Tag Archives: beams

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light On Wildfire Smoke

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Morning Light On Wildfire Smoke
“Morning Light On Wildfire Smoke” — Early morning light on wildfire smoke drifting among forest trees

For a day that I began with only a vague plan (photograph Glacier Point at dawn) that I managed to miss (distracted by dogwood trees), I ended up with quite a photographic haul before it was over. I have a very early morning photograph of a lovely forest scene with autumn colors, a series of photographs of beautiful and mysterious drifting smoke along Glacier Point Road, several photographs of the autumn scene in Yosemite Valley, and finally a small set of photographs of sunset light on snow-dusted granite along Tioga Pass Road. All told, it turned out to be a rather remarkable day!

The least expected subject also turned out to be the one that produced the largest number of photographs — the early morning wildfire smoke that had settled down in valleys and among the trees overnight. If I had arrived at Glacier Point when I originally planned I might have missed this in darkness. Yet again, I got lucky, and after a delay brought about by my inability to resist stopping to photograph another forest scene I arrived here at just the right moment. The air was still and the smoke was barely moving among the trees in this large valley below my location. I had a good long time to stand and take it in and then work the scene carefully, with photographs ranging from those including the full scene to others, like this one, that zeroed in on small elements of it. Several things attracted me about this particular scene: the beams of lighting the smoke drifting through the trees at the bottom of the frame, the zigzag pattern produced by forest and smoke, the tall and thin trees on the far ridge, and the bits of Yosemite granite domes barely visible in the distance through the smoke.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Pacific Ocean, Light Beams

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Pacific Ocean, Light Beams
Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

Pacific Ocean, Light Beams. North of Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

I remain intrigued by ocean horizons, which take on an amazing range of appearances depending on the effects of light and atmosphere. The horizon might be a distinct line, it could be (and was on this day) broken by distant swells and breakers, it fade in fog and mist to the point where it is almost invisible, or it may actually be invisible the obscured by fog or rain.

On this afternoon almost every one of those conditions appeared at one time or another. As rain squalls moved onshore, the view of the water and horizon was periodically blocked, only to be lit by brilliant bands of sunlight moments later as the clouds opened. Late in the afternoon, as the sun lowered toward the horizon, the atmosphere became back-lit and began to glow, especially in spots where the rain was still falling. At times beams of light (“God Light,” to use the common photographic description) came through the clouds, passed though slightly opaque mist and rain, and lit the surface of the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline, Trees, Morning

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Shoreline, Trees, Morning
Morning light on trees and granite slabs along the shoreline of Tenaya Lake

Shoreline, Trees, Morning. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light on trees and granite slabs along the shoreline of Tenaya Lake

I think this photograph combines several elements that I find attracting in my landscape work. I have written that I sometimes like to photograph along the “edges of the light,” the boundaries between shadow and sunlight that move across landscapes, especially when it is early or late in the day and/or when the landscape is surrounded by higher ridges. This photograph was made in early morning, in an area where the sunlight does not arrive until some time after dawn. When the light does come, it works its way down the granite slabs on the left as beams of light pass across the valley from the right. I also love to work with haze. (I often am baffled by photographers who always want crystal clear atmosphere — that can be beautiful, too, but it can also be stark and obvious.) There was plenty of haze on this morning, and the light shining through it partially obscures the background forest. And the photograph is rendered in black and white. While I don’t think of myself as a “black and white photographer,” I frequently find myself seeing scenes like this one in monochrome. Perhaps that goes back to my roots as a photographer.

There is something a bit unusual about this landscape, too — a road bed features prominently in the scene! This is the edge of Tenaya Lake along the Tioga Pass Road through Yosemite’s high country, and here the road (for better or worse) passes right along the shoreline. But for me the trees are the dominant feature, standing along the base of the granite slabs, trying to push their way up onto the slabs, and filling the background as forest ascends the slopes of this valley toward the granite ridges above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Sun Beams, Clearing Fog

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Sun Beams, Clearing Fog
Sun Beams, Clearing Fog

Sun Beams, Clearing Fog. San Joaquin Valley, California. January 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Afternoon sun breaks through clearing fog in the farm country of the San Joaquin Valley

This photograph, made late on a day spent photographing migratory birds and the landscape they inhabit, illustrates a bunch of things that seem important to me. Each one might be the subject of a short article, but I’ll try to keep it short in this post. One theme might be persistence or patience: This was not the easiest day of photography, with interesting thick fog early in the day, but a midday that seemed to be a bit aimless and included an unsuccessful visit to a nearby area, and a conclusion that was glorious in several ways. Another might be flexibility: I was there primary to photograph wildlife, but I was ready to switch gears and become a landscape photographer when the clouds began to break up in the very late afternoon. It also reminds me to the value of not focusing on the literal depiction of what passes for the objective reality of the landscape, and the importance of focusing on the mood of the place in a subjective way. And it provides an example of how two photographers, working from nearly the same spot, will make quite different photographs and come away with different kinds of successes.

A few days earlier I had photographed at this same location, and late that day I had convinced myself that there would be no great evening light, and I left early. Who knows what I missed as a result of that decision! This time, shooting with a group of friends, I was back on track and eager to shoot until the light was gone. It was an unusual day — great but challenging photography conditions early in the morning, followed by less exciting conditions later in the day. Then in the early evening a large flock of Ross’s geese assembled in a familiar spot and a few of us headed there and positioned the flock between ourselves and the sky to the west, where the clouds were finally starting to break up. During the last portion of the day we were treated to this cloud and light show as the sun played peak-a-boo with the clouds and to one of the most spectacular mass take-offs of geese that I have seen.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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