Tag Archives: license

Sandstone Towers and Cliffs

Sandstone Towers and Cliffs - Sandstone towers and cliffs in evening light, Capitol Reef National Park
Sandstone towers and cliffs in evening light, Capitol Reef National Park

Sandstone Towers and Cliffs. Capitol Reef National Park, Utah. October 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone towers and cliffs in evening light, Capitol Reef National Park

By comparison to some of the other well-known Utah national parks, it seems to me that Capitol Reef is perhaps a bit more difficult to get to know. Oddly, this might be partially because it is so easy to experience it very superficially. A main highway passes right though the park, and a number of the characteristic and iconic features are visible from the highway or by barely leaving it: the well-known orchards, accessible examples of rock art, large and impressive sandstone walls and towers, the Fremont River. Other features are neatly containing along an impressive “scenic drive” with some popular trails. But it seems that the steps to see additional aspects of the park are bigger than at some other parks. For example, while most Yosemite visitors think of The Valley as the park, it isn’t really all that difficult to drive paved roads to Glacier Point, redwood groves, or even the summit of the Sierra. But to go a bit further at Capitol Reef you might have to drive through a river, have four-wheel drive, ask someone about some relatively unknown canyon, drive for many miles on gravel roads.

My first visit to this park was limited to the most accessible features, as we were passing through on our way to another place. We stopped briefly to see the rock art, and I saw those iconic orchards of Fruita. On the second visit, we had more time – we were in the area of several days – and we spent time on the “scenic drive,” did a few of the hikes, and poked around the fringes of these area. We even drove the dozens of miles down that east side gravel road and took a long drive on less-used roads to return to where we started. On a subsequent trip, we asked around a bit, and ended up poking into a canyon where we were the only visitors and walking along a route high in the mountains on a sub-freezing morning. This photograph comes from the intermediate experience of that second trip. Although there was (and still is!) much that I don’t know about this huge and diverse park, by this point I was starting to get a sense of the rhythms of light and so forth, and this enable us to be at this (accessible) location at the right hour as the day came to an end.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Box Elder Thicket, Fall

Box Elder Thicket, Fall - A dense thicket of box elder trees along the Escalante River, Utah
A dense thicket of box elder trees along the Escalante River, Utah

Box Elder Thicket, Fall. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dense thicket of box elder trees along the Escalante River, Utah

Down in the canyons around the Escalante River the terrain varies a great deal. In some areas you might be walking more or less in the stream, perhaps wading up the center of the stream, crossing back and forth across it, rock hopping, and occasionally slogging through very wet sand and mud. In other areas, you might walk through groves of cottonwood or box elder trees of various sizes. Elsewhere you might leave the stream itself and find your way though brush or over and around rocks or slick rock. Sometimes there is abundant vegetation, and in other places you are in a world composed almost entirely of rock.

The river almost continuously twists back and forth and wind around one horseshoe bend after another. These bends seem to me to be important places of transition. On one side you might walk in direct sunlight and be warm. As you pass through the apex of the bend, if you were in the sun you are now likely to pass into shade and the canyon may narrow, perhaps forcing you to cross back and forth across the stream. I found this small clump of box elder trees in such a place. They were quite small – I imagine as a result of growing in an area that could be flooded from time to time – and they grew together densely. It is a challenge to try to make some sort of coherent composition out of such dense and intertwined growth. The interesting side light, reflected from another canyon wall, gave a bit of relief to the thin trunks of the trees, and there are a multitude of relationships to be found among their forms – they are mirror images of one another, or they twist almost in parallel – and in the background is such dense detail that even a very close look at a print shows that there is hardly a place where subjects beyond the trees are visible.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach
Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A long exposure photograph of shoreline rocks and surf at Weston Beach, Point Lobos State Reserve

I had been a while since I had photographed along the California coast south of Monterey, but I finally made it back down there on this mid-January morning, ending up at the Point Lobos State Reserve. This is a location I shoot frequently since it is barely more than an hour from my home, and I’ve gone there since I was a kid. Today was perhaps not the ideal day to photograph there – it was (literally) freezing cold in the morning and then the skies were almost completely clear. Clear skies are not my favorite for photography. I much prefer some fog or clouds. In this photograph I dealt with that by pointing the camera down and placing the horizon very close to the top of the frame.

Arriving at the reserve, I first headed down to the familiar location of Weston Beach. (I still cannot quite figure out which this place is called a “beach” – rocky slabs slope down to the water and the closest thing to sand is a bit of rocky gravel. But I digress…) When I arrived, the early morning sun was almost back-lighting the islands and sea stacks to the south of here, so I walked back up the road a bit to find higher ground to shoot in that direction. While shooting from there I saw that it could be interesting to shoot below this trail and much closer to the water, using a very wide-angle lens and perhaps a 9-stop neutral density filter to extend the exposure. Rather than hoping the fence to get to the likely spot 20 feet away, I was a “good soldier” and I walked back a hundred yards or so, took the “official” trail down to the “beach,” and then worked my way back to the rocky spot that I had spotted from above. I lined up some shoreline rocks and a crack that allowed a bit of surf to come in closer, positioned the horizon very close to the upper edge of the frame, added that 9-stop neutral density filter, and made several long exposures that would allow the surf to become flat and almost misty. Usually I might not want the very harsh light on the rocks, but here I like the way it contrasts with the smooth and filmy quality of the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Theatrical Landscape #1

Theatrical Landscape #1
Theatrical Landscape #1

Theatrical Landscape #1. San Jose, California. January 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abstract photograph based on stage rigging and theatrical lighting.

I know what I’m looking at in this photograph, but I wonder how apparent the subject is to other viewers, or if it appears completely abstract? The photograph was made backstage in the wings of a theater where I have recently been photographing a very different sort of subject. The “stuff” of the theatrical world intrigues me, and the stuff here is the rigging that is mounted high in the fly space above the stage: catwalks, lights, cables of various sorts, and much more. Intense lights were mounted very high above this backstage area, shining down through much of this other material, so I simply pointed the camera up, composed a shot that included the source of the light, and made a rather long handheld exposure, during which I intentionally moved the camera a bit.

The project that brought me to this theater is a long-term one to photograph professional musicians in situations other than just their concerts. I’m initially working with classical groups, but I may consider expanding the scope to include other sorts of music later on. While working on this project I attend a lot of concerts and rehearsals. Besides having an opportunity to photographically explore this other artistic world, I get to watch and talk with musical artists and hear a ton of wonderful music. This project is not yet at the point where I’m ready to share much of the photography, but stay tuned…

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.