of the dome. (Producing, I might add, a really, really boring photograph!) Looking a bit higher I saw the solitary tree near the lower left of this photograph, and I made a vertical exposure that included mostly just the tree and the expanse of granite above and around it. (This photograph will be here in a few days.) They I thought I would try a landscape orientation photograph, and as I worked with this I got the idea to include the right face of the closer granite dome against the darker shape of a more distant cliff. And, finally, I found this photograph.

(There is also a black and white version of this photograph. The text accompanying that version talks a bit about the black and white versus color issue.)

G Dan Mitchell Photography
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Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Late Afternoon, Tenaya Lake

Late Afternoon, Tenaya Lake
Late Afternoon, Tenaya Lake

Late Afternoon, Tenaya Lake. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Ice covers the surface of Tenaya Lake on the day of the mid-June opening of Tioga Pass Road as afternoon clouds cluster around the summit of Mount Conness, Yosemite National Park.

After the wild sunset-illuminated versions of this scene that I’ve posted recently, I thought it might be a relief to post something more subtle! This photograph was also made on the evening of June 18, the day that Tioga Pass Road opened for the 2011 season. A bit earlier I had photographed along the shoreline of Tenaya Lake – the ice-covered area in the lower portion of this image – where I had juxtaposed melting ice, deep blue water, and interesting clouds. When I finished there I had a decision to make – whether to head back up toward the pass, continue to photograph around the lake, or try to get a shot of Mount Conness from Olmsted Point. Since I had been in contact with a client concerning Mount Conness photographs just a few days earlier, I decided to try that third choice.

When I arrived at Olmsted, conditions were a bit unpromising. Clouds had come up over the Sierra crest and Conness was completely obscured. In addition, a certain type of gloomy haze and cloudiness was taking much of the energy out of the scene. Clouds to the west were washing out the light, too. Many times I don’t give up immediately in situations like this, at least not until I’ve spent a bit of time trying to get a sense of where things might be headed. (Ultimately on this evening that turned out to be a good decision, as near sunset one of the most intense displays of Sierra evening color occurred… but that it a story I’ve already told in earlier posts.) As I watched, the clouds around Conness began to move a bit and every so often a bit of the tip of the mountain would poke through. During one of these moments, a bit of light filtered through the high clouds from the west and glanced across the slopes of Polly Dome and struck the upper reaches of Medlicott Dome.

G Dan Mitchell Photography
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Last Light, Mount Conness

Last Light, Mount Conness
Last Light, Mount Conness

Last Light, Mount Conness. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

The final evening alpenglow illuminates the summit ridge of Mount Conness and the west face of Medlicott Dome in the Yosemite National Park high country.

This will be my final photograph of Mount Conness from the evening of June 18, the day that Tioga Pass Road opened this year and the day of one of the most spectacular Yosemite high country sunsets in recent memory. It will be the final both in the sense that I think I’ve now shared the best of the group of images of this sunset and in the sense that it was literally my final exposure of the evening.

The short back-story is that what started out as a fairly unimpressive evening (at least in the photographic sense) transformed over a short period into something extraordinary as the sun dropped to the horizon west of the Sierra and illuminated the clouds from below, creating rare and very special alpenglow conditions over a wide area of the Sierra. (During the week that followed quite a few people commented on this amazing light, which they had witnessed from locations as distant as Mono Lake on the east side and the Central Valley to the west.)

When I made this photograph the show was coming to an end. At this point the sun had already set a few minutes earlier – the exposure was made around 8:45 p.m. – and the light was low enough to require a six-second exposure. While it may seem like Mount Conness (the tallest peak near the left on the skyline) and other features are receiving direct sunlight, this is actually the remaining post-sunset glow in the western sky.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.