Tag Archives: license

Rocky Islands, Fog, and Surf

Rocky Islands, Fog, and Surf - Brightly sunlit fog blankets rocky islands and high surf, Point Lobos.
Brightly sunlit fog blankets rocky islands and high surf, Point Lobos.

Rocky Islands, Fog, and Surf. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brightly sunlit fog blankets rocky islands and high surf, Point Lobos.

The conditions were wildly changeable on this early afternoon at Point Lobos. I had originally been shooting at a more protected location in the park where it was mostly sunny, though with the sun partially obscured by high, thin clouds. After finishing with my shooting in that location I decided to head out toward the more exposed coastline just south of the “Point” itself before leaving, and when I got there I found that the fog back was perhaps only a few hundred yards offshore and was already beginning to obscure some of the rocks.

I hurried a bit to the south to a point where the view might be clear toward Bird Island and the Carmel Highlands, thinking that I might get some long distance shots before the fog closed it or, better yet, as it came in. Sure enough, I arrived at a good spot to work from while the rocks were still clearly visible against the backdrop of the fog, which was brightly lit from behind by the sun. I set up my tripod, mounted a very long lens, and attached the camera, and looked back at the view to find… that the rocks had virtually disappeared as the fog moved in more quickly that I expected. Still, by waiting for momentary clearing in the mist, I was able to make a few very foggy photographs of these large off-shore rocks, almost obscured by the incoming fog.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blow Horn and Pipes

San Francisco - Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.
Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

Blow Horn and Pipes. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

This is one of those odd little photographic vignettes you can find if you poke your nose into the right (or wrong) little alleys while wandering around in a city. I have passed this general area many times before, and had often notice fenced-off or gated small alleys extending along the sides of some of the buildings. I had even attempted to photograph through the fences, but without much success. However, for some reason – or else a fortunate coincidence – on this morning most or even all of the gates were open and I could wander down along the sides of these old buildings with their interesting and weathered textures and subjects.

This collection of “stuff” was next to a door that looked like it might have been used as a loading area, so I imagine that the old “BLOW HORN” sign, hand-painted directly on the concrete wall, must have once supplied instructions to those coming to make pick-ups or deliveries. I still wonder though about the fact that the sign was squeezed in behind this has of pipes, given that there were large areas of clear wall just a foot or two away from this assemblage of pipes and valves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fractured Sandstone Cliff, Plants

Fractured Sandstone Cliff, Plants - Plants grow among craks of a fractured sandstone cliff, Zion National Park
Plants grow among cracks of a fractured sandstone cliff, Zion National Park

Fractured Sandstone Cliff, Plants. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Plants grow among cracks of a fractured sandstone cliff, Zion National Park.

On my first morning in Zion (we had arrived there the previous afternoon) we headed up into the park and Zion Canyon, though which the Virgin River flows. Although I was more or less not looking for icons to photograph, I had stopped along the way to photograph that icon, the view of the Watchman from the bridge on the Mt. Carmel highway. (At least I could console myself that I was not shooting it at the usual sunset time, but instead in the early morning. ;-) After a brief stop for that purpose, I headed up the canyon with a plan of visiting the Weeping Rocks and seeing what sort of photographs might be possible there.

After a short walk up to the rocks, I figured out that it wasn’t going to quite be my photographic “cup of tea.” However, along this walk I did find some other interesting subjects. One that I’ve shared previously was a very close view of some brand new spring leaves on the trees that grow along the trail. Another subject was the nearby sandstone cliffs that here come down close to the level of the trail. One area nearby featured immense vertical blocks of the striking red sandstone, with interesting crack systems and some plants growing in the cracks. I made several exposures of this area in full shade, and this vertical composition is one that I like a lot. I’ve probably said this before and I’ll no doubt mention it again, but for a guy who is so used to shooting the equally impressive but much less colorful granite of the Sierra, the colors of these rocks proved irresistible! And the color variations are amazing – here you can see some areas where the color trends toward purple.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Tower and Cliff, Morning

Sandstone Tower and Cliff, Morning - A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.
A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

Sandstone Tower and Cliff, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.

The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.