Photograph of a person looking at mannequins in a store display window along a San Francisco street.
I posted a black and white version of this photograph a week or so ago, but I wasn’t quite able to give up the crazy colors in the display window of this store… so here is the color version.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of a person looking at mannequins in a store display window along a San Francisco street.
I saw this starkly-lit scene while walking not far from Union Square in downtown San Francisco in early March. The difference between the body position and posture of the person standing in the foreground and the highly stylized and quite unreal figures in the display case caught my attention. (I’m still going back and forth between this black and white version and the color rendition which shows the wild colors of the mannequins – the middle one wears shiny red pants and seems to have a blood stain on “his” shirt!) I also liked the somewhat skewed angles and perspective from the wall of the building and the descending sidewalk to the right, broken up a bit by shadows from a bicycle and a pole.
For those who might wonder, there is still a bit more urban and street photography in the queue before my more familiar landscape photography returns.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
View through curved windows into the central rotunda at the Getter Center with stairs, people, and reflections.
This and a few of my other recent Getty Center photographs are at least partially “about” complexity of several sorts. This isn’t a simple image. I saw quite a few things here when I made it. I may have first been drawn to the reflections on the curving windows of this central building at the Center – it is the first building you enter as you come up from the tram, here photographed from the inner courtyard on the other side of the building. The reflections become almost as solid as some of the other elements since these “other” things are distorted both in shape and color by the windows. I also liked the zigzag pattern of the interior stairway and the two figures at the top balanced by the single sitting figure at the bottom and perhaps the walking figure near the right side. The light was interesting. It was a cloudy and rainy day. (In a full-size image you can see the raindrops on the foreground window.) Besides the odd green cast – more on that in a moment – because the light was diffused and coming from all directions in these misty and rainy conditions, I had a better chance to balance the exposure between the inside and outside areas. There are curves everywhere in the scene – starting with the curving windows, including the curving staircase, the outline of the round interior space, the far curved windows seen clearly in the upper part of the frame, and so on. Finally, as I thought about what to do with the narrow triangle of outside sidewalk at the lower left, it occurred to me that having it there enhanced the odd quality of the green-windowed interior space, and this space even began to remind be a bit of a giant aquarium.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Visitors on the outdoor dining terrace among tall stone pillars with fog beyond – Getty Museum, Los Angeles, California.
I think this terrace is one of the most interesting places at the Getty Center for a variety of reasons. For one, these slender and tall columns seem to support a rather large part of the museum – being a virtual native Californian I can’t help but think about their seeming fragility here in earthquake country. But the space itself is a very interesting one. While protected from sun and rain (as on the day I made the photograph) it feels very open because of the unusually high “ceiling” and the fact that it is almost completely open along a good part of its edge. While the “back” wall is nondescript – and, in retrospect, I can’t even describe it – the front opens to the large gardens that are spread below.
Elements that attracted me to the scene on this visit included the gradual gradient from shadow at the lower right to much brighter light at the far edge of the terrace, the vertical length of the support columns and their relative placement, the very small figures of the visitors, and the diffuse and misty fog and rain beyond the terrace.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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