Weak sunlight breaks through Central Valley tule fog to illuminate trees and brush growing on a levee near the Cosumnes River.
This morning started out with extremely dense Central Valley tule fog – at first so thick that I more or less gave up photographing. But eventually, as usually happens, the upper layers of the fog began to thin, and some light began to filter down through the fog. By late in the morning the fog was thinning enough that very pale sunlight began to show through and softly light the dense vegetation on this levee along the edges of the Cosumnes River. This is an incredibly rich environment in the winter, especially with all of the water from winter rains and the nearby river, and the vegetation grows very thick here.
Seven pelicans fly wing-to-wing above the Pacific coastline of California.
I have been meaning to post this photograph for some time, but only now found the space to insert it into the photo stream. I made it back in May of 2010 and rediscovered it during my end-of-year review of all of my thousands of raw files from 2010.
The photograph was shot from the top of a coastal bluff on a section of highway (the “coast highway”) north of Santa Cruz, where the road climbs rather high above steep coastal cliffs. There is a spot that I know of where the birds often skim right along the top of the cliff, riding the updrafts from the ocean winds that blow onshore here. In just the right conditions, these birds come past frequently, and they are often very close to my shooting position.
Most often you’ll see them in small groups or clusters, but this group was special. They were flying wing-to-wing as they approached my position and managed to stay that way as they angled past me.
A bird wades in a flooded Central Valley winter field in front of a receding line of power poles and some farm buildings on a levee.
This is (yet another!) photograph of the flooded fields along a country road near the Cosumnes River in California’s Central Valley. I was shooting almost directly into the sun through remaining fog and haze near the middle of a winter day. The building sits on a levee between the fields and the bird was kind enough to pose for me while I made the photograph.
Given one of the subjects subject that I’ve been discussing at the blog during the past few days, it seems reasonable to point out that this image involved significant work during the post-processing phase – what we used to refer to as “the darkroom,” but which we now refer to as “photoshop.” I used a variety of techniques to push this image towards what I had in mind – a very high key interpretation that I hope evokes the sensation of looking into a backlit hazy atmosphere that is so bright that you can barely look at it. (In fact, it was very much like this when I made the photograph – as you can see it required a 1/1000 second exposure at f/8 and ISO 100. That’s bright!) In general I brought the overall brightness up to nearly pure white in the lightest portions of the image, and I employed some other techniques to lower the amount of contrast in the sky yet keep the building, the poles, and the levee fairly dark. Although all of this was accomplished in the “digital darkroom,” all of the processes are equivalent to those that might have been applied by photographers working in the traditional darkroom.
Thin winter clouds drift above farmland, Central Valley, California.
Photographing these beautiful winter clouds above the California Central Valley near the Cosumnes River between Stockton and Sacramento involved a certain amount of luck. For the most part it had been an extremely foggy morning – so foggy that at a few points early in the day I simply couldn’t find anything to shoot. Eventually the light began to filter down through the tule fog and I had some good luck shooting further up the valley at the Cosumnes River Wildlife Preserve.
At a certain point as the fog begins to thin it goes through a phase that is not so photographically compelling. The very thick fog can be quite interesting, and the light can be very special just as the sun starts to force its way through the fog as it starts to clear. But they there is a period when it is sort of sunny and sort of foggy, and but perhaps lacks the best aspects of each of the two conditions. That is how it was at about the time I left the Preserve and started back down the valley on my drive home.
Much earlier in the morning I had visited this side road near a bend in the Cosumnes River, so I decided to try it again since it was only slightly out of my way on the return drive. I drove slowly all the way to the end of the side road – to where it runs into the levee at the river – and then turned around to start back. I saw lots and lots of waterfowl, including impressive sandhill cranes and beautiful white egrets, but they were all too far from the road or in areas that didn’t provide the right kind of background. Near these flooded fields I stopped to consider trying to photograph some of the birds, changed my mind, and instead decided to see what I could do with these buildings, the flooded fields, and the sky. It was my luck that this final stop coincided with the near clearing of the fog and the appearance overhead of these wonderful clouds.
