Tag Archives: sun

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne Meadows, Lembert Dome, and Mount Dana

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Tuolumne Meadows, Lembert Dome, and Mount Dana - Lembert Dome and the more distant Mount Dana rise above Tuolumne Meadows, Yosemite National Park
Lembert Dome and the more distant Mount Dana rise above Tuolumne Meadows, Yosemite National Park

Tuolumne Meadows, Lembert Dome, and Mount Dana. Yosemite National Park, California. September 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Lembert Dome and the more distant Mount Dana rise above Tuolumne Meadows, Yosemite National Park

This photograph is from my mid-September trip to the Sierra – I spent the first couple of days camped at Tuolumne Meadows before heading over to the “east side” to meet friends for a short pack trip up into McGee Canyon. The photograph was made from what might be described as the central meadow, shooting across a bend in the Tuolumne River, over a band of forest trees, with first Lembert Dome and then Mount Dana rising beyond. Lembert is the well-known dome that towers above the east end of the meadow, and there is a popular trail to the panoramic views at its summit. Mount Dana is the second-tallest peak in the park, being less than 100 feet shorter than Mt. Lyell. Dana sits on the eastern boundary of the park, along the Sierra crest right above Tioga Pass.

Although it was not longer early (at least by my standards) morning when I made this photograph, the typical early morning haze was still present. At this time of year it is a combination of the campfires at Tuolumne Meadows (a relatively small contributor on this morning), typical late season wild-fire smoke, and a bit of natural atmospheric haze. When backlit, this haze can almost glow, and while it does mute the contrast and details on more distant subjects, it also can accentuate the sense of distance through atmospheric recession. I chose to go with a black and white rendition of this scene for several reasons. One, frankly, is just because I felt like it! But on top of that, I like the way that monochrome can perhaps abstract the shapes and lines of the scene a bit more. And in this case, I ended up feeling that shades of gray might be more effective than the particular not-very-exciting color combinations in the scene!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Meadow, Morning

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Trees and Meadow, Morning - Late season golden morning light on trees at the edge of Tuolumne Meadows, Yosemite National Park.
Late season golden morning light on trees at the edge of Tuolumne Meadows, Yosemite National Park.

Trees and Meadow, Morning. Yosemite National Park, California. September 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late season golden morning light on trees at the edge of Tuolumne Meadows, Yosemite National Park.

It is probably no secret that there are certain kinds of light that especially appeal to me. Among my favorite is early morning sunlight, shining through a bit of atmospheric haze, and illuminating trees. On top of that, I’m a big fan of the warm golden-brown tones of September and autumn in the Sierra. With all of that in mind, how could I resist this subject?

I was in Tuolumne Meadows for a couple of nights in mid-September, with two main goals in mind. First, I wanted to spend a few days at altitude before heading over to the east side to meet friends for a short pack trip up into McGee Canyon. Second – or perhaps this should be first – I wanted to do some photography in the area along Tioga Pass Road between roughly Olmsted Point and the pass itself. I arrived late the first day, with just enough time to set up camp, grab something to eat, and head out to shoot the evening light. I was up reasonably early the next morning and out and about looking for subjects before the sun came up. I decided to stick fairly close to the meadows this time, and after heading to the west end and looking back I saw this beautiful warm light coming across the meadow as the sun topped the crest near Mount Dana, and silhouetting a small group of tall trees at the meadow’s edge.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Evening Fog and Rocks, Big Sur

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Evening Fog and Rocks, Big Sur - Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Evening Fog and Rocks, Big Sur. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Tower and Cliff, Morning

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Sandstone Tower and Cliff, Morning - A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.
A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

Sandstone Tower and Cliff, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.

The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.