Tag Archives: red

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Painted Bricks and Wall

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Painted Bricks and Wall
Painted Bricks and Wall

Painted Bricks and Wall. San Jose, California. January 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Painted bricks and painted-over graffiti on a suburban wall.

Somehow this little bit of painted surface caught my eye while I was out walking with my camera the other day. I follow a general rule of not photographing graffiti, especially the low-class street tagging sort of stuff, but I will photograph the interesting and varied ways that folks cover it up. Somehow it looks like the person who painted out this tag may have been in a bit of a hurry! I also find those painted bricks on the left side interesting and a bit strange.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: willow, glen, san, jose, california, usa, street, urban, city, structure, winter, stock, painted, green, red, white, gray, blue, tan, patch, over, graffiti, wall, board, screws

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Front Porch with Flower Pots

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Front Porch with Flower Pots
Front Porch with Flower Pots

Front Porch with Flower Pots. San Jose, California. January 1, 2010. © Copyright G Dan Mitchell – all rights reserved.

The front porch of an old suburban home with a row of flower pots and a garden hose.

Switching gears more than a bit from the recent Big Sur photographs, here comes a series of urban landscapes shot on a New Years Day walk not far from my home. I shot these in old-school style, wandering around carrying only a full-frame body with a 50mm prime. (OK, I don’t have a Leica, but this comes close enough for me.) I’m not really a big fan of the one-lens approach, but I do find it to be a fun diversion sometimes, partly because it makes me look at photographic subjects a bit differently and partly because it makes for a much smaller and lighter kit.

I’m not quite certain what caught my attention about this house, though several things might have contributed. You cannot see it from the photograph, but this one residence sits on a very busy four-lane thoroughfare among a bunch of businesses – that may have been one thing that drew me to it. The color caught my eye as well, as did the row of flower pots on the porch and the very bright green of the hose. I also like the overall geometry of the scene.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: front, porch, flower, pots, clay, green brown, red, pink, green, home, urban, house, door, screen, window, frame, pink, apricot, siding, gas, meter, hose, cement, concrete, sidewalk, worn, mailbox, street, downtown, san jose, california, usa, stucco, shade, blinds, curtain, reflection, stock/font>

Photographs: People, Photographs: Southern California, Photographs: Urban/Street, Southern California

Umbrellas, Getty Center Garden

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Umbrellas, Getty Center Garden
Umbrellas, Getty Center Garden

Umbrellas, Getty Center Garden. Los Angeles, California. December 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

Visitors walk through the garden on a rainy and foggy afternoon day at the Getty Center, Los Angeles, California.

I’m probably just about the only person who goes to the Getty Center hoping for rain… and who is regards himself as lucky when he gets rain… and fog! :-)

We were in LA during the past week to visit my daughter and our son-in-law, and we decided to stop at the Getty on the start of our return drive to the SF Bay Area. I’m always fascinated by the grounds of the Getty and by the opportunities to photograph people on those grounds, and interesting weather makes this even more appealing. On top of that my daughter had told us about the wonderful Rembrandt exhibit and I was looking forward to the Irving Penn “Small Trades” photographs on display. (It is a great exhibit – see it if you are in the area.)

I often confess that as much as I enjoy the art at the Getty, I enjoy the Getty as architecture and urban landscape just as much. Although few of my Getty photographs appear here, I very much enjoy photographing the forms and lighting of the buildings and the gardens. It was raining lightly when we arrived, and by the time we made it up the hill fog had settled on the ridge. I actually made well over 100 exposures throughout the day. Many were shot quickly as momentary conjunctions of people and light and atmosphere appeared and just as quickly disappeared. I happened to find myself on a walkway overlooking the fogged-in garden just as a couple groups of umbrella-bearing visitors encountered one another near the sharp point of this path.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: getty, center, art, museum, los angeles, california, usa, path, walk, sidewalk, people, man, woman, umbrella, tan, red, white, trees, silhouette, plant, lawn, grove, step, reflection, fog, mist, cloud, rain, shower, stock

Commentary, Community

Ansel’s Moon

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Edie Howe has posted a delightful little slide show made at this week’s Yosemite Valley event, sponsored by the Ansel Adams Gallery, that commemorated the making of the famous Ansel Adams photograph of Half Dome and the rising moon. The idea was that position of the moon and timing relative to daylight would duplicate those at the time of Adams’ original exposure. I enjoyed Edie’s sequence (nice final photograph, Edie!) and looking at some of the (pardon the awful pun) luminaries of Yosemite photography as they held forth in Ahwahnee Meadow. I’m sorry I couldn’t be there!

Perhaps ironically, the moon was hidden behind what appears to be a bit of a snow squall above Half Dome, though it appeared to be clear both before and perhaps after the historic moment! In a way I think that this might have been the most appropriate thing that could have happened. While I don’t think that trying to re-make Ansel Adam’s photograph has any more validity than trying to re-write a Mozart symphony, the event seemed like a great opportunity to: gather together on a beautiful evening in this wonderful meadow, contemplate the evening with the additional context of thoughts about Adams and his photography, meet a number of people influenced by Adams’ legacy, and focus on Adams’ photograph rather than trying to create one’s own version – since the imitative exercise turned out to be impossible!

I wish I had been there.