Tag Archives: red

High Country Desert Canyon

High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backcountry Road, Desert Mountains

Backcountry Road, Desert Mountains
Backcountry Road, Desert Mountains

Backcountry Road, Desert Mountains. Death Valley National Park, California. March 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Titus Canyon road twists through rugged desert landscape of Titanothere Canyon before climbing to its high point at Red Pass

I have driven through this desert back-country quite a few times during my visits to Death Valley National Park. This time was a bit different in two specific ways. First, in the past I have usually combined this route with an early morning shoot at a nearby location, shooting at this other location first, taking a breakfast break, and only then heading out on this drive. Consequently, I’ve always made the drive quite a bit later in the day when the light is much different – usually more hazy and with the sun higher in the sky. This time I started my day on this route, heading out just before dawn. Secondly, I made this a more leisurely passage. Sometimes in the past I have allowed myself to pass by too many portions of this region a bit too quickly, telling myself I had to move on in order to get to other things in time. This time I stopped a lot, and I often lingered at these stops for quite some time, poking around and looking for things to photograph that I might previously missed.

I mentioned in an earlier post that I have sometimes found certain aspects of the desert terrain to be quite difficult to “see” as photographs. I think that the limited color palette has been one issue (often spanning the range from gray to tan!) as has the tendency for things to have a rather uniform appearance – often it is hard to find one central and prominent feature to focus on. In addition, for a photographer who has tended to work in places with water and greenery, the desert possess some different challenges. More than on some previous visits, this time I think I realized more that it is absolutely critical to slow down and adapt to the different pace and rhythms of this world. This time, rather than looking and deciding to move on, I stopped and looked some more. And as I did I began to see that there are more of the patterns and juxtapositions and forms that intrigue me than I had realized.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Virga

Sunset Virga
Sunset Virga

Sunset Virga. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front

First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.

This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.