Tag Archives: line

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Coastline at Bixby Creek, Winter

January 5, 2011 G Dan Mitchell Leave a comment

A winter storm approaches the bluffs of the Big Sur coastline at Bixby Creek.

This is, as you may have noticed, the same scene as that in yesterday’s photograph – but this time in portrait mode and composed to focus on the receding edge of the land as it meets the winter sea off of the Big Sur coast. To recap, it was raining lightly and blowing hard enough to almost knock me over when I made this photograph. The wind was coming straight at my camera position out of the south. Since I figured my tripod would probably blow right over in one of the gusts, I decided to use a “natural tripod” and instead drape myself over a conveniently placed boulder and brace the camera on the top of the rock.

This is a wild section of the coastline that forces the coast highway to ascend well above the steep shoreline bluffs and cliffs. I am intrigued by the rock pile that has slid off the face of the tall cliff at the left and collected along the beach in front of and beyond the cave at the waterline. I was surprised to see a small number of footprints in the sand on this little beach!

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Photographs: Central California, Photographs: Northern California, Photographs: Ocean & Coast

Cove and Beach Near Davenport, Evening

December 13, 2010 G Dan Mitchell 2 Comments

Black and white photograph of two people standing on a bluff above the Pacific Ocean and overlooking a cove and beach near Davenport California.

Although I have continued posting photographs at a rate of one per day, I have only managed to get into the field to shoot a few times since early November. Yesterday I found time to make it over to the Pacific coast late in the day. I was looking for the foggy, misty, and somewhat gray conditions that are common this time of year, at least when the air has not been cleared by a passing storm. I wasn’t disappointed. While the sky was clear overhead, the air was very moist – my equipment became damp from condensation as I worked.

Since my time was a bit limited – the sun was going down! – I went more or less straight to this spot where I have photographed in the past. (At first I considered going a bit further north to shoot from high bluffs, but I realized that the shot I had in mind from that location would be better earlier in the day.) When I arrived the sun was just dropping below the horizon, but that is what I wanted – I wasn’t looking for one of those brilliant “sun dead ahead” shots. I wanted the post-sunset soft light and enough darkness that I could work with longer exposures.

I parked and walked the short distance to this spot at the head of this cove. The composition is sort of tricky. The “right” (in my view) arrangement of the offshore rock and the surrounding bluffs can only be seen from a very small area – too far right or left and elements start to collide. In addition I wanted that little bit of more distant shoal along the right side of the frame to suggest that the coast continues, and I wanted that flat bit of bluff with a bit of post sunset light at the left. It was a bonus when the two people – probably photographers! – showed up on the top of the left bluff and thoughtfully posed for me as I made long exposures!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Aspen-Covered Hillside, Reflection

November 17, 2010 G Dan Mitchell 4 Comments

Brilliantly colorful aspens ascend a hillside valley above the reflecting surface of a Sierra Nevada lake.

This absurdly colorful hillside above a small lake is a well-known autumn sight in the eastern Sierra above Bishop, California. If you hit it at just the right time and in just the right light, the colors can be almost hallucinogenic. (I’ve heard it called the “Cheetos forest,” for reasons that are probably pretty obvious.)

I’ve been there plenty of times, but have never quite hit the right combination of conditions to get a good shot of the color. I came very close a few years ago, arriving in the pre-dawn hours when there was just enough light to make out the river of color snaking up the small valley above the aspen forest near the lakeshore – but before the sun came up a snow squall swept through. I cowered in my car for half hour to escape the wind, and when I was able to get out and start shooting…. half the leaves that had been there 30 minutes earlier were gone!

The good fortune this time was not just that I was there when the color was strong, but it was also a matter of light and weather conditions. The day started out overcast, and things were looking a bit dull. But soon the clouds began to break up to the east (to the right in the photo) and bright but soft light began to filter though and between the clouds as if someone had set up a giant light panel to the east. Instead of photographing the entire hillside, I decided to photograph the horizontal layers rising from the reflections in the surface of the water, through the shoreline grasses and bushes, past the yellow/orange/gold aspens, and up the slope to the brilliant orange colors above.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

North Lake and the Sierra Crest, Fall

November 16, 2010 G Dan Mitchell 1 Comment

Brilliant gold and red fall aspens ring the upper shore of North Lake as the Sierra Crest towers above.

Somewhat past the “golden hours” of first light I investigated a hill above this lake as a possible shooting location. Because this was a morning of mixed clouds and sun, the time for good light was more extended than it might otherwise have been. The clouds began thicker and gradually began to thin, and as they did so the mixed sun and cloud shadows moved continually across the landscape, spotlighting different parts of the scene. This was one of those situations that puts the lie to the notion that the landscape is a fixed and static thing – from my perspective the entire scene was in a constant state of flux and photographing it required full attention. Here most of the shadows had cleared from the scene, with the exception of some over the foreground lake and a few scattered among the peaks, and beams of light slanted into the scene to light up the grove of brilliantly colorful fall aspens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.