Tag Archives: park

Oaks and Hills, Winter Fog

Oaks and Hills, Winter Fog
Oaks and Hills, Winter Fog

Oaks and Hills, Winter Fog. Calero Hills, California. January 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter morning fog clears over northern California hills and oak forest.

When it comes to photography, there is a long list of subjects that I cannot resist. Included on this list are: morning sunshine across the shoulder of a grassy hill, oak trees, clearing, high clouds from an approaching weather front, hills receding into the haze-shrouded distance, stacked diagonal forms, a bit of a trail. This is, of course, a list that corresponds pretty much to what is found in this scene.

I was out hiking in my “photographic backyard” in the Calero hills on this early-January morning. I initially went out looking for fog, and I found that in abundance earlier in the morning when I photographed a solitary oak tree in a fog covered valley. Soon, however, the fog began to hold light that suggested clearing above, so I headed up a trail to a nearby ridge that commands a good view of surrounding oak-filled valleys and ridges. When I arrived there the fog was still quite thick, but I felt it would soon start to clear so I went ahead and unpacked my gear and set up my tripod… and waited. Soon I was rewarded with this scene to my south, mostly backlit by the morning sun as the fog washed in and out of the valleys and finally the sun became bright enough to light this foreground ridge and cast shadows from the oak trees.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Winter Fog and Oak Covered Hills

Winter Fog and Oak Covered Hills
Winter Fog and Oak Covered Hills

Winter Fog and Oak Covered Hills. Calero Hills, California. January 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter morning fog settles over the oak covered Calero Hills landscape of central California.

On this early-January winter morning I headed to my “photographic backyard” in the Calero Hills area, knowing that I’d get to shoot my favorite hills, oak trees, and grasslands in fog, clearing fog, and perhaps even sunlight. Things didn’t pan out exactly as I expected, but it was a good morning of photography anyway.

After starting out by photographing a tree in the “lowlands” of the park, I could tell that the tule fog was starting to clear a bit along the ridges – the brighter light from above was one hint, and the occasional faint sight of blue sky and clouds through the low fog was another. So I decided to finish up my work on that tree and follow a trail that ascends to one of the many minor ridges running through the park.

Arriving at a familiar point on the ridge along a valley that drops away to the south, the fog began to clear from my location. I soon discovered that it wasn’t going to be a day for sunlit photographs – a weak weather system was approaching and high clouds muted the sunlight. In addition the fog didn’t exactly clear – it was more a case of the fog sort of washing back and forth. One moment my position and nearby ridges would clear and I’d see the overcast sky above (as in this photograph), but a few minutes later another wave of fog would expand out of the valleys and I’d be socked in again. So I set up and waited and watched and ended up with several photographs that I like.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographing Death Valley – Part 1

This material concerning Death Valley is unavailable while revisions are underway. Thanks for your understanding. In the meantime, I will respond to comments left on this page.

(Update 3/22/13: The planned update to this article has been long-delayed, and for that I apologize. It turns out that the way I want to approach the subject in the revised version is a bit more complicated than I expected. I had anticipated completing an update in early 2013, but I decided to wait until after this year’s shoot in Death Valley so that I would write with that experience fresh in my mind.)

Also, more (but not all!) of my Death Valley photography is found here: https://gdanmitchell.com/gallery/v/NaturalWorld/TheLandscape/Desert/DeathValley/

(Note: After a conversation with a friend who is a retired Yosemite ranger, in which he articulately explained why he has concerns about sharing overly specific information about sensitive and fragile places too widely, I have decided to revise this article about photographing Death Valley. The goal is to remove some of the unnecessarily specific details about places that don’t need a lot more publicity, and to let photographers who are new this wonderful park learn about it the way I did and continue to do – by slowly exploring and adding to my knowledge and experience of the place rather than looking for a quick list of the “great shots.” I hope you’ll understand.

© Copyright 2013 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Submerged Boulders, Lake, and Cliffs. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

I have backpacked in California’s Sierra Nevada range for quite a few decades. A number (a large number!) of years ago my wife and I went on a two-week trans-Sierra backpack trip that traversed the range from west to east between Crescent Meadow and Whitney Portal,  following a route known as the “High Sierra Trail.” On the third morning we left our camp and began the stiff ascent toward the pass we had to cross to enter the Kern River drainage. Near the top of the steepest part of the climb the trail momentarily leveled out and we found ourselves facing a high, rockbound lake with a perfectly vertical patterned rock face dropping straight into the water on the far side. The view seemed familiar – and I realized that it was a scene captured by Ansel Adams (“Frozen Lake and Cliffs“) in the early 1930s.  (I also later realized that there is a wonderful and well-known photograph of the subject by Vern Clevenger.)

My wife and I were enthusiastic about photography in those days, too, and we carried a couple of Pentax SLRs and a few lenses and many rolls of film into the back-country. But I don’t think I came back with more than a few “snapshots” of this lake on that trip.

Fast-forward a few decades to 2008 when a group of my backpacking friends decided to follow this same trans-Sierra route — and, of course, I had to join them. Once again, I found myself ascending the trail toward that small bowl, but this time I had a plan to photograph the lake and the equipment to do it right. I recalled parts of the climb from my previous trip, but I had probably forgotten more than I remembered during the intervening decades. As the trail traverses a beautiful wet section full of wildflowers (which I had forgotten) I could tell that the lake was just ahead, and soon I topped a small saddle and saw the familiar scene before me.

As planned, I set to work doing some of the photography that I had contemplated before the trip. To be honest, I mainly worked from more or less the location that Adams must have used, though the conditions were a bit different on this day – the light was changeable as broken clouds passed above, and there was very little snow, much less ice, left at the lake. After perhaps 30 or 45 minutes of work, my hiking partners were getting restless and it was time to move on. I felt that I had worked this scene about as much as possible under the circumstances – and I did get a photograph of the “classic view” that I like a great deal — so I loaded up my heavy 9-day backpack load, put away the camera, and strapped the tripod to the outside of the pack. I hoisted the load and slowly started up the switchbacks immediately above the lake.

A couple of switchbacks up the trail I happened to look back at the lake from a slightly higher vantage point, and from here the astonishing deep blue color of the lake and the apron of rocks falling into the water became visible. My first reaction was a combination of “Wow!” and “No way am I taking this pack off and setting all that stuff up again!” Continue reading A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”