Monterey Cypress and Coastal Cliffs at Bluefish Cove

Monterey Cypress and Coastal Cliffs at Bluefish Cove
Monterey Cypress and Coastal Cliffs at Bluefish Cove

Monterey Cypress and Coastal Cliffs at Bluefish Cove. Point Lobos State Reserve, California. January 8, 2010. © Copyright G Dan Mitchell – all rights reserved.

Monterey Cypress trees grow atop cliffs above Bluefish Cove at Point Lobos State Reserve.

One fun thing about photographing places that I have visited for nearly my full life is that it sometimes encourages me to learn things about places that I had taken for granted – like names of features and places. Although I’ve been to Point Lobos since I was a child and I have seen this area of the reserve many times, I had no idea there was a place called Bluefish Cove, much less that this was it. More accurately, the small patch of water at the foot of this wonderful bit of rocky cliff and cypress forest is Bluefish Cove. I am surprised to note that the point itself seems to be unnamed, at least according to several maps I checked, each of which names many lesser places. The ridge rises from the water to form a peninsula between Bluefish Cove and the larger Whalers Cove. Beyond and above are some of the first coastal hills at what I think of as the north end of the Big Sur coastline.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.



Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Clouds and Rocks, Point Lobos

Evening Clouds and Rocks, Point Lobos
Evening Clouds and Rocks, Point Lobos

Evening Clouds and Rocks, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Evening clouds over the Pacific Ocean and offshore rocks at Point Lobos State Reserve.

It always strikes me as odd that at the most beautiful time of day at Point Lobos, almost all of the park visitors have left. In the evening as the sun goes down over the Pacific and the fog may or may not roll in, there are often only a handful of people left in the park, a good number of them photographers. On this Sunday evening it may have been that some were discouraged by the low clouds that had come in earlier in the afternoon, but sometimes these clouds dissipate or are lit up from behind at sunset – at that is precisely what happened on this evening. The low clouds began to thin and as they did so beams of light came through the breaks in the clouds and painted the surface of the Pacific with patchy light. A bit later, after I made this photograph, the clouds thinned even more and high, pink sunset clouds appeared briefly. And there was not another person anywhere near me to see it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Gear Lust and Shopping

I saw a post in a forum thread recently that summed up a situation that seems like it should be a red flag to those suffering from Gear Lust*. Here is the exchange, somewhat edited, beginning with the original post and followed by my reply:

OP: I know you are familiar with the situation. Your lens is in the shopping basket on Amazon, all but the last one checkout step is completed and you hover the mouse over “Order” button. And you go again and again pixel peeping, comparing MTF charts. etc etc.

ME: If you find yourself second-guessing to this extent while you are ordering, with all due respect, it is not time to be ordering a new lens.

You should be certain (or as certain as one can be) that you are ordering the right thing before you order it. By ordering while you are in that anxious and ambivalent state you are making it much more likely that your decision will not be an intelligent one, but rather one driven by irrational forces.

I urge you to make a solid and final decision about what lens you want – a decision you can make without then feeling compelled to go back and look obsessively at MTF charts and 20 reviews again – in other words, a final decision based on everything you know about the gear and your needs.

Once you think you have decided, wait. Wait about a month. One of two things will likely happen:

– If your decision does not change and you don’t find yourself second-guessing the choice, you probably made a very good choice and at the end of the waiting period you should buy the lens.

– If you find yourself worrying about the choice or second-guessing the choice or going back and poring over the test charts and reports once more, reset the one-month timer when you have really made a decision.

It is easy to become way too passionate and emotionally involved in gear purchases. Equipment is just equipment. It may (or may not) help you make better photographs, but it is not going to change your life.

* I’m not suggesting the equipment is unimportant, nor that getting good and appropriate equipment isn’t something to strive for. To the contrary, I think that making smart and appropriate decisions about equipment is very important. Gear Lust, however, is a general condition in which the search for and purchase of photography equipment becomes an obsession and ends up being more important than actually making photographs with said equipment. It is unfortunately an all-too-common malady.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.