A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.
This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.
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A tree and granite slab are lit by brilliant sunset light from a dissipating evening thunderstorm, Yosemite National Park.
This was another of those sometimes-surprising bursts of evening Sierra color that results in effects so gaudy that they almost seem unreal – but this is real. I was camped down in a valley among trees so I wasn’t initially expecting much in the way of spectacular sunset photography. Instead, I planned to take advantage of the early shadows in the valley and get some evening photographs under soft light without any direct sun at all. I first worked some moving water where the nearby river flowed across granite slabs, and then I contemplated photographing some small plants in deeply cracked and patterned granite. As a worked my way across this granite, I remembered a small tree on the other side of the bowl that had looked like an interested photo subject a few days ago, so I walked over to that area where the tree stands in a shallow granite bowl.
Earlier in the afternoon I could see huge thunderheads building up to my east, but they did not move far enough west to affect me with anything more than a bit of gray sky. However, as the clouds built up to higher elevations, their tops began to take on the familiar “anvil” shape and the upper portions of the “anvils” began to spread to the west and out over my position. This is a classic setup for potentially spectacular evening sky color. Near sunset the clouds can pick up intense red/orange coloration from the sun setting in the west. At the same time, the storms begin to dissipate, creating semi-transparent “curtains” of virga (falling rain that doesn’t reach the ground), unusual shapes along the bottoms of the clouds, clouds emerging out of the gray murk as the sunset light picks them up.
As I arrived at my little tree, I quickly lost interest in that subject as the cloud light show began. First the bottom of the thunderhead began to turn brilliantly orange and red. Then the lower reaches of the small storm began to produce very unusual cloud shapes including mammatus clouds. Virga produced a brightly colored by semi-transparent scrim. It quickly became so bright that the red/orange colors began to wash the granite bowl, and I turned my camera from the little tree to the uphill granite surfaces and the clouds above.
In this vertical format image the tip of a small tree extends above the top of a dome-like area above me, and the brilliant light from the clouds washes the dome with color. The colors here have not been “amped up” in post – in fact, I’ve actually toned some of them down a bit!
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Freighter approaching the Golden Gate as it departs from San Francisco Bay.
On this hazy but fog-less August morning I had stopped above the north end of the Golden Gate Bridge on my way north towards Point Reyes, where I planned a day of photography. I cross the bridge frequently, but I almost always schedule my crossings for times when the light might be interesting, at least if I have any control over my schedule. A summer day like this can bring any of a wide range of conditions: the bridge and bay could be totally socked in my fog, a finger of fog might extend inland while everything else is for-free, the sky could be crystal clear. On this morning the morning haze obscured a lot fo the long views… but it also increased the sense of distance and hid some distracting background elements that might have been visible in clearer conditions.
Some minutes earlier, while photographing a very different landscape from this spot, I had seen this ship beginning its outbound voyage all the way back under the San Francisco-Oakland Bay Bridge. Having watched these ships before I knew that it would eventually make its way past Treasure Island, around Alcatraz, make a wide loop, and then turn back to cross in front of me as it approached the passage through the Golden Gate. With this in mind, I kept an eye on it, and once it cleared Alcatraz I kept a close eye on it, making this exposure just as it made its final turn toward the Bridge with only the surface of the bay, the faint and distant hills, and the sky creating a blue background.
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Anchored ship and ship yard cranes of the port of Oakland beyond a breakwater, San Francisco Bay.
I made this photograph on one of my summertime San Francisco visits on which I head up there on the train very early in the morning, and then I walk wherever my nose leads me, making photographs. On this visit I left the train station and ended up crossing a bridge to the inlet behind AT&T park, sometimes called “McCovey Cove.” From along the far side of this inlet I could see across the San Francisco Bay to the towering cranes at the port of Oakland. They were backed by a fog bank that completely obscured the city of Oakland and all but the very tops of the East Bay Hills.
This morning light coming across the Bay can be very special. As it often shines through the moisture laden air over the water and sometimes through clearing fog, it can take on a luminous glow and can even be almost too bright to look at. This was that sort of morning, so I let the sky exposure go as close to white as I could and still retain some sense of the thick air. The dark object at the left is a concrete breakwater outside the entrance to South Beach Harbor.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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