Tag Archives: north

Pier at China Camp

Pier at China Camp
Pier at China Camp

Pier at China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The old fishing pier at China Camp, California

This is another photograph from my first visit to the China Camp site along the northern San Francisco Bay, a place I had thought about visiting and photographing for several years. It was a Chinese immigrant settlement in the 1800s and apparently there was a thriving shrimp harvesting operation there. Today it is essentially ghost town, though one that has been stabilized and fixed up and which incorporates some “interpretive” facilities. I ended up there in conjunction with a “long-exposure photo walk” weekend that photographed a number of Bay Area locations over the course of three days. Though I did not participate in the entire event, I did join up with them on one morning to photograph dawn at the Golden Gate and then to travel up to China Camp.

This pier was the subject of several of my photographs on this day. It is an interesting and compelling subject in a bunch of ways. Its historical context of course makes it interesting, but there are several interesting visual aspects to it, too, and the overall feelings are of quiet and space and perhaps a bit of desolation. The pier itself is unlike most that I’ve seen. Power poles with utility lines run along its length. Ladders descend to the waterline for entry into small boats. Birds sit on top of high points along the pier. The water in the China Camp lagoon is almost completely still, and there is a great expanse of open water beyond with only low hills on the far horizon. (This quality reminded me just a bit of some views of Mono Lake.) For this photograph I used a 9-stop neutral density filter so that I could extend the exposure to last many seconds, further smoothing the surface of the water. I made about a half-dozen exposures, trying to get on in which the darned birds would hold relatively still for 5-10 seconds… and they finally cooperated on the last shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dogwood Flowers, Rain

Dogwood Flowers, Rain
Dogwood Flowers, Rain

Dogwood Flowers, Rain. Portland, Oregon. May 27, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late spring rain on dogwood flowers, Portland, Oregon

We made a brief visit to Portland, Oregon over the Memorial Day holiday, and – surprise! – it rained! This was actually a welcome development for those of us who live in parched California, where we are in the second year of drought conditions. We spent most of our Portland time in the downtown area, predominantly between the main downtown and the Pearl district – where there are lots of interesting things to see, good food to eat… and, of course, Powell’s books. On the final morning we ventured out a bit further to an area of north Portland where we visited the beautiful St. Johns Bridge over the Willamette River. We wandered down below the span and its gothic-looking support towers, where we found lots of vegetation including some very lush dogwood blooms.

There is also a bit of a technical story behind this photograph. I usually shoot with a full frame Canon system, using a variety of lenses and mostly working from the tripod. But that is a lot of gear to carry on a trip like this one that was not primarily about photography. (Though, to some extent, virtually all of my travels are at least partially about photography!) So I left behind the full-on system and instead carried my Fujifilm X-E1 Digital Camera, along with the Fujifilm 35mm f/1.4 XF R Lens and the Fujifilm XF 14mm f/2.8 R Ultra Wide-Angle Lens. The camera is a mirrorless “rangefinder style” body that brings to mind the classic rangefinder film cameras. This makes for a very small and light package – and this photograph was made handheld using the 35mm prime. While my main goals with this camera are more likely to involve street or travel photography, I’m quite pleased with how it performed in this nature shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Snow Geese, Sunset

Snow Geese, Sunset
Snow Geese, Sunset

Snow Geese, Sunset. Central Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Snow geese in flight at sunset, Sacramento Valley

I made this in the last moments of an early March visit to the California Central Valley to photograph migratory birds. (As I write this in late March, I’m pretty certain that this was the final “goose chase” of this winter season.) I had come across a very large flock of snow geese in a field alongside a road south of Sacramento near the end of the day – somewhat to my surprise – so I pulled over on the barely adequate shoulder of the road and photographed over a fence and some roadside weeds as the birds began to fly off in small groups.

This little episode illustrates, for me, some of the unpredictability and luck involved in photographing such birds. I don’t mean to diminish the importance of having appropriate equipment and knowing how to use it, nor of having some idea of where to find the birds. But there is a lot about this that is not in the photographer’s control. I had started the day many miles south of here before dawn at a very different wildlife site. My plans were a bit vague beyond starting there, and when the opportunities seemed a bit less than idea after the morning shoot, I decided that I would use the “blah light” midday hours to travel up the valley a good distance to another area where I had not photographed since last season. (This added bit of driving also allowed me to investigate a few highways and side roads that I had been wanting to check out.) After a long drive of nearly two hours I arrived at this location in the Sacramento area and found… not at all what I had hoped for. I was hoping for more large flocks of birds, preferably geese and/or cranes, but at the first place I stopped it seemed that formerly flooded fields had now been drained and tilled. I moved to another area, but still couldn’t see what I had in mind to shoot. I drove around a bit trying to get the lay of the land and discover if perhaps the birds were somewhere other than where I expected to find them, but aside from a few small groups I didn’t find much. I took a nap. I started the usual contemplation about how not every shoot is successful and reminded myself that it was a good day even if nothing turned up here. As sunset approached I decided to make one last loop around the area, stopping to briefly photograph a few Canadian geese. As I watched the, I caught a glimpse of the tell-tale white birds off to the north and since I wasn’t finding anything all the compelling where I was I drove off in that direction. I soon was surprised to find a field filled with many thousands of geese – and a bit more surprised to find that they (or at least many of them) were snow geese rather than the Ross’s geese I often photograph. I stood along the road, separated from them by a low fence and tall weeds and watched. Before long small groups began to take of and fly low angle paths across the field toward the setting sun. The light was beautiful but often they were in front of farmland buildings, trees, and wires. I kept shooting and occasionally a group would rise high enough and quickly enough to appear against early evening sky. One of the important factors, or at least it seems to me, is to capture the group when the birds are in a pleasing and interesting configuration. Too often they overlap, or may not have wings raised or lowered, or there distances may vary enough to create focus problems – so it is no surprise that a good percentage of the shots aren’t keepers. (I have a sense of when this is more likely to work, but only a sense.) But this group managed to cooperate nicely, not only flying against background of clear sky, heading into the golden hour sunset light, but also managing to maintain enough separation that none of them overlap at all.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky
Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone tree on pasture land of a foggy late-winter morning with pre-dawn clouds, San Joaquin Valley

Back near the beginning of March in this year that seems to have brought an early end to winter I headed out to the Central Valley to do what was likely my last migratory bird photography of the season. When I left the San Francisco Bay Area well before dawn for the trip out to the valley the skies were clear, and I was just a bit disappointed in that I prefer at least a bit of fog for this subject. The fog gods must have heard me, since as I neared my first location in a low-lying and often wet area of the valley, fog began to collect just before sunrise. It was that wonderful sort of fog that is almost opaque, but which moves around and changes enough that at least some of the time nearby subjects are visible and it is possible to see early morning clouds in the sky above.

Although my plan was to photograph birds, at first I didn’t see the birds I was most interested in (sandhill cranes and Ross’s geese), so I kept moving and eventually ended up in this flat pasture area where a few isolated trees stood along on newly green ground, with groves of trees beyond and the soft shapes of early morning clouds overhead. This soft light is a special feature of this area in the cool, damp season, and it characterizes my experience with this place. Before long the fog began to thin, the sun came out, and I found birds to photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.