Tag Archives: landscape

Autumn Black Oak Trees

Autumn Black Oak Trees
“Autumn Black Oak Trees” — Black oak trees with autumn foliage on a hazy day in Yosemite Valley.

I have photographed in Yosemite since I was literally a child. (The first “serious ” photograph I recall making was on a family trip to the Valley when I scrambled up a little hill to find a composition of a dome framed by tree branches.) The Valley remains one of the most astonishing sights on the planet, with features that are darned near unbelievable. But after decades of photographing there, when I visit now I look for other things than the icons.

Admittedly these black oaks have become almost iconic, though they aren’t a recognizable feature in the way that Half Dome or Yosemite Falls are. There’s no one particular feature, but rather a playground of textures and colors and lines to work with. I stop and photograph here on almost every visit.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lake Manly, Blue Sky Reflection

Lake Manly, Blue Sky Reflection
“Lake Manly, Blue Sky Reflection” — Clouds in blue desert sky reflected in Lake Manley.

By the time I made this photograph, the dramatic very early morning light had dissipated, and it was all about blue sky, distant mountains, and fascinating morning clouds. The idea in this image was to move as close to the water as possible to create a photograph that was almost entirely sky and its reflected image. The wedge of mountains serves as visual distance to break up the sky features.

It was not necessary to wade into the water to make this photograph. It was enough to position my tripod at the water’s edge and use an appropriate focal length. That brings up a bit of a issue I have with some folks who photograph here. While I, along with probably dozens of other photographers, were working this scene one photographer waded way out into the shallow lake and stayed there for a long time. If that had produced some photographic opportunity that was unavailable from the shoreline I might have been a bit sympathetic — but it didn’t, and it only interfered with the efforts of all the other photographers. Don’t be that photographer!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wetland Plants, Fog

Wetland Plants, Fog
“Wetland Plants, Fog” — Plants growing in the shallow water of a wetland poid on a foggy morning.

This is another of my “too foggy to photograph birds” photographs from California’s Central Valley. Back in mid-January I headed out there after reading reports of tule fog, something that attracts me to the area in winter. The fog can produce a wonderful, mysterious atmosphere, and as conditions transition from thick fog to sunlight there are diverse photographic opportunities. Unfortunately, that transition never came during this visit, and it was thick fog all the way!

As I write this in early March we are likely days away from the departure of migratory geese, who head back north every year by mid-month or so. I’m hoping to squeeze in one more visit before they depart, but there’s not much time left. (Depending on where you see this post, the date may have already passed!)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone and Trees

Sandstone and Trees
“Sandstone and Trees” — Scattered trees find footholds in cracks in the weathering sandstone, Zion National Park.

Except for one element, you could find a similar scene in California’s Sierra Nevada. That one element? The intense coloration of the Utah sandstone red rock formations. The contrast between the green trees and the red sandstone is striking, as is the complexity of the geology —with strata and layers intersecting and exfoliation gradually removing the topmost layers.

I photographed this scene some years ago on a visit to Zion National park. These colors and textures provide a visual playground for photographers. And sometimes wildlife even joins in the fun — on one occasion I photographed big horn sheep on nearby slopes.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.