Tag Archives: trees

Courtyard, MOMA

Courtyard, MOMA
Courtyard, MOMA

Courtyard, MOMA. New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of the courtyard of the New York’s Museum of Modern Art, photographed through windows of the museum.

Sticking with the urban New York theme for at least one more day, this is another photograph shot from a window in the Museum of Modern Art and looking out over a courtyard and architecturally busy urban scene combining older brick and stone facade buildings with more modern and taller buildings.

There are subtle (or perhaps not so subtle?) reflections in the window through which I made the photograph. These reflections are one reason, though not the only one, that I decided to render this as a black and white image – some of the shadows had colorations that did not work for me. To my mind, this photograph is related to some others that I’ve made featuring views of and through the windows of modern buildings, including this photograph from the Getty Museum in Los Angeles.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Windows, MOMA

Windows, MOMA
Windows, MOMA

Windows, MOMA. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

A scene consisting almost entirely of windows and secondary reflected subjects, Museum of Modern Art, New York.

Look closely and you’ll perhaps see that this is not quite what it might first appear to be. It is something of a visual trick or joke on one level. It is some other things, too.

The bottom line is that almost nothing in this scene is actually where it appears to be or even what it appears to be. The shot was made through an upstairs window of the Museum of Modern Art in New York, and the vertical shapes are the window frame and a bit of the interior wall at the far right, with some diagonal elements of the frame at top and bottom. But the “scene” outside is entirely reflected in the windows of the adjacent building – this is actually a photograph of a single glass-walled building, not exactly a photograph of an urban scene with buildings and trees and sidewalks and people – those are all reflections in the glass of the building. Obviously, I was also having some fun with perspective lines going off in a range of different directions – the window frame lines converging to the right, the outside perspective lines converging toward the left, and the converging lines on the reflected buildings headed back to the right. There’s more, but I’ll probably get lost if I try to describe it. A close inspection – easier with the print than in this little jpg – reveals some other odd stuff here and there: double images of some of the reflected buildings, some warping and bending of those shapes, people scattered around the courtyard and some moving figures that are barely visible.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


‘Rim of the World’ Overlook, Morning

'Rim of the World' Overlook, Morning
'Rim of the World' Overlook, Morning

‘Rim of the World’ Overlook, Morning. Sierra Nevada, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

The view toward Yosemite and the High Sierra from the ‘Rim of the World’ overlook above the Tuolumne River canyon along highway 120.

‘Rim of the World’ is the name given to a scenic overlook above the deep valley of the Tuolumne River along route 120, the northern route into Yosemite National Park. It is something of an odd place. It is a fairly pedestrian traffic pullout, though it overlooks the immense and impressively deep canyon of the Tuolumne. But the view is at least partially obstructed by things like power lines. However, it is a view that on clear days can extend great distances to very high Sierra peaks.

I most often simply blow past the spot on my way to or from the park. However, on this morning as I passed I thought the low morning light looked interesting so I found a spot to turn around and drove back. There was a bit of high cloudiness, and the light was coming across the folds of these foreground hills from the right, lighting up various bits of ridge and trees and illuminating the morning haze enough to amplify the effect of distance. If I’m not mistaken, the further ridge with its faintly seen snow fields is in the area of Mount Hoffman.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Sur Coastline Near Soberanes Creek, Spring

Big Sur Coastline Near Soberanes Creek, Spring
Big Sur Coastline Near Soberanes Creek, Spring

Big Sur Coastline Near Soberanes Creek, Spring. California Coast. May 13, 2011. © Copyright G Dan Mitchell – all rights reserved.

A sunny spring morning along the Big Sur Coast at Soberanes Creek, with fog above the coastal mountains.

This is a spot that is probably familiar to many who have driven down this section of the Big Sur coastline south of Monterey and Carmel, California. To the right, and out of the photograph, is Soberanes Canyon which ascends steeply toward the ridges above Pacific Ocean. A creek flows down the canyon, underneath the coast highway, and then into the ocean.

The foreground bluff looks inviting with its green color and spring flowers. However, I picked up one of the worst cases of poison oak I’ve had on one occasion when I walked across this meadow to photograph the sea stacks and coastline at dusk!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.