Tag Archives: hill

Winter Evening Sky, Panamint Range, Death Valley

Winter Evening Sky, Panamint Range, Death Valley
Winter Evening Sky, Panamint Range, Death Valley

Winter Evening Sky, Panamint Range, Death Valley. Death Valley National Park, California. February 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Winter clouds fill the evening sky above the eastern slopes of the Panamint Range in Death Valley National Park.

After the long drive from the San Francisco Bay Area I arrived at Stovepipe Wells in Death Valley and set up my camp in the mid afternoon and hung out a bit, thinking about the prospects of late afternoon and evening shooting. Because a weather front was coming in (the forecast called for a chance of rain in the Valley and pretty much certain light snow over the passes) the clouds were increasing, in many directions heading past the point of “picturesque” and more towards “socked in.” I was hoping for some evening light – or early rain? – but it seemed less promising as evening approached. In circumstances like these I may come up with a few possible shooting alternatives ahead of time, watch as conditions develop, and make a last-minute decision about where to go based on observations and hunches.

So, late in the afternoon I stopped near Death Valley Dunes and worked to line up some long shots that filled the background of the dunes with the rugged shapes of the Grapevine Mountains, and then headed towards the junction with the road to Scotty’s Castle to try to figure out if the light held more promise to the north or the south. It didn’t look totally promising in either direction, but I thought that I might be able to make something out of the haze to the south as the ridges on both sides of the Valley receded, especially if a bit of glow in the sky turned up right at sunset. So, south it was.

I drove just a little ways in that direction to a point where the road curves a bit towards the east to travel around the northernmost area of salt flats in what I think of as the lower valley – this is the area a bit south of the Salt Creek cutoff. From here there is a fairly open view all the way down to the end of the Valley, and it looked like the clouds were going to evolve in some interesting ways. It didn’t look like I would see a gaudy, brilliantly colorful sunset, but something more subtle and quiet looked like it might happen. As the light began to fade I made a series of photographs whose subject was largely the sky and the atmospheric recession along the Panamint Range (shown here) on the west side of the Valley and the mountains just beyond Furnace Creek.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos
Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Winter light on the Monterey Pine forest growing on a hillside at Point Lobos State Reserve.

The photograph is the color version of the same scene that I recently posted in a black and white rendition. My initial reaction to the image, and the idea I had in the back of my mind when I photographed it, was that it would be black and white. I wanted to “abstract” the dense shapes and textures of the trees and ground plants and rocks, and I sometimes think that the intrinsically unreal quality of black and white can work for that. However, when I worked up the photograph in color I started to like it, too, though in a different way. At least in the small versions that I looked at on the screen, the color version creates a bit more separation among objects in the scene and seems to have a bit more depth. I guess I won’t know until I make prints!

I have often looked at the straight and upright trees on this rocky prominence as I walked past on a trail that passes by just beyond the left side of the frame. This formation sits between two coves at Point Lobos and rises to a high point (to the right of the photograph) before dropping abruptly to steep rocks and then the sea. From the trail you look up the slope toward the high point and through these trees. But I could never quite see a composition. On this winter day the light was a bit unusual. There was a bit of haze and mist in the air, though not a lot – if I stood with the sun at my back I could not really see it, but if I faced into the sun it was apparent. In any case, even though this was photographed during the harsh light midday time period, the light was softened at least a bit, but still a bit stark from side lighting, the shadows among the trees, and the bright and cloudy sky beyond. It is difficult to find a clear line of sight to this grove that isn’t either very, very far away or else right inside of it. I looked around for a bit and finally found a place not far away along the trail from which I could shoot between tree branches.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos
Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Winter light on the Monterey Cypress forest growing on a hillside at Point Lobos State Reserve.

This is perhaps an absurdly complex photograph – I think it is going to have to end up as a large print at some point. This is a section of Monterey Cypress forest that I’ve walked through many times on the trail along the north shore at Point Lobos State Reserve near Carmel, California. These trees grow along the tops of rocky bluffs above the ocean and in some sheltered places can grow tall and straight.

I made this photograph in what almost amounted to midday sun, though there were a few fog clouds floating around to mute the harshest character of the light a bit. But I knew that the photograph was going to be tricky. The first challenge was finding a location from which to shoot it – most angles are blocked by closer trees or are inaccessible. I finally found a spot along the trail where I could shoot between trees using a longer focal length. Then there was the problem of the light, or more accurately the dynamic range between the clouds and a bit of blue sky and the much darker backlit and shadowed trees in the foreground. Finally, it is just a very complex scene, and making any kind of coherent composition out of it was tricky. I don’t know yet whether it succeeds or not, but the idea was to use the angled division between the darker and very complex lower right side and the lighter upper left side with its vertical tree trunks, and to let the darker foreground tree connect it all together. That was the idea, anyway!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II (at B&H)
Canon EF 70-200mm f/4 L USM at 94mm (at B&H)
ISO 100, f/16, 1/40 second



Urban Residential Buildings, Sidewalk and Street

Urban Residential Buildings, Sidewalk and Street
Urban Residential Buildings, Sidewalk and Street

Urban Residential Buildings, Sidewalk and Street. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Facades of residential buildings along a hilly street in downtown San Francisco.

With all of the landscape and nature photography I’ve posted recently, I figured it was time for something different. This is a street scene in San Francisco I photographed on a quick walk on an early March day in 2010. Many of the other photographs I made in this area included people, but it this one I wanted to isolate the fronts of the buildings, especially the contrast between the relatively fixed-up one on the left and the more weathered one on the right.

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