A winter storm approaches the bluffs of the Big Sur coastline at Bixby Creek.
This is, as you may have noticed, the same scene as that in yesterday’s photograph – but this time in portrait mode and composed to focus on the receding edge of the land as it meets the winter sea off of the Big Sur coast. To recap, it was raining lightly and blowing hard enough to almost knock me over when I made this photograph. The wind was coming straight at my camera position out of the south. Since I figured my tripod would probably blow right over in one of the gusts, I decided to use a “natural tripod” and instead drape myself over a conveniently placed boulder and brace the camera on the top of the rock.
This is a wild section of the coastline that forces the coast highway to ascend well above the steep shoreline bluffs and cliffs. I am intrigued by the rock pile that has slid off the face of the tall cliff at the left and collected along the beach in front of and beyond the cave at the waterline. I was surprised to see a small number of footprints in the sand on this little beach!
Last light of a winter evening shines on a shoreline bluff along the Big Sur coastline.
As the very end of 2010 approaches, here is a photograph from the very beginning of 2010, made back on January 2. It very similar to a photograph of this scene I posted back then, but it is not the same photograph, and I know like this one at least as much as the earlier selection. (And I feel justified in using two photos from the shoot after the case of poison oak rash I picked up making them!)
As I recall, this was another of those evenings that first looked very promising, then turned gray as the sun dropped behind clouds over the ocean, but held out hope for a last moment of color as the setting sun dropped to the horizon and beneath the clouds. And, as sometimes happens, it actually worked! I had seen this spot before but not stopped to photograph it quite this way. As I passed by while heading south earlier in the afternoon I had made a mental note about the possibilities for the scene, and when I turned back to the north to start my drive home I had decided to stop here. The scene is impressive, with the coast curving inward and then back out the left where a creek comes down to the sea, and with bluffs, sea stacks, and higher hills beyond. And on this evening the sky was full of pastel colors. So I stopped, unloaded the camera gear, and headed out (through the poison oak!) onto the bluff above the cove where I waited for light. And just at sunset a band of beautiful, warm, diffused light touched the bluff across the cove.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of rough surf and rugged coastal rocks and cliffs along the Big Sur Coastline of California at Garrapata State Park.
This is, to my mind, an astonishingly rugged and wild bit of coastline at Garrapata State Park, south of Carmel, California in the northern section of the Big Sur coastline. I made the photograph from the edge of a bluff above the rocky coast, at a spot where I could shoot south along the shoreline and toward a section of coastline where the contour headed back towards the west. While it was a clear morning with only a bit of fog along the tops of the nearby hills, the surf was big enough to fill the air with a thin mist which created the atmospheric recession effect in this photograph.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.
This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.
I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.
Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!
Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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