Tag Archives: north america

Morning Clouds, Angel Island, San Francisco Bay

Morning Clouds, Angel Island, San Francisco Bay - Light shining through layers of morning clouds over San Francisco Bay silhouettes the hills of Angel Island near Richardson Bay.
Light shining through layers of morning clouds over San Francisco Bay silhouettes the hills of Angel Island near Richardson Bay.

Morning Clouds, Angel Island, San Francisco Bay. Marin County, California. March 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Light shining through layers of morning clouds over San Francisco Bay silhouettes the hills of Angel Island near Richardson Bay.

I can be a bit of a creature of habit when it comes to shooting in certain locations that I’m very familiar with. But the habit isn’t so much shooting the same thing – though that can be part of it – as it is being attentive to how the familiar thing might present itself in ways I have not previously seen. This photograph is a case in point.

I was on my way to a location north of the Golden Gate where I frequently photograph, so I know the route well and have a routine that I frequently follow – it involves where I’m heading, what time I plan to get there, and the route I typically follow. Along the way there are several places where I almost always pause long enough to look around and see if a familiar scene might look different. At a location where my route follows a short ridge line, I often stop and look back across Richardson Bay towards Angel Island and, beyond that, the waterfront of Oakland and then the East Bay hills. On this recent morning, a weak weather front was washing out as it arrived in the Bay Area and, as a result, there were many layers of clouds stacked up to the east. While the sun was able to shine through and light the surface of San Francisco Bay beyond the boats anchored in Richardson Bay, there was haze in the atmosphere that obscured details even on relatively close Angel Island, and in the sky above and beyond there were layers of fog, lower clouds, and the highest clouds of the weather front.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Crumbling Ghost Town Ruins, Evening

Crumbling Ghost Town Ruins, Evening
Crumbling Ghost Town Ruins, Evening

Crumbling Ghost Town Ruins, Evening. Rhyolite, Nevada. March 27, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening light in the crumbling ruins of an old mining ghost town near Death Valley National Park, California.

Rhyolite is a Nevada ghost town not far from Death Valley National Park. (The bit of distant ridge seen through the “windows” of the structure is probably inside the park.) The story of Rhyolite is interesting, and not all that different from what happened in many other “boom and bust” towns in the desert and in other areas of the west. For a short time, thousands showed up to work in extractive industries, otherwise known as mines, and there was apparently an actual bustling city here. The old railroad station, ruins of bank buildings and a school, and the size of the area occupied by the town are evidence of this. But, as is virtually always the case, the boom couldn’t last and the departed inhabitant left some years ago, leaving the town to the elements.

This is a different sort of Rhyolite photograph than I might usually share. Most are made either at night or in the golden hour period near dawn. This one was made in the evening, when the direct sun was gone. (At this time of year the sun sets beyond a nearby ridge, so the direct light is gone well before sunset.) The soft, bluish evening light creates a different effect and, for me, makes the old buildings a bit more mysterious. Here I shot from outside one of the crumbling structures that is now filled with rocks. I don’t usually say much about what a photograph might mean (and often my photographs are simply what they are) but this one evoked for me some thoughts about the nature of time and the transitory effect of the human presence on the landscape. Not only has this building – which at one time must have had a floor, a roof, a nicely finished interior, and perhaps even comfortable furniture and perhaps art on the walls – decayed to the point where the line between its structure and the rocks of the natural landscape becomes obscure, but even the attempts to declare ones presence by means of graffiti have begun to crumble.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Detail, Red Cathedral

Detail, Red Cathedral
Detail, Red Cathedral

Detail, Red Cathedral. Death Valley National Park, California. March 30, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

The eroded and fluted face of the Red Cathedral, Zabriski Point, Death Valley National Park.

I have recently posted other photographs made in the area of Zabriskie Point in Death Valley, including one other of this feature sometimes known as the Red Cathedral. It stands to the right of the more famous and recognizable parts of the Zabriskie Point Landscape where, for example, Manley Beacon is one of the most well-known visual icons in the park.

This detail photograph was made using a long lens very shortly after the first morning light had arrived on this feature. In my experience, getting good light on Red Cathedral can be a tricky thing. Parts of it face away from the sun and towards Death Valley and because its face is deeply fluted it can be tricky avoiding blocked shadows. But increasing exposure too much creates problems with saturated colors on the brightest strata that cut through its face. If you shoot it in the morning, light somewhat softened by some high clouds can be helpful, and that is what I had on this morning – the sun light is direct, but it is also filtered a bit by passing through broken clouds to the east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hikers, Titus Canyon

Hikers, Titus Canyon
Hikers, Titus Canyon

Hikers, Titus Canyon. Death Valley, National Park. March 28, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Hikers in Titus Canyon, Death Valley National Park.

There are essentially two ways to get to this portion of Titus Canyon in Death Valley National Park – you can either do a very long drive from near Beatty on gravel roads or you can walk a short distance up from the base of the canyon along the eastern side of Death Valley itself. I’ve done both. The road is quite an experience – in any other park it would probably be regarded as a very special thing, especially the last portion above Death Valley where it twists and turns down a slot canyon that is in places barely wide enough to a vehicle yet so tall that it can be hard to see the tops of the canyon walls. (It is not exactly a bad road, but it isn’t trivial either. There are some very exposed sections where it crosses the mountain ridge and descends past Leadville. Although there are reports of people using lesser vehicles, take seriously the recommendations for reasonably high ground clearance and some from of all-wheel drive.)

However, on this visit I simply parked my car at the base of the canyon, shouldered my camera equipment, and walked up the canyon a ways. There is, of course, much that you probably won’t see if you enter the canyon this way, largely because the road is so long that you won’t likely cover much of it on foot. However, I think that you can more clearly sense the scale of the lower slot canyon when traveling of foot. I included two hikers who happened by to give a sense of that scale to the landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.