Tag Archives: monochrome

Wave-Filled Bay, California Coast

Wave-Filled Bay, California Coast
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.

Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.

(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley and the White Mountains

Owens Valley and the White Mountains
The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Owens Valley and the White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Our recent road trip began in the Eastern Sierra Nevada. The reason for starting here was aspen color, and whether or not that ended up being the primary photographic focus the fall aspens are always worth a visit. Having photographed that subject for quite a few years, going to only the “usual places” is no longer quite enough, so I invariably end up heading out and exploring some places where aspen hunters typically don’t go. On this morning we headed up toward the base of the Sierra, passing through lots of aspen-free high desert terrain, and finally reaching a high enough point that we found some small, isolated groves.

In places like this, aspens can take a back seat to the larger and even monumental vistas along the eastern escarpment of the Sierra. With a bit of elevation, views open to the north, south, and (especially) to the high ridges of the White Mountains along the eastern side of Owens Valley. Although this range is in the rain shadow of the Sierra, and thus lacks the Sierra forests and deep snow, it is just as high and rugged. The photograph looks straight across Owens Valley toward the range, where White Mountain, the highest point, is just nudging Into the base of the morning clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sidewalk and Fence, Autumn Light

Sidewalk and Fence, Autumn Light
Autumn light shine through a fence to illuminate a sidewalk and fallen leaves.

Sidewalk and Fence, Autumn Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn light shines through a fence to illuminate a sidewalk and fallen leaves.

Some years ago I went on a local walk that changed the way I think about these things. Like most of us, when I think of what I want to photography, my thoughts ofter turn to placed that are distant, exotic, and different from what I experience in my daily life. For me this means lots of fascinating landscapes — deserts, mountains, ocean, and more — or it may mean travel to distant urban areas. But on the day when I went on that walk, I carried my camera. When I walk for exercise I usually don’t pay close attention to my surroundings. Instead I tend to let my thoughts drift (a good thing sometimes!) and the focus is internal. But with camera in hand (and I mean literally in my hand, not just in the bag), I start to see things that I have overlooked. On that particular walk, on a winter day, I suddenly realized, for example, that there were shadows everywhere and that they were worth photographing.

Speaking of shadows, this is the season when they become more prevalent and more interesting. Because the Northern Hemisphere sun never gets very high in the sky, shadows are cast by almost everything and on almost everything. As I came around a corner on another walk-with-the-camera this week I was stopped in my tracks by the shape of the shadow from this metal fence, falling across a sidewalk and a few autumn leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Below Humphreys, Autumn Snow

Below Humphreys, Autumn Snow
Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

Below Humphreys, Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

The Sierra Nevada eastern escarpment meets the valleys that run roughly north/south on that side of the range in a variety of ways. In a few places the junction between high desert and Sierra is abrupt. I recall hiking out over one particularly difficult Eastern Sierra pass some years ago, spending the better part of two days walking from a spot just west of the crest to the trailhead, and being able to identify exactly where the rocky range ended. In other places the transition is more complicated or more gradual. In the area where I made this photograph, a huge mass of what must be alluvial and glacial remnants rises gradually for thousands of feet before finally arriving at the base of Sierra peaks.

We drove up here early in the morning, taking a variety of rough gravel roads just about as far as we could reasonably go before stopping to make photographs. Our immediate visual target was a couple of small, isolated aspen groves set in this sagebrush country, but it is hard — OK, impossible — to ignore the massive peaks just over your shoulder!The last of the relatively gentle rise ends in the shadow at the bottom of the frame. From there the slopes quickly steepen and soon rise to rugged and Rocky Mountains which culminate here in some of the highest peaks of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.