Two apartment windows look out from an upper story apartment in Brooklyn, New York.
Looking through the curtains of this upper story apartment in Brooklyn, New York, the upper walls and rooftops of surround apartment buildings are visible.
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A small pond reflects trees and glaciated boulders, Yosemite National Park.
This is a little location that I’ve returned to since I first discovered it a few years ago when I made a random stop along Tioga Pass Road to photograph some fog, looked away from the road, and saw a faint trail leading off into a little valley that looked to be full of rocks. Later I returned and wandered out on the trail and discovered a surprising landscape with glaciated granite, small pools, open forest, and small meadows. The first time I photographed there I had little time, so it ended up being more of a scouting visit than a shoot. However, this summer I planned to reserve part of a morning to wander back up this trail during the time when the light would still be good.
The pools here are almost completely still. The water is flowing, but not much, especially in the small granite rimmed pools like this one. The light was just barely beginning to filter down through the trees, so I had to be a bit careful to avoid hot spots where the sun shone. I’d share where this spot is, except that if you think about what you are passing as you drive along Tioga Pass Road, and occasionally stop and look around, you can probably find your own little spots like this one.
Two juniper trees in morning light at the base of Pywiack Dome, Yosemite National Park.
This strong and straight juniper and the smaller twin hiding behind it grow at the top of the rocky debris field at the base of this dome not far from Tenaya Lake in the Yosemite National Park high country. A bit later than the “golden hour” time, the morning light begins to spill around the side of the dome and illuminate these trees from behind, creating a glow in their branches and the branches of trees and brush around them.
Last night someone asked me if I choose when to go to the Sierra to photograph based on the weather conditions. I wish I had that luxury! To some extent I make general decisions about where and what to shoot based on the season – The Valley around the end the start of November, the east side in early October, etc. – but for the most part I go where I can go when I can go there. However, I do alter the focus of my shooting based on the current conditions. This late-July trip is a good example.
I associate certain types of light with different seasons, and I tend to look for clear and crisp light in late July along, accented by snow fields and lots of new growth. I was a bit surprised by the amount of haze in the atmosphere. In fact, in some ways it almost reminded me of very late summer and early fall when Sierra wildfires often create a smokey haze over the range. With this in mind, I figured out that crystal clear photographs of mountain peaks against sky were not going to be in the cards. Instead I focused more on closer subjects, and when I shot more distant subjects I thought a lot about how to use the haze, embracing its effect rather than regretting that I had to deal with it. This photograph is perhaps an example of both of those approaches. The main subject here, the central pair of trees, cannot be more than a couple hundred feet away, if that. Behind the trees and the slab are more distant granite domes and cliffs and forest winding up the mountainside. Shooting almost straight into the sun accentuated the hazy quality of the more distant elements of the scene and enhanced the sense of front to back distance, and separated the foreground trees from the background it a way that would not have been possible in “better” lighting conditions.
Two sea gulls glide along the top of coastal bluffs above the Pacific Ocean north of Santa Cruz, California.
Since I’ve related the basic story previously – more than once – I’ll keep it short this time. Since I live within an hour or less of the California coast, I head over that way frequently to photograph. Among my favorite subjects are the pelicans that travel up and down (but mostly, for some inexplicable reason up) the coast, riding the updrafts along the tops of coastal bluffs. I had some free time on this day, so I headed over with photographing the birds as one of my possible goals.
When I got to this familiar spot, there were no pelicans. (Eventually a few did fly past, but this was not a good day for pelicans.) Before moving on to other subjects I thought I’d at least stay here a while and practice the skills involved in photographing these birds in flight since even though there were no pelicans, there were plenty of other obliging birds. Most of the time it is difficult to get two gulls in the frame once they get close and start to fly past, but these two hung close enough together to be in the same frame, and their low trajectory placed them right in front of the deep blue water, with the fog-softened horizon near the top of the frame.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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