Tag Archives: black

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Northern California

Black Point and Negit Island, Mono Lake Shoreline

December 4, 2010 G Dan Mitchell Leave a comment

The north shoreline of Mono Lake leads from foreground offshore tufa past the base of Black Point to Negit Island and beyond.

You would never know it from this black and white photograph of the austere desert landscape around Mono Lake, but I was there to photograph… fall aspen color! Earlier in the day I had photographed further south along the eastern slopes of the Sierra, gradually working my way north with a plan of heading back to the “west side” over Tioga Pass at the end of the day after doing a last bit of fall color photography near Conway Summit and Dunderberg Road in late-afternoon light. By mid-afternoon I had made it to Lee Vining for an espresso stop at Latte Da and a break to check some email and so forth. Soon it was time to get into position for the low angle sun that would light the aspens a bit later, so I headed north out of town.

The road north from Lee Vining skirts the west shore of Mono Lake. Before leaving the lake there is a turn-off to another road that passes along the north shore of Mono Lake and can take you to places such as Black Point. I often stop at this turn-off since it provides a slightly elevated view of the larger terrain around the lake including the low hills to the east and Mono Craters and higher mountains to the south. On a typical blue sky mid-afternoon I might not make any photographs, but something about the light and the forms of the shoreline, Black Point, and Negit Island leading into the distance convinced me to make a few exposures, using a long lens to compress the distance.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Four Oak Trees, El Capitan Meadow

November 20, 2010 G Dan Mitchell Leave a comment

Four black oak trees with early autumn foliage stand in late-afternoon light at El Capitan Meadow, Yosemite Valley.

These four oak trees in El Capitan Meadow are almost iconic, having been photographed by many, many people. On this trip I stopped in El Capitan Meadow near the end of the day – this was my last major shooting location before leaving the Valley for the long trip back to the Bay Area. While there was considerably time left before sunset, because El Capitan Meadow sits to the east of some very tall cliffs, this photograph and others in the series were made just before the list direct light fell on the area. The fact that the areas closer to the cliff faces along the north side of the valley were already in shade helped set off the backlit leaves of the four trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Oak Trees, Evening, El Capitan Meadow

November 11, 2010 G Dan Mitchell 2 Comments

A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.

What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

Man Descending Sidewalk Steps

July 18, 2010 G Dan Mitchell 3 Comments

On a day when my wife was rehearsing in SF and my son needed to do some packing in his apartment… I took this as an excuse to take the (very) early train to the City and wander around shooting on the street until mid-afternoon. A started shooting near the Caltrain depot at about7:00 a.m., wandered up the Embarcadero, heading into the North Beach area, backtracking though the less-touristy part of Chinatown, and finally descending (in more ways than one) to the shoreline at Fishermans Wharf and Pier 39 (ugh) before wandering back up near the ferry building to catch BART to meet up with them.

I made this photograph in an area that seems to me to be sort of on the fringes of Chinatown. The first thing that caught my attention as I passed by on a cross street was the crazy bunch of ducts and other stuff attached to the outside of this building. I wandered up the other side of the street to shoot this straight on, and was doing so when this man helpfully wandered through the frame – which was just what I was hoping for.

On another note, last week I saw some impressive photographs by a person who will remain nameless. The images were largely urban/street work, and included some really interesting photographs of people. But as I looked at the work it occurred to me that part of what was catching my attention was that everyone had seemingly been given the same formulaic treatment in post, likely consisting mostly of a Gaussian blur overlay and some strong vignetting. As an experiment – and partly to confirm my suspicions – I took this image through the same process and with about 10 minutes of work had achieve “the look” of and edgy, saturated, and dark-looking image. But I was left in a bit of a bind. On one hand, it seems cheap to apply a formula in this way, especially when it is so straightforward. On the other hand, it does have a certain appeal…

The version I settled on here eschews that bit of work in post and is more of a “straight” photograph of the scene.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.