G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
“Wheat Field and Building Clouds” — Thunderheads rise above a Cotswolds wheat field.
If you are following along, it may start to be difficult to follow the itinerary of our late-spring trip to the British Isles. We started in Scotland, spent time in Ireland, then headed to England for about three weeks. The first week in England was spent on a walk between villages in the Cotswolds. We had heard about people doing that, and it sounded fun — and we were able to meet up with relatives who live in Europe.
“Cubist Wall” — A wall of rectangles and colors, Cork, Ireland.
When we travel we like to combine the new with the familiar. That was true on our recent trip — the Scotland portion was an extension of the familiar, and Ireland was new to us. That’s right, this was our first visit to the Republic of Ireland. We know there is much, much more to Ireland than we could see in a week, but on this trip we focused on three cities: Dublin, Galway, and Cork. This photograph comes from Cork.
“Duncansby Stacks” — Sea Stacks at John O’Groats on Scotland’s North Sea Coast.
Our big loop through northwest Scotland began at Inverness, went to Skye, then headed north with stops at Ullapool and Altnaharra. From there we crossed the northern coast to John O’Groats. Why John O’Groats? it feels like one of the more remote places in Scotland – it is on the North Sea and beyond there are only the Orkney Islands. I also recall running into a cyclist on our previous visit to Scotland who was riding from the furthest south point in England to John O’Groats, and that piqued my interest.
“The Naked Emperor” — “The Naked Emperor,” by Edward von Lõngus, on an Aberdeen wall.
I photographed this version of “The Naked Emperor” in Aberdeen, Scotland, but I understand that the figure is found in many European cities. The artist signs his work, “Edward von Lõngus,”which I understand is a pseudonym meant to hide his real identity, in the Banksy tradition. I made the photograph along a very old, narrow street in an area of Aberdeen where there is a lot of other street art.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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