Tag Archives: fire

The Annual Horsetail Fall Post

Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

Horsetail Fall, Early Evening. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.

Although it seems like it would be extremely difficult to make a truly original photograph of Horsetail Fall at this point, I won’t completely rule out the possibility, and recently I have seen a few interesting and imaginative photographs of the phenomenon.

The necessary conditions are fairly specific, and even when the basics are in place there is no guarantee that the show will occur on a given evening. To be honest, the odds are distinctly against you, and you are more likely to see something that doesn’t match your expectations.

  • There must be flowing water in the creek near the east end of the face of El Capitan that feeds the fall. This is not a sure thing in mid-winter. There must be sufficient snow above El Capitan and the temperatures must be warm enough to melt it, or there must have been a recent warm storm that brought some rain to higher elevations.
  • The setting sun must align just right with a gap in the mountains to the west of El Capitan so that the setting sun (miraculously) casts its last beams right on the face of El Capitan where the fall is located. Roughly speaking this occurs during the second half of February, right around February 20 or so.
  • You must be in a position such that the fall is back-lit by the sunset light beam. In addition, your position must provide a clear view of the fall – not necessarily a simple thing given the forest cover in the Valley. These areas are now subject to terrible crowding that has damaged areas of the park, and the park service is wisely reducing or eliminating access.
  • Although photographs make it seem like a huge, overpowering spectacle, it is actually very small. It takes place high on a distant cliff face, and to photograph it you’ll need a very long lens.
  • Finally, the skies to the west of Yosemite must be clear so that the golden hour sunset light is not blocked. Many tell stories of clouds that made it obvious that the show would not happen or, even more frustrating, developing light that was killed at the last minute when the sun dropped behind clouds to the west, which are quite common.

Any post about the February Horsetail Fall occurrence must include a few other important points:

  • The event has become so popular in recent years that the experience has been significantly compromised. You will not have an experience of relative solitude such as Galen Rowell likely had when he made the iconic photograph of the subject decades ago. Instead you will likely find yourself among hundreds or thousands (you read that right) of other photographers lined up with lenses pointed the same direction.
  • This, of course, implies that parking and finding “your spot” may both be challenges. As a result of traffic jams, illegal parking, overwhelming crowds, gross littering, and damage to meadow, forest, and river… the park service is wisely putting several access limits in place, even closing one of the favorite areas as of 2020.
  • If Horsetail isn’t an option, you are are still in one of the most beautiful and compelling places on the face of the planet for making photographs! Speaking of which, while the crowds are focused on Horsetail, you might consider photographing other things away from the crowds…

The annual Yosemite Renaissance art show typically opens at about this time each February and features the work of photographers and other artists working in Yosemite. The show is in the Yosemite Museum Gallery and the 2013 edition runs from February 22 through May 5, with the opening reception at 5:30-7:30 on February 22.  (You can view my work in the show this year.) In addition, there is always something interesting to see at the nearby Ansel Adams Gallery – this year an exhibit of Michael Frye’s photographs opens on February 16.

NOTE: The 2017 edition of the exhibit, Yosemite Renaissance 32, opens with a free public reception at 5:30 PM on Friday, February 24. One of my photographs is in the exhibit again this year. See you there!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Person in Blue Shirt, Pigeon

Person in Blue Shirt, Pigeon - A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.
A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.

Person in Blue Shirt, Pigeon. San Francisco, California. August 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.

Continuing my fascination with the walls of San Francisco buildings… this one is on Stockton Street just above China Town, and near the base of stairs descending from an overhead portion of the street under which Stockton continues through a tunnel. After I made this photograph I realized that I had also photographed it last year, from almost the same position and also with figures in front of it. But I decided that I like the subtle pigeon (perhaps hard to see in this small presentation) in front of the doorway, the guy in the blue shirt and shorts sauntering into the frame, and the fairly harsh front-lighting and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pipe Covered Wall, Fire Extinguisher Sign

Pipe Covered Wall, Fire Extinguisher Sign - A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows - The Embarcadero, San Francisco
A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows – The Embarcadero, San Francisco

Pipe Covered Wall, Fire Extinguisher Sign. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows – The Embarcadero, San Francisco.

This is a more or less random bit of wall in a small alley leading from the Embarcadero to some old buildings on one of the old piers along the east shoreline of San Francisco. (I need to get back up there soon. There was a recent fire in the area and now I’m wondering if it affected any of these little spots I photograph.)

I am a bit of a sucker – and who isn’t? – for old worn walls, especially when they are crisscrossed by pipes and conduit and when they hold various valves and meters of the sort that in more modern structures might be hidden from view. In this case, I made the photograph in relatively “harsh” light – it was still morning, but no longer the very early soft, warm light. In fact, it was that very light that created another element of this scene that attracted me, namely the very wide shadows from the very narrow pipes. I liked other small details too – the “FIRE EXT” sign, worn and now covered by conduit, with no fire extinguisher to be seen; what must be a much older “sign” about a third of the way in from the right, which now seems to be completely blank; that interesting interruption of the wall near its base but a chunk of steel covered with rivets.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell. 

Fire Escape Ladder, Brick Building

Fire Escape Ladder, Brick Building
Fire Escape Ladder, Brick Building

Fire Escape Ladder, Brick Building. New York, New York. August 24, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

On the final morning of our August (2011) visit to New York City, we took the subway down toward the lower end of the island to meet our son – the plan being to walk though Soho and (I think) the West Village, ending up at a gallery in Chelsea. After taking care of the most pressing bit of initial business – coffee – we wandered on through Soho… and I think this photograph was made there.

New Yorkers undoubtedly know exactly is going on with this light, but for the rest of the world… the morning sun was passing through a relatively narrow gap between buildings to strike this brick wall and partially pick off this green emergency exit zigzagging down the front of this building. In a lot of ways, this isn’t totally different from shooting natural landscapes – go out early, look for interesting subjects, find good light, make photographs. It isn’t totally the same – duh! – either. Not only can you walk here from coffee, but we (my son and I) shot without tripods, and I stuck to a single 50mm prime to keep things simple.

G Dan Mitchell Photography
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