Black and white photograph of a street scene in San Francisco containing slanting sidewalk, brick and other buildings, and a hotel sign.
The geometric forms of this scene caught my attention as I walked up a street where many art students seem to hang out. The image is obviously full of all sorts of tall rectangles of varying sizes and colors, ranging from the small windows to the white column of the far building in the center to the bulky and dark form of the brick building on the right side of the frame. A couple of little elements also intrigued me: the juxtaposition of the parking meter and surrounding shadows and fire valves on the wall, and the parallel and slightly diagonal lines of the curb and the streetcar wires overhead.
A wide panoramic view of morning light in a dense redwood grove at Muir Woods National Monument, California.
Up next in the stitched panorama parade… a photograph make in the vicinity of Bohemian Grove at Muir Woods National Monument in the Golden Gate National Recreation Area, California. This grove is high on the list of popular places in the central and well-known section of the park, and the loop trail that many visitors hike travels right through it.
There are, it seems to me, a huge number of ways to photograph these very tall trees. Interesting effects of light filtering down from above are often a possibility. There are lots of small subjects that can be shot close up. But their sheer height is often difficult to capture. You can shoot straight up, but that creates some issues. You can (and I have) shoot in vertical format to try to include the vertical size. You can try to shoot from further back, but then the scale of the trees diminishes – plus it is very hard to get a clear line of site on these trees from any distance… unless, perhaps, you are at the edge of an area that has been logged.
So, I’ve been thinking about shooting very wide panoramas of groves of parallel vertical forms of the massive trunks. I think that this has two effects that work for me. First, when you stand before these trees and look around you mostly are seeing just the lower sections of the trees – so for me this depiction is true to the experience of being in the forest. Second, the fact that you cannot see the full height of the trees doesn’t mean that you aren’t aware of it! Focusing on these massive trunks might cause you to project the rest of the trees and the great height that isn’t included within the frame. (This isn’t the first time I’ve done this, and I’m certainly not the first person to do it.)
By the way, because the image is stitched from multiple high-resolution full-frame images, it has the potential to be printed very large at some point.
Morning light slants though the trunks of tall redwood trees near Bohemian Grove, Muir Woods National Monument, California.
I was surprised by somewhat sunny conditions on this mid-April visit to Muir Woods National Monument north of San Francisco, California. When I left my home in the South Bay very early in the morning it was quite cloudy, and the forecast was for even cloudier (and more persistently cloudy) conditions north of the Golden Gate Bridge. But as I drove through the City the clouds cleared to the north and by the time I was across the Golden Gate it was almost clear, with just a bit of nice high cloudiness to diffuse the light a bit.
I arrived at Muir Woods early enough that I got a parking spot in the closest lot. (Those who visit the place often and who are familiar with the crush of tourists later in the day understand what this means… ;-) As I usually do, I wanders slowly up the trail alongside Redwood Creek, taking in as much of the scene (visual, auditory, olfactory, etc.) as I looked for photographs. Eventually I made it to the bridge (Bridge #2) that crosses the creek just above the old Bohemian Grove. This is a spot where I often photograph if the crowds aren’t too bad – there is a lot to see right here! There are some deciduous trees whose leaves can catch the filtered light in interesting ways; the creek flows through, in places with ferns right down to the waterline; and there are lots of very tall redwood trees. I’ve been working on some photographs in landscape orientation that show groups for the trees, focusing primarily on their massive and parallel trunks – in fact, one from the series on this visit consists of a stitch of something like five horizontal frames. This one is more conventional and is a single exposure.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A boy walks up a steep sidewalk past iconic though dilapidated San Francisco buildings.
Shot in not the absolute greatest neighborhood of San Francisco – but not the worst either. Initially my main subject was this very narrow and very worn looking building – a typical San Francisco structure. I also liked the very muted color palette of the scene – most browns and tan with abit of white and some gray from the sidewalk and street in the foreground, with everything lit softly – no direct light – by the open sky and reflections from buildings on the sunny side of the street. Of course, I wanted a person in the frame, and I quickly spotted this young fellow walking briskly up the hill. A small detail: I like the way that the angle of his back is parallel to the one spot of red color on the wall above him and to the fire escape ladder higher up on the front of the building.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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