Category Archives: Photographs: Desert

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eureka Dunes and Last Chance Range, Morning

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Eureka Dunes and Last Chance Range, Morning - Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.
Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

Eureka Dunes and Last Chance Range, Morning. Death Valley National Park, California. January 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

While I love – who doesn’t? – the golden hour light on the desert dunes and hills and valleys, I also like to seek out the subtler and more “atmospheric” effects that are often frequently seen in this terrain. I had spent the (very cold!) night alone out here in Eureka Valley. I woke up fairly early, though with the sun having to rise past the ridge of the Last Chance Range, the light did not come early. I soon packed up my camp – which largely meant rearranging stuff in my vehicle – and before long started the drive out toward Lone Pine and my trip back home over Tioga Pass.

But first I planned to stop just a ways away from the camping area so that I could use a long lens to photograph the dunes against the background of the higher surrounding peaks. By the time I did this it was after 9:00 a.m. and the early morning golden hour light was long gone, replaced by the soft and hazy bluish light that is more typical during daylight hours. However, the sun was still low enough to glance across the dunes at a fairly low angle and to backlight the dunes and the mountains behind them. The idea here was to juxtapose some of the different textures, lines, curves, and angles of this landscape – the curving forms of the dunes near the bottom of the frame, the sharply delineated sunlit ridges of the upper dunes, the faint view of jagged and stratified rocks in the low peaks beyond them, the further ridge inclining the opposite direction from the dunes, and the much fainter texture of the huge valley in the distance.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley Buttes, Morning

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Death Valley Buttes, Morning - Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.
Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.

Death Valley Buttes, Morning. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.

I found several things in this scene that I often look for in Death Valley, or in other similar places for that matter. I’m always intrigued by the small plants that grow along these very barren and rocky areas, sometimes – as here – along with a few cacti. And of course it is hard to resist the golden early morning light, especially when it is juxtaposed with one of my favorite subjects, more distant mountains somewhat obscured by haze. On top of that, I liked the almost abstract shapes of these forms and combination of the warm sunlight on the foreground hills and the cooler, blue-tone light beyond.

I made this photograph on a morning when I really did not have a specific shooting plan, or perhaps I might say that I had a “negative plan” defining what I was not going to photograph – I set out to not go to some of the familiar and more iconic locations in Death Valley, on this morning and to some extent on this trip. So I ended up on a road that eventually crosses the Amargosa Range and heads off toward Beatty Nevada. I knew I was looking for some sort of juxtaposition of the forms on the outcroppings and buttes up higher on the large gravel fan in this part of the Valley and I knew that I wanted to photograph the early light – but exactly where to do this was not clear. As I drove I passed some promising locations and finally stopped at a pull-out near this site, put on a long lens, and made this and several other photographs from this spot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridges and Haze

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Ridges and Haze - Morning haze and receding ridges above Death Valley.
Morning haze and receding ridges above Death Valley.

Ridges and Haze. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning haze and receding ridges above Death Valley.

There is “stuff” to photograph virtually anywhere you go in Death Valley – from the popular, iconic locations to the furthest back-country areas to nondescript turn-outs along whatever road you happen to be on. One of my goals on this January 2012 trip was to shoot some less-obvious locations. While the image is perhaps not “less obvious,” the location is probably not anything you are going to find in your park guidebook.

Early one morning I was out and about, at least partly thinking about where not to shoot – not the obvious places that first come to mind on a Death Valley morning. (I have nothing at all against photographing those places, too, especially when the conditions are just right.) I ended up more or less randomly heading up a road into some mountains, but without a specific goal in mind. I was simply driving along and watching for the “right” conduction of form and light and color. Several times I thought I saw something, but I didn’t stop, instead just making a quick mental note that I might want to come back to these spots and shoot them. (I didn’t on this trip, but I have them filed away for a future visit.) I finally arrived at a junction where the light was good, got out, set up camera and tripod, and set about looking for subjects.

Sometimes I have a pretty good idea of what I’m looking for, but it might surprise some people that I occasionally – perhaps more than you might think – have no specific photographic objective in mind when I get out the gear and begin my “hunt.” I like to joke that I could find myself almost anywhere with a camera and tripod and eventually find something to shoot within 50 feet of my location. (Occasionally, it might even be a good photograph… :-) While I most certainly do like certain locations, in many cases it isn’t so much about the specific place as it is about hunting for and discovering the visual opportunities presented by whatever place I’m in.

So, I started looking around. And I started making photographs. I photographed a nearby hill that caught some “first light” from the east, with more distant hills in the background. I photographed a long view of a haze-filled valley scene. I pointed my camera up a gully filled with rocks and desert plants. I make a picture of a non-description ridge top pinnacle with interesting clouds behind it. And I put the longest lens I had on the camera and shot almost into the sun to photograph this amazing sequence of stacked ridges high along the spine of a nearby mountain range.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Mustard Hills

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Mustard Hills - Evening light on the Mustard Hills, Death Valley National Park
Evening light on the Mustard Hills, Death Valley National Park

Mustard Hills. Death Valley National Park, California. January 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the Mustard Hills, Death Valley National Park.

This photograph was made in a fairly accessible and “civilized” part of Death Valley not far from Furnace Creek and the old Harmony Borax Works. I have passed these hills many times, barely stopping aside from a time or two when I did a little loop drive while on my way to some other place. I did photograph in the area once before and even got one or two interesting photographs.

This time I decided to use one of the small, rounded hills as a overlook for shooting some distant shots of various portions of the Valley near sunset. By walking away from the highway, one can end up on top of any number of hills which happily show little evidence of being visited even though they are relatively accessible. I first did a bit of investigation to find the “right” hill, then hiked back to my car to pick up my camera, tripod, and bag of gear. Once I got back to the top of the hill, the shadows of the Panamint Range were already well across the main Valley and moving east quickly. I made a few photographs of the shaded valley and the lower slopes of the range, and then I turned my attention to the nearby yellow-tinted hills, looking for interesting near/far juxtapositions. I found this one literally seconds before the oncoming shadow of the Panamints arrived – in fact, it is beginning to diminish the foreground light in this shot, and in the one I made a few seconds later the light is greatly diminished.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.