Tag Archives: hill

Wild Horses

Wild Horses
A herd of feral horses in high desert hill country east of the Sierra Nevada

Wild Horses. © Copyright 2016 G Dan Mitchell – all rights reserved.

A herd of feral horses in high desert hill country east of the Sierra Nevada.

Those of us whose orientation to the Sierra Nevada and points east comes mainly from visits as outsiders can overlook aspects of the culture and history of the area that we weren’t looking for. As someone who came to these mountains, starting many decades ago, as a camper and backpacker (and, at times skier, climber, and photographer) my orientation held that the range was mainly a place about wilderness. It is that, in many ways, but that’s not all it is. Over time I learned and accepted that there are other threads: prospecting and mining, fishing (I tried, but little luck!), ranching, and more.

This herd of feral horses is probably a remnant of some of those “other” threads. Over decades a number of horses managed to get free, and they also managed to survive rather well in some of the areas east of the Sierra. (I first saw them decades ago way out in Nevada.) I ran into this herd on an exploration into less-visited areas roughly east of Yosemite a few years back. I had rumors, but wasn’t necessarily expecting to see them — but was thrilled when I came over a low saddle and spotted them up ahead. (It might seem surprising to some that I’ve put this photograph in the “wildlife” category, but these horses are no longer domesticated critters.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Point Sur, Sunlit Ocean

Point Sur, Sunlit Ocean
Point Sur is sillhouetted against the brilliantly bright sunlit ocean

Point Sur, Sunlit Ocean. © Copyright 2018 G Dan Mitchell – all rights reserved.

Point Sur is sillhouetted against the brilliantly bright sunlit ocean

Point Sur is one of the most striking landmarks along the rugged Big Sur coastline south of Monterey, California. There is plenty of striking and remarkable seascape and landscape here, but this feature is pretty much unique. It consists of a rocky, rounded hill right at the edge of the ocean, and it is (barely) connected to the mainland by a narrow, sandy peninsula. (I often wonder how many times the peninsula has been overridden by tsunami waves over the millennia.)

The spot also has a long human history. Over a century ago a lighthouse was established on Point Sur, and since it was so isolated — there was no Pacific Coast Highway back then — the residents had to be essentially self-reliant. The lighthouse workers were let go decades ago when automated lights replaced the old lighthouses, but the place is still there and much of it has been restored. I am in the area often, but the view changes a lot, and this time I photographed it from hills to the north as giant waves approached the coast and the brilliant sun glinted on the surface of the Pacific Ocean

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrians, Slanted Street

Pedestrians, Slanted Street
Pedestrians walk past mailboxes on a slanted San Francisco street

Pedestrians, Slanted Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk past mailboxes on a slanted San Francisco street

A scene like this could probably be distressing to OCD photographers who (like me!) often like to have things line up on logical ways. Or it can be pleasure for someone (also like me!) who loves contemplating perspective and other types of visual dissonance. I actually played around with this, seeing what would happen if I used post-processing techniques to align the image with various potential vertical or horizontal references… and there isn’t one that actually works and leaves the other references also all correct!

This sort of scene is pretty typical in San Francisco. I don’t know the people in the scene, but their appearance is congruent with that of the new inhabitants of San Francisco: tech workers, finance workers, and others who support them. (I believe we can even see the ubiquitous paper coffee cup in the hands of one of the figures.) The scene is typical in other ways as well, including the standing street and the buildings aligned to the gravitational horizontal, and ignoring the actual slanting terrain in order to get there.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tufa Hill, Twilight

Tufa Hill, Twilight
Twilight and evening clouds above a tufa hill in the Death Valley landscape

Tufa Hill, Twilight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Twilight and evening clouds above a tufa hill in the Death Valley landscape

A day or two earlier than this I had been out in a location not far from this spot at the end of the day, hoping to photograph end-of-day color. Just before sunset the sky went “dead” — some haze, no color in the sky, and a generally flat-looking landscape. I was about to pack up when “someone” (thanks, Patty!) pointed out, perhaps more than once, that I really should stick around “just in case.” And, yes, within moments a dull, gray cloud began to pick up pink tones, and before long sufficient color appeared to produce an interesting photograph. I know not to “pack before it is black,” but I need reminding from time to time!

The evening when I made the photograph seen here was challenging in many ways, and it began with perhaps even less promise than that evening a few days earlier. This time the sun went behind clouds to the west as it descended, turning the light completely flat. On top of that, the wind was absolutely howling, and sand was just beginning to blow. If I hadn’t had that reminder a couple of evenings earlier, I would have been out of there! But I stuck around, switching out the long lens that I had been using for a wider lens used for this photograph, and when the post-sunset, early twilight glow and color began I was ready. (A note regarding the title of this photograph. I’ve wondered about the source of these fantastical hills on the floor of Death Valley. As near as I can tell, they were formed many thousands of years ago, at the bottom of what was then a giant prehistoric lake.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.