Tag Archives: travel

Light and Dark Sandstone

Light and Dark Sandstone
Light and Dark Sandstone

Light and Dark Sandstone. Point Lobos State Reserve, California. April 27, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A bit or remaining red sandstone sits on top of an underlying layer of lighter rock, Point Lobos State Reserve

Near the end of April I found time for a quick visit to Point Lobos State Reserve, south of Carmel in the Monterey Peninsula/Big Sur region. This is a place I have photographed for many years, so I know specific rocks and trees quite well. Photographing here often provides a sort of tension between continuing to refine how I see things that I have known for decades and trying to locate new subjects. In addition to the constantly changing patterns of the Pacific Ocean itself and the mostly stable elements of the rocky shoreline and forests, the weather always changes and the wildlife provides unending variations.

When I decided to go there on this morning I should have remembered that this is the weekend of the annual Big Sur Marathon, which mostly closes sections of the coast highway in the area for an hour or more at a time. But I didn’t remember… until I got to the Carmel Valley road block. I lined up for the periodic car caravans that were scheduled to leave every 90 minutes, picked up a cup of coffee and waited. Eventually we followed a highway patrol vehicle down the highway, and I soon turned off into an almost entirely deserted Point Lobos State Reserve. The solitude I found on this day when few others came to the park made up for the delay in getting there! Because the light was filtered through high clouds I decide to spend some time photographing these beautifully sea-sculpted sandstone formations along the rocky shoreline.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Rock Towers

Red Rock Towers
Red Rock Towers

Red Rock Towers. Death Valley National Park, California. April 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A band of red rock towers high on a ridge in the Amargosa Range, Death Valley National Park

This is another in what might be termed the “Unspectacular Death Valley” series. ;-) As I have mentioned before, most of the terrain of this park and of similar places does not consist of high contrast, intensely colorful scenery. In reality, the color palette of much of the park is quite subtle, consisting primarily of tans and grays, with dark shadows, some reddish rock, occasionally other colors of rock, and few brilliantly colorful plants. (An exception may occur during a short period in a spring that follows an unusually wet winter, when some areas my show profuse wildflower blooms. And, of course, when shooting in golden hour light almost any landscape can become much more intense.) Over time I have come to like being in this seemingly plain landscape, even in the middle of the day.

These formations, some red rock outcroppings just below a ridge at the head of a small valley, are in an area I have visited a number of times. I’ve looked up at them and wondered how I could photograph them. This time I got a bit of help from the weather. The overall light was softened a bit by clouds, and the same cloud system gave me a darker gray sky beyond the ridge rather than the more typical plain blue sky. All of this brings out the color of the red rocks—which feel like a small, far-west outpost of Utah!—and allow the subtle colors of the vegetation to be just a bit clearer.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Skidoo Mill

Skidoo Mill
Skidoo Mill

Skidoo Mill. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The abandoned Skidoo Mill, high in the Panamint Mountains of Death Valley National Park

I have been out to the site of the old ghost town of Skidoo a few times. Oddly perhaps, snow has played a part in more than half of my visits—not what you might expect for a desert region like Death Valley. The first time I went there I really did not know much about the place at all, and I drove the nine mile gravel road more or less on a whim, arriving at the broad valley where the main town was, finding little there, poking around a bit, and leaving, a bit disappointed. (I did have a chance to investigate some other historical sites in the area on the same trip, so in the end I didn’t feel cheated.) More recently I visited last winter, during a very cold trip to the park when I encountered sub-freezing temperature down in Death Valley itself and colder temperature well down into the teens up here. Parts of the road were covered by shallow snow, and it was a quiet and lonely experience to be out there alone in the snow. This time I poked around a bit more, exploring some side trails and nearby ridges, until I decided that it was best not to push too far with the snow on the ground.

This past April we were there again, on a day full of interesting experiences and adventures. I often spend at least a day up in the Panamint Range when I visit the park, and I always find new and interesting things, but I don’t think I’ve ever encountered such a range of conditions and subjects in a single day before. We started before dawn and had a brief moment of sunrise light before the clouds of an incoming storm turned out the lights. Very soon we began to see snow flurries along the Panamint ridge and other summits, and soon after visiting one historic site it began to snow in earnest. We headed toward a higher location and finally had to back down as the snow continued to fall. Surprisingly, in these cold conditions and snow we found… abundant wildflowers! We stopped several times to photograph the unexpected display, and then decided to make the side trip to Skidoo as the storm passed and the sun came out. Once there we pushed out past the town site to the location of the old mill, where ore from the mines was processed. The mill, long abandoned and deteriorating now, is an astonishing thing. Its location is unexpected and stunning. It sits right below the crest of a steep ridge and the structure stretches down toward a deep valley below—and the entire site overlooks a vast and arid desert landscape, a bit of which is visible in this photograph. Even more amazing, this mill was powered by water, not at all what you would expect in such a dry and desolate place. But the miners ran a pipeline over 20 miles from a spring elsewhere in the high Panamints to get water to supply power and for the domestic use of the town’s residents.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Panamint Mountains, Spring

Panamint Mountains, Spring
Panamint Mountains, Spring

Panamint Mountains, Spring. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.