Tag Archives: Mountain

Autumn Oak Trees, Cliff Face – Yosemite Valley

Autumn Oak Trees, Cliff Face - Yosemite Valley

Autumn Oak Trees, Cliff Face – Yosemite Valley. Yosemite National Park, California. November 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Autumn oak trees and meadow with background cliff face towering above – Yosemite Valley, California.

Having posted all of the better photos from last week’s shoot at Point Lobos, I’m back to the fall photographs from Yosemite Valley once again as I complete the process of going through all of the images I brought back from my October 31 and November 1 visit. This is another in the “tree with hazy cliffs in the background” series that I seem to have spent a lot of time on during this visit. These trees were photographed during the bright midday hours, at a time when I might usually knock off from photography for awhile. However, with the right backlight on the colorful black oaks and a background of hazily distance valley walls, I continued to shoot almost straight through on this day.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Glacier Point Geology Hut, Early Morning Light

Glacier Point Geology Hut, Early Morning Light

Glacier Point Geology Hut, Early Morning Light. Yosemite National Park, California. November 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Early morning light on the Glacier Point Geology Hut, Yosemite National Park, California.

I love photographing at Glacier Point just before and right around sunrise. Despite the challenge of shooting into the bright sky and rising sun to the east, several subjects here can be compelling in the early morning: the first light striking Mt. Hoffman, light beams coming over the Sierra crest, and especially the very first direct light to strike the trees along the ridge at Glacier Point and open to the light from the east. Not only that, but if you go at the right time you have have the whole place nearly or entirely to yourself. I often go there when I visit in autumn and a quiet November morning there is very special.

I had more or less “worked the scene” of the first light hitting Hoffman, North Dome and surrounding peaks before I made this photograph. I basically turned my camera around to point the opposite direction and repositioned the tripod a bit to frame this stone building and include the light on its eastern face.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Cottonwood Grove, Shadow’s Edge

Cottonwood Grove, Shadow's Edge


Cottonwood Grove, Shadow’s Edge. Yosemite Valley, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

A grove of autumn cottonwood trees in the last sun as late afternoon shadows fall across the floor of Yosemite Valley near Yosemite Falls.

Late in the afternoon on Halloween this year I was in Leidig Meadow in Yosemite Valley watching the light dim along the cliff faces near Yosemite Falls. As the shadow moved across the Valley toward the meadow it lit this row of cottonwood trees growing between the meadow and the banks of the Merced River.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Detail, Last Light on El Capitan

Detail, Last Light on El Capitan


Detail, Last Light on El Capitan. Yosemite Valley, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Detail view of last sunset light on the face of El Capitan, Yosemite National Park, California.

Recently I wrote about (and confessed to occasionally) photographing icons. You cannot succumb more openly to “icon photography” than by creating a sunset photograph of El Capitan as seen from Wawona Tunnel view – but that is exactly what this is.

I had not originally intended to photograph here, but as I often do, I drove by and stopped on my way to look for another subject. When I arrived I got out of the car and walked to the overlook without my equipment, as I often do, just to take a look at the stupendous view – worth doing whether or not you decide to photograph it. Most of the time I simply enjoy the view and then get back in the car and move on. However, on this evening I noticed some things about the conditions that forced me to consider the possibility that it might be “special” enough to stick around and haul out the camera and tripod. The air was quite clear, but even more potentially interesting, I could see a few low clouds to the west and the sky in that direction looked a bit hazy – both conditions can create intense color at sunset. (If I could have ordered up revisions to the existing scene, I might have requested a few interesting clouds floating around the face of El Cap, but no one seemed interested in taking my order!)

Rather than shooting the usual “valley view” – it takes Really Super Extra Amazing Special Conditions for me to “go there” – I put my longest lens on the camera and decided to “work” details of the scene, particularly looking for boundary areas and interesting shapes and forms. By boundary areas I refer to to beautiful and interesting spots where different things are juxtaposed – a shadow and bright illumination, a soft shape or texture and a harder one, a closer subject and one farther away. As the light evolved this pattern of brilliantly illuminated cliff faces separated by a slightly curving shadow and underlined by the rising shadow emerged.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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