Tag Archives: silhouette

Tree and Wall

Tree and Wall, Orvieto, Italy
“Tree and Wall” — A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Clearing Sunset Storm, Mono Basin

Clearing Sunset Storm, Mono Basin
“Clearing Sunset Storm, Mono Basin” — A late-summer storm above the Mono Basin breaks up at sunset.

Sometimes when conditions don’t look promising where I am I make some guesses, rely on hunches, consider past experience, and head off in a different direction at the last minute. On this evening I was up near the crest of the Eastern Sierra, hoping for a break in the clouds and some interesting light. But it did not look like that was going to happen, so I jumped in my vehicle and headed down to the East Side and looked for long views that might include the landscape and what I hoped would be interesting end-of-day light.

Arriving there, not a lot was happening. The crest was socked in by clouds that obscured the peaks and blocked the light from the west. Where I was it was fairly gray. But I know that it isn’t unusual for some clearing to occur near sunset — and if it happens colorful light can suffuse the landscape. I had to wait until nearly the last minute, but the light finally arrived. Gaps appeared in the clouds and beams of colorful light began to stretch across the scene. In this photograph the clouds are above desert mountains and the Mono Lake Basin.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees and Boulders

Trees and Boulders
Trees grow behind a large boulder below Yosemite Valley cliffs.

Trees and Boulders. © Copyright 2023 G Dan Mitchell.

Trees grow behind a large boulder below Yosemite Valley cliffs.

This photograph and its companion (to be published here within a day) are both black and white — which I suppose connects to my earliest roots as a photographer. Decades ago when I was a child my father encouraged me and my siblings to make photographs, first using old-school Brownie cameras and later graduating to his loaners. Before long he took us into his home darkroom (a temporarily converted bathroom) and taught us to make prints. He also had a collection of photography books on a shelf that I could reach. The first landscape photograph I recall making — black and white of course — was in Yosemite Valley.

This one comes from my late May epic one-day up-and-back trip to photograph in the Valley. While the best light is early and late, on these quick visits there’s no time to waste, and I keep at it almost all day long. I made this photograph in the mid-afternoon, beneath cliffs on the north side of the Valley. This photograph posed a significant technical challenge, as the difference between the deeply shaded rock face and the brightly lit clouds at upper right was extreme. What to do? Approach like any old school photographer and make an exposure with sufficient image data to bring it to life in post!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees and Haze, El Capitan

Trees and Haze, El Capitan
Late-afternoon spring haze mutes the contours of El Capitan, standing beyond groups of Yosemite Valley trees.

Trees and Haze, El Capitan. © Copyright 2023 G Dan Mitchell.

Late-afternoon spring haze mutes the contours of El Capitan, standing beyond groups of Yosemite Valley trees.

Near the end of my one-day (one very long day!) visit to Yosemite Valley the week before the Memorial Day crowds arrive, I visited a few spots in the lower Valley that are familiar to me. I went to this location mainly to photograph a flooded meadow that is surrounded by trees and from which granite cliffs are visible. These trees were silhouetted against the base of El Capitan, whose form and textures were muted by afternoon haze.

Haze can be the photographer’s enemy or friend. It certainly interferes if you are looking for clear, detailed photographs of distant subjects. On the other hand, it can accentuate the distance between objects, mute distant details to bring attention to closer subjects, and lend a moody emotion to a scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.