Tag Archives: pacific

Edge of the Light

Edge of the Light
Light at the edge of a Pacific Coast fog bank on a summer evening.

Edge of the Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

Light at the edge of a Pacific Coast fog bank on a summer evening.

By this point I am quite familiar with this coastline below California’s Monterey Peninsula — I’ve been visiting almost continuously since I was a child and my parents took the family down there for day trips and rare overnights in Monterey. We went to Point Lobos all the time, where I spent days investigating tide pools and hiking trails along the shoreline.

All of this may partially be my way of explaining why I might make a photograph like this —not a typical “tourist shot” of the rugged Big Sur coast, but something much quieter. The fog is a near-constant presence here, often coming onshore and muting colors and light and condensing the visual world. When it isn’t over the land it is often just off shore — perhaps far enough out that you have to look for it or, as here, right along the shoreline. The edge of the fog bank can be a place of amazing light — dark in distance beneath the clouds and surprisingly bright along the edges and where beams of light reflect off the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Garden Gate

Garden Gate
An entry gate to the Japanese Garden, Portland, Oregon.

Garden Gate. © Copyright 2020 G Dan Mitchell – all rights reserved.

An entry gate to the Japanese Garden, Portland, Oregon.

Some years back our youngest son and our daughter-in-law lived in the lovely and quirky city of Portland, Oregon. Since it is (just barely, if you have a lot of endurance!) a one-day drive from the San Francisco Bay Area we managed to get up there somewhat regularly, and we came to like the place a lot. Among other things, it is a city of gardens, including several that we visited more than once. This photograph of a stone walkway passing through a gate comes from the lovely Japanese Garden.

Having roots in a non-west-coast part of America (long ago, but they stick with you), I can understand how the character of towns along the Pacific coast is difficult for some to understand in other parts of the country. But Oregon is a wonderful place that is hard to characterize in any single way. There is a long tradition of a kind of counter-culture there, but there is also a large suburban population. Don’t believe the simplistic, politicized claims that the city is “under siege” or a hotbed of some kind of awfulness that requires federal intervention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Detail, Palace of Fine Arts

Detail, Palace of Fine Arts
Detail of a small section of the Palace of Fine Arts, San Francisco.

Detail, Palace of Fine Arts. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a small section of the Palace of Fine Arts, San Francisco.

Perhaps I was channelling my inner Atget when I made this photograph a few years back. I was wandering around San Francisco with a camera — a favorite activity in non-pandemic times — and I ended up at the Palace of Fine Arts near the waterfront. It is a remarkable place with a remarkable history. Originally constructed as part of the 1915 Panama-Pacific Exposition, it was the only structure that wasn’t taken down afterwards. Originally meant to be a temporary feature of the Exposition, it deteriorated and was eventually completely taken down in the 1960s and reconstructed by the mid-1970s. .

Something in the photograph illustrates how I do (and do not) see when I’m making photographs. One one hand I and other photographers often see things that others might miss. On the other hand, because we are focused on one way of seeing our subject we may entirely miss things that are completely obvious to others. Sometimes we “discover” these elements of our photographs later. (Someone pointed out that a difference between photography and painting is that the photographer cannot know everything in the image.) In this case, it was only years later that I noticed the rather striking symbols that appear on the surface of this building — symbols that no sane person would include today. This led me to some quick research that suggests that in 1915, and before the atrocities of WWII, the symbol in question had an entirely different meaning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Shoreline, Point Reyes

Pacific Shoreline, Point Reyes
Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

Pacific Shoreline, Point Reyes. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

This photograph is literally of “Point Reyes,” as in the actual “point” after which the national seashore is named. It is a remarkable location in many ways. This peninsula extends a good distance out into the Pacific Ocean, and it forms a large bay that is protected from the ocean to the west and north. From the Point you can see south to San Francisco Bay, a good distance north along the Pacific coastline, eastward across that bay toward what would be the coast in most locations, and westward to the horizon. This section runs east-west, and its features echo those along the most rugged sections of the main Pacific coastline. But this section is short, exerting only the length of the end of the Point, and it runs not north-south. but east west.

During the past four months of the pandemic I have not ventured too far from our location in the San Francisco Bay Area, largely because such travels have been discouraged. But I’m beginning to think that I could again safely (for myself and others) venture out to the coast for some new photography before long. Stay tuned…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.