A corner store with boarded-up windows in the Chinatown district of San Francisco.
There probably isn’t a whole lot to say about the subject of this photograph other than it is a boarded-up corner store in the Chinatown area of San Francisco, photographed in morning light last July. The components of the scene are kind of odd, I think: a bit of a flag, green awnings and painted wall, the slanting sidewalk with some poles and boxes, and the layers of older and newer boards and graffiti over the windows. I also though the light was interesting, partly because it was short period when the San Francisco fog is breaking up and the light is brighter but still soft, and partly because of the diagonal shadows cast across the vertical and horizontal shapes of the wall.
A man descends the Peter Macchiarini steps past worn and dilapidated buildings in downtown San Francisco.
I photographed this rather bleak scene on a side street in San Francisco last summer. I first walked up this street to photograph the “Peter Macchiarini Steps” that ascend steeply here in place of a normal sidewalk. Then I saw the opposing shapes of the large square ductwork and the smaller round pipes against the weathered and dilapidated exterior of the buildings. Finally, I found that the occasional person descending the steps might add a point of interest, so I waited…
When I look at a photograph like this one I see layers of different things – but maybe that’s just me! :-) At one level it is just a slightly gritty little street scene, presented in a pretty unvarnished manner. (I did some work to straighten angles and so forth in post – I generally don’t get to use tilt/shift lenses when I shoot street!) Then I see several interesting-to-me geometries in the scene. I mentioned above the opposing bends of the pipes and ducts and their relative positions on the wall. I also see a collection of rectangular shapes throughout the frame: the lighter area of wall behind the figure, the doors in the lower center, the small window above the doors, the three upper windows, and the sections of wall between them. Then there are a bunch of horizontal components: the large lighter band across the upper center, the very small patterns of the siding, the sequence of upper story windows against siding, the lower edge of the siding. And within these separate layers of order there are things that don’t quite fit. The man of course, wearing black and in motion with one foot suspended in mid-step, but also the trash can in front of him – also black, the bits of conduit running in odd directions, the small section of pipe in front of the door, and the concrete sidewalk steps.
Of course, you are free to see a picture of some guy walking down the steps…
A steep street in downtown San Francisco with a sign for “Osgood Place.”
I came across this photograph from last summer while going over old raw files again this week. To be honest, I barely remember shooting this scene, and the only hints about the precise location are the “Osgood Place” sign (referring to one of the buildings) and the base of the Transamerica Pyramid beyond the end of the street.
When I saw it this week, something caught my attention about it. I like the vantage point that roughly as high as the third story of buildings near the bottom of the street – this does some slightly odd things to perspective lines. I also like the various types of red to brick-red coloration and the row of steel posts along the narrow sidewalk. The subtle green beer bottle against the first post at the right is a touch I like, too. ;-) It is surprising that I managed to take a photograph of this area of San Francisco that includes no people.
(Update: Thanks to some folks who saw this photograph elsewhere, I have learned that the street is also called Osgood Place.)
Laundry is hung to dry on fire escape above the streets of Chinatown, San Francisco.
This is a photography from one of my early morning photo-walks in San Francisco last summer. I take the train to the City very early in the morning and then walk. A lot. On this morning I passed through Chinatown on my way to the North Beach area fairly early in the morning – well before the tourist crowds showed up. A few blocks from the main tourist area it is a different world with markets opening up, deliveries being made, and busy people everywhere. I was working in more or less traditional street photographer style – to the extent that someone armed with a DSLR can do that ! – and shooting with just a 50mm prime lens on the camera and trying to work quickly as images presented themselves.
I imagine that many people who pass through here may easily be so focused on the activity at the street level that they might not look up. It often strikes me as surprising that in areas where so much is going on at street level – many people, colorful shop fronts, lots of action – the fronts of buildings right above present a completely different appearance. The first thing that caught my attention here was the laundry festooning the fire escape landings. But I also like the geometry of dark landings, ladders, and pipes against the lighter stucco wall, and the wonderful light coming through the morning haze from upper right and casting the lined shadows across the walls of the building.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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