Tag Archives: island

Moonlit Stairs and Windows

Moonlit Stairs and Windows - Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.
Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

Moonlit Stairs and Windows. Mare Island Naval Ship Yard, California. April 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

This month I have had the opportunity to return to the ongoing task for filing through older raw files to see what I missed the first time around. (The task also leads to deleting some files that I originally held on to.) For me this is an important ritual, as I often accidentally “leave behind” some photographs when I first review them – either I get to busy and move on before I fully explore them, or in some cases I simply don’t yet “see” the photograph when I look at it too soon after making it. I have a theory about the latter issue. Sometimes I think I’m so invested in what I hoped or thought the photograph would be that I fail to see what it really is, at least until I’ve waited a while.

The subject of this photograph is the exterior of a building at the historic Mare Island Naval Ship Yard in Vallejo, a place that I have photographed only in the dark! I have worked with this building before. It is superficially a pretty uninteresting structure, but some of the unusual exterior stairways become interesting compositionally when illuminated by moonlight as in this photograph. I’ll share a few odd technical details about this one, too. The exposure time was nearly 8 minutes! And the capture was still underexposed. Since I cannot meter a scene like this, I often make my first exposure based on some sort of educated hunch – and I guess I just couldn’t imagine that I’d have to stand there any longer than this! Of course, because of the distance between the close-in railing and the far portions of the upper story, I had to use a small aperture of f/16. And being concerned about noise I shot at ISO 200. In the dark. Right. So one reason that I think I neglected to work with this file was that it seemed underexposed – OK, it was underexposed, even given the very dark subject of the scene. However, when I began to work with the raw file I discovered that I could push it the equivalent of several stops and the image would still hold good quality without obtrusive noise. I like the odd combination of shapes and angles, and in the end I think the very dark interpretation is actually the right one for this subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industry Noir

Industry Noir - A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.
A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Industry Noir. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Given some of the other iconic and impressive things that may be photographed at the Mare Island Naval Ship Yard, this is sort of a normal looking scene. However, as one who has photographed there quite a bit at night, somehow it seems to capture – for me, anyway – something about the way the place feels. Wandering about among very old, very abandoned, and very dilapidated old structures in the quiet of the night, sometimes things can feel just a bit strange, and a glow from inside a window on the second story of a building or the reflection of a soft interior light can sort of make you wonder just a bit.

To be honest, I’m rarely scared or nervous when shooting there. For the most part the experience is a very quiet, slow, and contemplative one. But I recall one night that was a bit different. I had arrived early – before the sun set – and had met up with a group of fellow night photographers. They had some plans to shoot in a particular area, but I really wanted to shoot something else at first. So I told them to go ahead and start and that I would find them a bit later after shooting my first subject. Finishing with that work a half hour or so later I headed off in the direction they had gone, stopping to make more photographs along the way. But I never saw them again. I continued shooting along, wandering along deserted old streets and up alleys behind abandoned buildings. Finally at one point I suddenly became aware of being very alone in a very dark place and, for the first and only time at MINSY, I became nervous – and quickly packed up, returned to my car, and left. This photograph reminds me of that just a bit…

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point and Murphy Hogback, Evening

Murphy Point and Murphy Hogback, Evening - Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

Murphy Point and Murphy Hogback, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.

Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point, Sunset

Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.