Tag Archives: evening

Evening Clouds, Tuolumne River Valley

Evening Clouds, Tuolumne River Valley
Evening Clouds, Tuolumne River Valley

Evening Clouds, Tuolumne River Valley. Yosemite National Park, California. September 20, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening clouds from dissipating afternoon thunderstorms in early evening light above the Tuolumne River Valley, Yosemite National Park.

I recently posted a photograph of wildly colorful sunset clouds made a bit earlier on this same evening this past September as I was concluding a week-long photography backpack into the Yosemite back-country. By the time I had the photograph shown here, the most psychedelic of the sunset colors had begun to fade (though the reddish coloration on the granite is from that light) and I turned my attention to the thinning clouds.

Not much earlier, these clouds had been part of a massive line-up of huge thunderstorms over Yosemite high-country. I had escaped the rains since I was now in the relative lowlands around Glen Aulin, but it was clear that these had been some powerful localized storms. But as typically happens on many Sierra evenings, the giant storms soon dissipated and the clouds thinned to transparency as the day came to an end. By the time I made this photograph only a bit of direct sunlight was striking the tops of the highest remaining clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Granite Cliffs

Trees and Granite Cliffs
Trees and Granite Cliffs

Trees and Granite Cliffs. Yosemite National Park, California. September 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Trees ascend rocky slopes to the base of steep granite cliffs, Tuolumne River Canyon, Yosemite National Park.

There are still a few more photographs to be found among those I made during my weeklong mid-September backpack into the Yosemite back-country. I spent several days photographing in the Glen Aulin area and this is one more of the photographs from that area. In the evening the sun sets down canyon from Glen Aulin, and we had travelled to a spot where we could see down into the upper reaches of the canyon as the sun set. While I was photographing some closer subjects, I looked up and saw the light from the west back- and side-lighting trees at the upper edge of the forest before it gives way to steep granite cliffs.

One of the great pleasures of this trip was having the opportunity to spend a number of days in each location. We spent three days in this area at the start of the trip and I had the better part of two additional days on the way back to my car. In many cases, I might initially wonder how I could possibly spend that many days shooting one small area within walking distance of my camp. But many days later I had discovered more and more potential subjects… and I almost felt like I was running out of necessary time!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building
Windows and Reflected Light, Industrial Building

Windows and Reflected Light, Industrial Building. New York, New York. August 22, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A double-reflection of late light from an adjacent building appears in the upper story of this window-covered industrial building near the High Line Park in New York City.

This is another of my photographs from New York City’s High Line Park, made during my late August visit to the city earlier this year. For those who may not know, the High Line is a relatively new (and still under construction) urban park in Chelsea that is “elevated,” being built on the bed of the old elevated railway that passed through here. The park is tremendously popular, especially on summer evenings.

Aside from being a pleasant place to walk, the High Line affords some interesting views that are usually not quite this accessible. There are not to many places where you can walk through a busy urban environment such as Manhattan for a mile or so, out in the open, a couple of stories above street level, with largely unobstructed views of subjects near and far, and above and below. Here the park passes between some taller buildings that are closely spaced, creating an interesting lighting situation. (Oddly, it is a kind of lighting that I often look for when shooting landscape or nature subjects.) The sun is behind the building in the photograph, so the building is largely lit by light from the open sky plus light reflected from the building behind my camera position. You can see that other building in the windows here, the upper floors in direct sun light and the lower in shadow.

G Dan Mitchell Photography
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