Tag Archives: twilight

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Clouds, Tuolumne River Valley

November 25, 2011 G Dan Mitchell Leave a comment

Evening clouds from dissipating afternoon thunderstorms in early evening light above the Tuolumne River Valley, Yosemite National Park.

I recently posted a photograph of wildly colorful sunset clouds made a bit earlier on this same evening this past September as I was concluding a week-long photography backpack into the Yosemite back-country. By the time I had the photograph shown here, the most psychedelic of the sunset colors had begun to fade (though the reddish coloration on the granite is from that light) and I turned my attention to the thinning clouds.

Not much earlier, these clouds had been part of a massive line-up of huge thunderstorms over Yosemite high-country. I had escaped the rains since I was now in the relative lowlands around Glen Aulin, but it was clear that these had been some powerful localized storms. But as typically happens on many Sierra evenings, the giant storms soon dissipated and the clouds thinned to transparency as the day came to an end. By the time I made this photograph only a bit of direct sunlight was striking the tops of the highest remaining clouds.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Twilight Surf

January 12, 2011 G Dan Mitchell Leave a comment

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

10th Avenue Between 19th and 20th Streets, Chelsea

September 23, 2010 G Dan Mitchell Leave a comment

A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.

A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Cascades, Photographs: Nature

Sunset, Mt. Shuksan and Picture Lake

September 5, 2010 G Dan Mitchell 2 Comments

Sunset on cloud-shrouded summit of Mt. Shuksan with Picture Lake in the foreground, Mt. Baker-Snoqualmie National Forest, Washington.

Icon alert! I understand that photographing Mt. Shuksan from this locale is, in the Pacific Northwest context, perhaps almost equivalent to photographing the Golden Gate Bridge from the Marin Headlands or photographing Yosemite Valley from Tunnel View. As a brand new photographer of Cascades Range subjects, I plead guilty to succumbing to this icon and photographing it. (I’m told that the only thing that this photograph needs in order to qualify for full “yet another photo of an icon” status would be to come back in a month and shoot it when the fall colors appear.)

My brother and I had been up higher photographing the Artist Point area for most of the afternoon, and he suggested that since we were here we might stop at Picture Lake on the way back down the mountain and see what might develop. I’m glad he did since, icon status aside, this really is a stunning and beautiful location and it was a quiet and beautiful evening. Several things made it special, I think. First, while the summit of Shuksan never fully cleared, the clouds shrouding the summit gave it a more dramatic aspect than might have been the case with an unobstructed view. Second, much to our surprise, we were not joined by a throng of other photographers. At first we were the only ones there, and later we only saw a few others in the area.

This was a technically challenging scene to photograph. The lake and foreground trees were in shadow at this point, though on the scene one could still see the details of the forest along and beyond the far shore. Yet the summit of Shuksan and the clouds were in full sun, and making this even more difficult, the red sunset light was extra intense. The eye can take all of this in without a problem as you move your focus from foreground to distant peak, but the camera is not as capable – and the dynamic range of the scene dramatically exceeds the capabilities of cameras. So, again, this photograph is a composite of three exposures manually blended in post to combine the best exposures of bright and saturated highlights with the best exposure of the dark forest along the shore of the lake.

Update on 9/29/10: I recently noticed that I had misidentified the lake in the photograph! I have corrected the post to call it by its correct name, Picture Lake.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.