Mount Tom rises above Round Valley as afternoon autumn light falls on trees and pastures.
I drive past this spot every time I pass through the Bishop area in the eastern Sierra. Descending toward Bishop, Highway 395 passes through Round Valley, and I am always intrigued by the rangeland in this area, the trees that grow in the pastures, and the steep eastern slopes of the Sierra beyond. I have an image of these trees with fall colors backed by the lower slopes of the mountains… but that is a photograph that so far only exists in my mind! At some point I want to find time to really photograph this spot, but in the meantime I often stop and occasionally explore here a bit as I pass through.
My early October visit was a bit too early for real fall color in Round Valley, though a few trees were starting to turn here and there. As I drove north from the Bishop area I wasn’t expecting really spectacular color, but as I started up the grade that leaves this valley I caught a glimpse of warm light on these trees as the sun was about to drop behind the ridge. I didn’t quite have time to pull over and turn around so I continued up the road a distance and finally located a turn-around, reversed direction, and headed back down to the spot where I had seen this light. It was almost gone when I arrived, even though it had only been a few minutes. Using the lens that was already on the camera I quickly set up my tripod and managed a few exposures as the light left the groves of trees in the foreground.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
“Abandoned Pier, Dusk” — The pilings of a long-abandoned pier on the Pacific coast near Davenport, California.
Besides being a matter of hours from the Sierra Nevada and less than a day’s drive from places like Death Valley, I can be at the Pacific coast between San Francisco and Santa Cruz in barely more than a half hour. Yesterday it looked like evening conditions might be interesting so I headed over there in the late afternoon. As I crossed the mountains on my way there I was pleasantly surprised to see low clouds over the ridges and some higher clouds over towards the ocean, which got my hopes up for some sort of spectacular evening light. However, when I actually got the the coast the conditions were not as interesting – mostly clear with just a bit of cloudiness on the horizon, and no interesting haze or mist over the water. Either that or I just wasn’t “seeing it” this time. So, after stopping for a cup of coffee, I headed up the coast from Santa Cruz and stopped at several of the usual locations, but didn’t make a single exposure. At the northernmost point on my drive I stopped right by the water and it looked like interesting light might be five or ten minutes away… and then the sun dropped below some low clouds near the horizon and the light died!
I think I’ve learned to go with the flow when this happens. I react in several ways. One is to look around for subjects other than those that I thought I was there for. With that in mind I thought about photographing shore birds… but there was only one forlorn seagull down near the water. I saw an interesting pool of water on the beach and thought it might play into a seascape photograph, but the flat light and cloudless sky was not working. I remembered a spot a bit further south where I had once shot some shoreline shoals from the top of a steep cliff at sunset, so I quickly drove up that way… and couldn’t find them!
I had one final thought. On the way north I had seen a group of photographers on the bluff near the northern edge of Davenport. I had stopped, leaving my camera equipment in the car, and quickly dashed out to where they were set up to see what was so interesting. Below their position were the four remaining supports from an old pier that washed away many years ago. It looked interesting and I recognized the structure from photographs that others have made from down on the beach – but I hadn’t been up for the steep descent to the beach so I had driven on after making a mental note about a position from which I thought a photograph might be made. Now I realized that if I went straight there that I might be able to make some long exposures in the dying light and perhaps frame them so that they only contained the structures and the open sea. So, off I went.
I arrived just before the moment of sunset and, sure enough, the group of photographers I had seen earlier was still there. I grabbed my gear and quickly walked out to the point I had scoped out earlier, which was some distance from where they were set up. I framed up this composition and then photographed right though sunset until there wasn’t really enough light to keep shooting. (The group at one point looked like they thought the show was over and they were going to leave, but I think they saw me continuing to shoot and decided to stick around almost as long as I did.) The light just kept getting more interesting as it faded. Although it was too dark to really see the image as it appears here, I knew that this three minute exposure (intentionally lengthened by choosing a small aperture and low ISO) would smooth out the surface of the water but still show the shadows and reflections of the old pilings.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
Forest trees are almost completely obscured by evening fog in Yosemite Valley.
If you have been watching some of my recently posted photographs, you have perhaps figured out that I’m working on a series of photographs in which mist and fog and clouds obscure to a greater or lesser extent some underlying elements of the landscape. (If you haven’t been watching my recent posts… you can still be my friend! ;-) In a few of them I am seeing how far I can take this and still have an interesting photograph. This one marks a further step along that path in that at least half of the scene has little or no detail, being almost completely obscured by drifting fog, and even in the areas where trees are still visible the details are very muted.
I’m thinking about just how little detail I can retain in the scene and still retain a sense of form. And this isn’t the most extreme in the series at all. I’m working on another one which retains less “solid” detail than this one. (It may be that it works as a print but perhaps not as a web jpg, in which case I may not post it here – we’ll see.)
The photograph was made at – icon alert! – Wawona Tunnel View above Yosemite Valley on an evening when I had little interest in shooting the classic view of the Valley itself, but had instead gone there because I was almost certain that fog would form among the trees on the Valley floor as the temperature dropped following a rainy day. If anyone had noticed me shooting on that evening among the line-up of dozens of photographers, they might have been perplexed as to why I was aiming a very large lens down when the famous view was obviously straight ahead! ;-)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.
What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
