Tag Archives: shore

Lakeside Meadow, Boulders, and Trees

Lakeside Meadow, Bourlders, and Trees
“Lakeside Meadow, Boulders, and Trees” — Before the sun arrives, a scene at the shore of a subalpine Sierra Nevada lake with meadow, boulders, and trees.

The Sierra Nevada is a place of diverse terrain — rugged alpine ridges and summits, gentle meadows, both dense and open forests, streams and rivers, and more. But my favorite places are mostly like this one, where the last trees are about to give way to barren alpine country, and where meadows, running water, and lakes are plentiful.

This scene is typical of that region. It is along the shoreline of a moderate-sized lake at just over 10,000′ of elevation. Away from the meadow and the lake, forests of good-sized lodgepole pines grow, but here in the open it is all about the light, meadows, rocks, sparse trees, and water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Morning Shadows and Symmetry

Morning Shadows and Symmetry
“Morning Shadows and Symmetry” — The line between morning light and shadow descends a talus slope toward a lake, revealing mirror image symmetries.

Getting out of your tent before dawn isn’t easy when it is cold and dark outside and you have to leave a warm sleeping bag. But if you don’t rise early you miss some of the most sublime moments of the day in the high country. And, I promise, once you are up and about you’ll be glad that you made the effort.

On this morning it was almost too dark to photograph when I unzipped the tent, and for the first half hour or longer I photographed in the soft blue hour light. Eventually the first direct sunlight touched peaks high above me and gradually worked its way down the steep slopes toward “my” lake. (At about the time I made this photograph, my non-photographer backcountry partners were starting to awaken in their tents on the peninsula at the right.)


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sea Stacks and Surf

Sea Stacks and Surf
“Sea Stacks and Surf” — Sea stacks in morning light along the rugged Big Sur coastline.

Way back in June I met up with my friends Franka Gabler and David Hoffman to photograph the upper Big Sur area of the California coast. They were there to see an exhibit of photographs by John Sexton and Anne Larsen, so I did the 90 minute drive down to Big Sur to meet them. After some confusion about who was where — and no cell service to sort it out — I finally figured out that they were on the bluffs above this area where Soberanes Creek enters the Pacific Ocean.

This is a particularly rugged section of the Big Sur coast. While it doesn’t feature the high cliffs that make other areas essentially inaccessible, here there are rugged rocky headlands and many sea stacks, especially in the shallow bay between the Soberanes Creek and Soberanes Point.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Forest and Pond

Forest and Pond
“Forest and Pond” — Trees reflected in the still water of a subalpine pond, Yosemite.

I have had my eye on this little scene for a while. The trees stand along the far bank of a small subalpine pond in the Yosemite high country. During the daytime it is a tough photograph, with the sunshine becoming almost unbearably bright. My ideal might be to photograph it before sunrise or after sunset. But this time I found myself here a bit earlier in the day — so I went ahead and made some photographs.

A challenge with scenes like this is that the dynamic contrast between the highlights on the trees and the background shadows can be huge if there is direct sunlight — too big to capture in a photograph. That’s partly why the soft light helps —before sunrise, after sunset, or when something else shades the scene. I timed this so that the trees were entirely shaded, yet nearby subjects in brighter light cast some directional light into the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Forest and Pond”

  1. Oscar Ramirez Avatar
    Oscar Ramirez

    I know nothing about photography but enjoy your art and techniques. Your dedication to the art is commendable!

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks, Oscar!

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