Tag Archives: monochrome

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Mendocino Bay, Morning

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Mendocino Bay, Morning
Waves wash onto the shoreline of Mendocino Bay on a foggy morning.

Mendocino Bay, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Waves wash onto the shoreline of Mendocino Bay on a foggy morning.

Recently I returned to the photographs from this visit to the North Coast of California, on which we spent a few days in Mendocino. This little town presents an interesting dichotomy between the old-school funky, hippiness of that part of the state and the semi-yuppified element that has grown in more recent years. In a sense, you “see it all” in this place.

On this visit we stayed in town, not more than a couple of minutes walk from the bluffs overlooking the bay just south of the peninsula on which the town sits. On this morning we wandered over there in the morning before the morning fog and haze had completely clearer, and I made a series of photographs looking inland along these bluffs to the outlet of the river that drains into the bay.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dune and Sky

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Dune and Sky
Thin clouds pass above sand dunes, Death Valley National Park.

Dune and Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin clouds pass above sand dunes, Death Valley National Park.

These particular sand dunes and I have a kind of fraught relationship. The first time I visited this location was in the middle of winter some years ago. There was one other party there when I arrived, and they soon departed, leaving me to remain overnight in this vast landscape all alone. It was cold, as the higher elevations of the desert can sometimes be. And I had a difficult time finding photographic compositions that pleased me. Somehow I just found it more difficult to photograph this location than some of the others I knew better.

I was back again this spring. I was most certainly not alone this time! I think that the pandemic had enhanced the appeal of remote camping, and there were more than a dozen other parties, some quite large, on the night I was there. Late on the first day it seemed like time to make some photographs, so I loaded up and started walking. However, the wind had other ideas, and the gale was so strong that I wasn’t certain that I’d be able to photograph at all. I finally decided that if I used a relatively wide-angle lens, rather than the long focal lengths I wanted to use, that I might be able to wait for slight decrease in the wind velocity and get things stable enough to make a photograph. In the end, this particular subject and composition was the only one that I was able to complete successfully before the wind drove me back to camp.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Alkali Flats and Dunes, Morning

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Alkali Flats and Dunes, Morning
A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Alkali Flats and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Perhaps this scene looks a bit familiar? It is the same subject as in another black and white photograph that I shared recently, though this time composed a bit differently to fit the portrait orientation and include the curving alkali flats in the foreground. I often photograph such a subject in more than one way. At a minimum I’ll try to find a portrait and a landscape mode version of the scene if possible. In the landscape version of this scene I omitted most of the lighter foreground material, but by using portrait mode here I was able to use the leading curve in the foreground.

These old alkali formations among the dunes fascinate me. So far I have not found too much information about them, though it seems that they are layers of material that must have been created from silt that was once liquid and which dried and cracked. In places the formations are thick and quite solid, but in others they are incredibly thin and fragile. (I may walk on the thicker formations occasionally, but I always try to detour around the thinner ones so as to avoid damaging them.) Unlike other playa surfaces, these are often also shaped by the forces of wind-blown sand.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Creosote and Dunes

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Creosote and Dunes
A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Creosote and Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Perhaps surprisingly, that bit of dry surface in the foreground is what initially attracted me to this intimate landscape scene among the sand dunes. These surfaces are found in many places around and between the dunes, and at first their relationship to water is surprising in such a place. Some of the forms look much like what we find on desert playas, but in other places they are quite fragile and appear to have been smoothed and sculpted by wind-borne sand. (I try to avoid walking on them unless they are the more durable playa-type of formations.)

I had just photographed a closer subject, some dead creosote bushes, when I saw this larger and thriving specimen positioned among some beautifully curving dunes and casting a shadow onto them. It was a tricky exposure — the backlit “sky” (which is actually glowing haze in front of distant mountains) was extremely bright, while the shadows were quite dark. This was definitely a case of exposing to capture image data with the intention of using the post-processing stage to bring things back to something closer to what I saw.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.