Tag Archives: fog

Hills and Trees Near Limantour, Drakes Bay

Hills and Trees Near Limantour, Drakes Bay - Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.
Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Hills and Trees Near Limantour, Drakes Bay. Point Reyes National Seashore, California. August 18,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Limantour Beach sits along the inner curve of Drakes Bay at the Point Reyes National Seashore north of San Francisco, California, and the area is one of the best-known and most visited in the park. On certain days, the air is clear and the sun is bright and the beach can be warm, and the view includes not only the nearby wildlife and the surf, but the peninsula leading to the tip of Point Reyes and the coast stretching south towards the Marin Headlands and the Golden Gate. One of the first times I visited this place to make photographs it was one of those clear days, and I recall photographing the curve of the Bay leading to the right with the beach and some birds in the foreground. I’ve carried a mental images of how I would like to improve that photograph, and it was with that in mind that I went to Limantour this time.

The weather did not cooperate with that plan. After crossing the ridge between Tomales Bay and Limantour, I could see right away that there was going to be fog along the beach. The shoreline edge of the water still reflected blue sky in a few spots a bit to the south, but at Limantour the fog came a good distance inland from the beach. So as I drove down toward the end of the road, I started looking for some spot that would let me photograph the rounded, grass-covered hills and the bits of forest in sunlight, with the Bay and its fog in the distance. Finding a spot that included all of these things and which made some visual sense was not easy, but with a bit of back-tracking I finally found this spot and made a few exposures.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Drakes Bay, Fog

Drakes Bay, Fog - Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore
Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore

Drakes Bay, Fog. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks and Surf, Point Lobos

Rocks and Surf, Point Lobos - Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California
Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California

Rocks and Surf, Point Lobos. Point Lobos State Reserve, California. July 21, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California

This photograph is from last summer and a visit to Point Lobos when I decided to work with very long exposures in daylight muted by coastal fog. A set of these photographs has sat in my raw file collection since then, as I wasn’t quite sure how I wanted to render them in the post-processing stage. I used a 9-stop neutral density filter to darken the scene a great deal and permit the very long exposure that allowed the surf to blur and become diffused. However, these filters invariably have an effect on color balance that is not very lovely – they add a slight almost purple cast to the image. As I thought about them as color images, I could not find a color balance that worked – so I put them aside.

Last week, spurred by another rapidly filling hard drive, I began to go through more of my older raw files to see what could be deleted. Indeed, there were quite a few files that could go – duplicates, errors, some images that really will never live up to what I had expected them to be. But as I do every time I engage in this activity, I found several photographs that I had either overlooked originally or which needed to be processed in ways that I hadn’t thought about at the time. It occurred to me that this one might become one of my “minimalist seascape” photographs if I went for a high key interpretation in black and white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Point, Sea Stacks

Rocky Point, Sea Stacks - Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

Rocky Point, Sea Stacks. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

This photograph was made along the Big Sur coastline roughly in the area between the Rocky Creek and Bixby Creek bridges, about as far south as we managed to get while wandering around before a 8:00 p.m. dinner reservation back in Monterey. (Hey, it was my birthday!) The Peninsula extending into the Pacific in the upper section of the frame could be any of probably hundreds of similar peninsulas where the steep hills of the Big Sur coast drop to meet the ocean – but this one happens to be Rocky Point. The foreground sea stack could be any of thousands (or tens of thousands? I see perhaps a dozen or more in this scene alone…) of similar features found almost anywhere you look along this coast.

The light was both interesting and challenging. In most cases, I would rather try to photograph this interesting, foggy atmosphere than shoot perfect blue-sky conditions. (The latter can occur, though not as often as photography might suggest! Fog is more common.) It was very late in the day, probably around 7:00 p.m, and the sun was low and mostly hidden behind the off-shore fog bank. Here and there the fog backed off a bit from the shoreline or thinned a bit, and slightly more light appeared. The sea stack was in one such spot, and around and beyond the point there is also a bit more light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.