Tag Archives: fog

Tree and Pond, Fog

Tree and Pond, Fog
Tree and Pond, Fog

Tree and Pond, Fog. Cosumnes River Wildlife Preserve, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

A solitary tree and a winter pond on a very foggy Central Valley morning, Cosumnes River Wildlife Preserve.

On my first visit to this wildlife preserve in California’s Central Valley (located between Stockton and Sacramento) I was thinking that I might have a chance to photograph wildlife, namely that incredible number of migrating birds that spend their winters in the rich, wet areas of this part of California. I knew it would be foggy, but I like that. (If you have followed my blog for even a short time you have perhaps seen some of my “barely there” photographs in which most details are nearly entirely obscured by clouds, rain, mist, or fog. )

I was not disappointed by a lack of fog! When I arrived it was so thick that I couldn’t see more than perhaps 100 or 200 feet! The Central Valley fog us tule fog which rises from the wet ground rather than blowing in from somewhere else. (The latter is the type of fog in, say, San Francisco, where it often blows in off the ocean.) Since tule fog starts at ground level, it often is not that thick. On a number of occasions I’ve been driving (slowly!) though terribly thick tule fog in the Central Valley, so thick that it seemed risky to drive at even 25 mph, only to look up and see stars in the sky overhead! On my way past Tracy on this morning, as I entered the fog I noted that it was perhaps only 30-50 feet deep. Because of this, the fog has a special quality that is not found as often in the ocean fog that is more common in the San Francisco Bay Area. The tule fog seems often to me to have a luminous quality that I attribute to the light that comes down from above even in the thickest fog.

That was somewhat the case here. I walked into the slough area across the road from the visitor center at the Preserve, and into an area that is mostly open fields in the summer, but mostly a giant pond in the winter. Everywhere around me I could hear the hundreds or thousands of waterfowl – ducks, geese, and who knows what else, and I later saw egrets and sandhill cranes – but I could see almost nothing. Eventually I could just barely make out his small tree standing on a shallow area where some grasses grew. I wondered if the photograph would have enough contrast to even be usable, but in the end there was just enough detail. (It is hard to see in the small jpg, but it is certainly there in the 12 x 18 test print I made.) At first I thought it would end up being a monochrome photograph, and I spent a lot of time taking it through my workflow with that in mind. But something just wasn’t quite working for me, so I decided to reconsider and try a color rendition. In the print, I think that this ends up looking better in color in several ways. First, the soft blue cast that I thought I’d want to avoid, more strongly evokes for me the feeling of actually being there, especially through that luminous quality of the tule fog light that I mentioned earlier. In addition, I think that some of the very subtle color variations turn out to be important.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Black Oaks in Winter Fog and Snow

Black Oaks in Winter Fog and Snow
Black Oaks in Winter Fog and Snow

Black Oaks in Winter Fog and Snow. Yosemite Valley, California. January 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black oak trees with a few remaining autumn leaves in foggy and snow-covered El Capitan Meadow, Yosemite Valley.

I’m always fascinated by the trees in El Capitan Meadow – it doesn’t matter whether it is spring when the meadow is green and the trees are getting new leaves, summer when the meadow is filled with people watching climbers overhead on El Capitan, fall when the grasses turn golden and the leaves change to fall colors, or winter when the meadow may be snow-covered. Sometimes I tell myself that I’m just going to drive past on my way to another destination, but I almost always end up stopping for a least a brief look around – and I frequently end up making a few photographs.

That was the case on this mid-January day, when I drove through on my way to make photographs up on Crane Flat Road. As I passed by the meadow I noticed that low fog was floating above the snow, so I pulled over to look at the scene more closely. I was somewhat surprised to see how many leaves were still hanging on the oak trees so late in the season, and I decided to try to find a photograph that would include them, along with the snow and a bit of the fog and the dark shapes of the tree trunks.

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Text, photographs, and other post content are © copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Twilight Surf

Twilight Surf
Twilight Surf - Long exposure photograph of shoreline surf in twilight, Pacific Grove

Twilight Surf. Pacific Grove, California. December 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Long exposure photograph of shoreline surf in twilight, Pacific Grove.

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Clouds and Rocks, Point Lobos

Evening Clouds and Rocks, Point Lobos
Evening Clouds and Rocks, Point Lobos

Evening Clouds and Rocks, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Evening clouds over the Pacific Ocean and offshore rocks at Point Lobos State Reserve.

It always strikes me as odd that at the most beautiful time of day at Point Lobos, almost all of the park visitors have left. In the evening as the sun goes down over the Pacific and the fog may or may not roll in, there are often only a handful of people left in the park, a good number of them photographers. On this Sunday evening it may have been that some were discouraged by the low clouds that had come in earlier in the afternoon, but sometimes these clouds dissipate or are lit up from behind at sunset – at that is precisely what happened on this evening. The low clouds began to thin and as they did so beams of light came through the breaks in the clouds and painted the surface of the Pacific with patchy light. A bit later, after I made this photograph, the clouds thinned even more and high, pink sunset clouds appeared briefly. And there was not another person anywhere near me to see it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.