Category Archives: Photographs: Ocean & Coast

Evening Fog and Rocks, Big Sur

Evening Fog and Rocks, Big Sur - Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Evening Fog and Rocks, Big Sur. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelican Flock

Pelican Flock - A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve
A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve

Pelican Flock. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve.

I photograph birds sometimes – more these days than at some times in the past – but they are generally not my main passion in photography, with a few exceptions. The first of those, however, is photographing pelicans along the Pacific Ocean coast of California where these big, magnificent birds seem to stand apart from the other birds of the area. They are bigger, they often coast rather than flapping wings quickly, when seen they are most often simply passing by on their way to and from some unknown other place, and they overall seem to me to have an almost prehistoric aspect.

Most often when I photograph them I go to some place where I think they will pass and I wait. Places where a rocky peninsula extends a bit into the ocean can be likely spots, as are the top edges of certain bluffs above cliffs, where they seem to float past on updrafts from onshore winds. Often as I wait and watch for them I see other birds and I may photograph them, but I’m always watching in the further distance for the groups of pelicans, usually strung out in lines of a few birds to, sometimes, many – and as soon as I spot them the other birds are forgotten as I watch the pelicans approach. I understand that this year the California pelicans are stressed by some sort of environmental change and many have died and others seem undernourished. This may partly explain why I saw so few on this July visit to Point Lobos, mostly only stray groups of two or three that were separated widely from one another. But late in the day a huge flock came from the south and, surprisingly, rather than floating past quickly they moved slightly inland, where I think they found a thermal, and spent several minutes coasting in circles as they rose higher.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Home Bay, Drakes Estero

Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Seaweed and Sandstone, Weston Beach

Seaweed and Sandstone, Weston Beach - A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.
A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.

Seaweed and Sandstone, Weston Beach. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A twisted piece of seaweed tossed onto sandstone rocks at Weston Beach, Point Lobos State Reserve.

Bits of sea life-like this illustrate one of the great reasons to walk slowly and carefully along the shoreline with eyes wide open. I photographed this section of dried seaweed just as I found it, lying on this stratified bit of sandstone on Weston Beach at Point Lobos. It is hard to imagine how a plant that, I presume, might have been fairly straight underwater, ended up in such a wonderfully twisted shape and to sit on this bit of rock with its own shallow curve.

I was a bit surprised to find this and some similar nearby examples on this beach. I’m used to coming here in the high-wave months of winter, when storm surf can cast all sorts of interesting things far up on the beaches and beyond the usual high-water line. But at this time of year the surf is often a lot calmer, as it was on this day, and I don’t expect to see nearly as much “stuff” washed up.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.